Dr. Jekyll and Mr. Hyde (Bantam Classic) [Mass Market Paperback]

Robert Louis Stevenson (Author), Jerome Charyn (Afterword)

Book Description

ISBN-10: 055321277X | ISBN-13: 978-0553212778 | Publication Date: March 1, 1982

Robert Louis Stevenson originally wrote Dr. Jekyll And Mr Hyde as a "chilling shocker." He then burned the draft and, upon his wife's advice, rewrote it as the darkly complex tale it is today. Stark, skillfully woven, this fascinating novel explores the curious turnings of human character through the strange case of Dr. Jekyll, a kindly scientist who by night takes on his stunted evil self, Mr. Hyde. Anticipating modern psychology, Jekyll And Hyde is a brilliantly original study of man's dual nature—as well as an immortal tale of suspense and terror. Published in 1866, Jekyll And Hyde was an instant success and brought Stevenson his first taste of fame. Though sometimes dismissed as a mere mystery story, the book has evoked much literary admirations. Vladimir Nabokov likened it to Madame Bovary and Dead Souls as "a fable that lies nearer to poetry than to ordinary prose fiction."

Editorial Reviews

Amazon.com Review

The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.

This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.

This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Gr 4-8–Francis has done a careful job of retelling the originals in a concise if somewhat uninspired manner. In particular, she uses the epistolary styles of the original Dracula and Frankenstein in her retelling while using simple language and plot summaries that children will follow with ease. Students who read these books would be able to summarize the stories' main points, but may be left in the dark as to why these classics are held in such reverence, as the style is more reportage than fiction. Contributing to the dry tone are low-quality illustrations that lack detail and are unlikely to draw children's attention. There are helpful appendixes and introductions, however. “Graphic Classic” (Eureka) is a similar series with broader appeal to this age group.–Jane Cronkhite, Santa Clara County Library, CAα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. --This text refers to the Library Binding edition.

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Product Details

• Reading level: Ages 18 and up
  
• Mass Market Paperback: 112 pages
• Publisher: Bantam Classics (March 1, 1982)
• Language: English
• ISBN-10: 055321277X
• ISBN-13: 978-0553212778
• Product Dimensions: 6.7 x 4.1 x 0.4 inches
• Shipping Weight: 1.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (308 customer reviews)
• Amazon Best Sellers Rank: #183,625 in Books (See Top 100 in Books)
  • #10 in Books > 4-for-3 Books > Literature & Fiction > Authors, A-Z > ( S ) > Stevenson, Robert Louis

Customer Reviews

Most Helpful Customer Reviews

68 of 70 people found the following review helpful:

5.0 out of 5 stars Do You Know the True Story of Dr. Jekyll and Mr. Hyde??, July 6, 2004

By 

Stephen Pletko "Uncle Stevie" (London, Ontario, Canada) - See all my reviews
(TOP 1000 REVIEWER)   

This review is from: Dr. Jekyll & Mr. Hyde (Signet Classics) (Paperback)

+++++

I have seen many movie versions of this classic. So, I made the assumption that I knew the true story. Then I read this book. Was my assumption ever wrong!!!

This particular book (published by Signet Classics in Sept. 2003) of less than 150 pages has five parts:

(1) Opening Pages. They include a brief biography of Robert Louis Stevenson (1850 to 1894). (Takes up 4% of the book.)
(2) Introductory Essay. This was written by the late, famous Russian author Vladimir Nabokov. (Takes up 20%.)
(3) The Actual Story. Its original title is "The Strange Case of Dr. Jekyll and Mr. Hyde" (1886). (Takes up 65%.)
(4) Afterword to the Story. It is written by a modern writer. (Takes up 8%.)
(5) Selected Bibliography. Outlines great works by and about R.L. Stevenson. (Takes up 3%.)

The introductory essay was an actual lecture Nabokov gave when he was associate professor at Cornell University from 1948 to 1959. It gives a thorough, detailed analysis of this "seldom read" classic.

The afterword consists of a shorter analysis of this classic by the modern writer Dan Chaon. I felt that this afterword provided valuable insight regarding the story of Jekyll and Hyde.

Chaon sums up the entire story: "The structure of ['Dr. Jekyll and Mr. Hyde'] follows a path as indirect and elusive as its multiple narrative voices. With its obliquely recorded incidents, its eyewitness accounts and sealed confessions, it resembles...a [police detective's] casebook--a collection of gathered clues, fragments, through which the clever detective may be able to...project a complete narrative. Perhaps one of the most compelling aspects of this novel [of ten chapters] is that, in fact, there's so much left here for [the reader] to fill in, so many scenes that [the reader] can only imagine. Such a structure creates fertile ground for allegory [a story with symbolic meaning] hunters, and there are indeed many convincing interpretations of this novel...The puzzle-like structure of the novel [which only has eight major male characters] creates a kind of Rorechach test, open to various interpretations." (A Rorechach test is where a person interprets inkblot designs.)

The inspiration of this short novel is said to have come from a dream (or, perhaps more accurately, a nightmare) Stevenson had. His actual writing is amazing and skillful in all chapters. The writing especially of the last two chapters, chapters nine and ten, stood out for me. Here, for example, is his actual description of what happened when somebody observed someone using Dr. Jekyll's concoction: "He put the glass to his lips and drank at one gulp. A cry followed; he reeled, staggered, clutched at the table and held on, staring with injected eyes, gasping with open mouth; as I looked there came, I thought, a change--he seemed to swell--his face became suddenly black and the features seemed to melt and alter--and the next moment, I had sprung to my feet and leaped back against the wall, my arm raised to shield me...[and] my mind submerged in terror."

Finally, the cover of this particular book is interesting. It shows the shadow of a man in a top hat behind a window shade. This can be taken to represent Hyde who is a shadowy character.

In conclusion, this particular book has it all: an introduction by a late, well-known author, an intriguing mystery/horror story by a late, famous nineteenth century author, and an afterword by a gifted, modern writer. Be sure to read this book to learn the true story of Dr. Jekyll and Mr. Hyde!!!

+++++

26 of 27 people found the following review helpful:

5.0 out of 5 stars The Strange Case of Dr. Jekyl & Mr. Hyde, March 13, 2010

By 

Kenneth Neward - See all my reviews

Amazon Verified Purchase

This review is from: The Strange Case of Dr. Jekyll and Mr. Hyde (Kindle Edition)

We all know the term "Jekyl & Hyde" but I suspect many, like me, have never actually read the story. It was a surprising pleasure and I was able to try out the dictionary function on my Kindle several times (words no longer used in modern day writing).

14 of 14 people found the following review helpful:

4.0 out of 5 stars Somewhat Faded With Time But Still Incredibly Influential, July 13, 2006

By 

Gary F. Taylor "GFT" (Biloxi, MS USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)    (REAL NAME)   

This review is from: Dr. Jekyll & Mr. Hyde (Signet Classics) (Paperback)

Published in 1886, THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE was an instant sensation and had a tremendous impact on later generations; it would not be an exaggeration to say that there have been hundreds of stage and film productions drawn either directly or indirectly from the original Robert Louis Stevenson story. Readers who come to the story from these adaptations, however, will very likely be surprised: few of them do more than borrow Stevenson's central concept.

Unlike the numerous stage and film adaptations, Dr. Jekyll is not a young or remarkably handsome man, nor the book does not contain any of the romantic subplots to which its adaptations are prone. At approximately one hundred pages, the story is very direct and extremely well suited to Stevenson's very precise style, which is very clean yet extremely evocative and very readable.

That said, modern readers are unlikely to be shocked by the book. For one thing, the story is too well known; for another, it contains very little of the graphic horror typical of current horror stories. But more than anything else, DR. JEKYLL is very distinctly a novel that draws from the Victorian era, and much of its impact was due to that society's remarkable hypocrisy; it was a world in which appearances were everything and a double life "acceptable" as long as you were not caught at it.

The same concept arises in two other novels from the same era, Bram Stoker's DRACULA and Oscar Wilde's THE PICTURE OF DORIAN GRAY, albeit in distinctly different forms. But whereas the Stoker and Wilde novels transcend their era, Stevenson's tale does not, and with the passing of Victorian attitudes the work has lost a great deal of its power to shock. Even so, Stevenson does touch a nerve with his chemically-induced transformation; then as now, drug abuse was a scourge, and in addition to this the work is somewhat similar to Mary Shelly's FRANKENSTEIN in the sense that it anticipates a host of ethical concerns that have become more and more pressing with the passage of time.

Although it has not held up as well as the other titles named, DR. JEKYLL AND MR. HYDE is nonetheless unavoidable for any one who has an interest in gothic or horror literature because it had--and continues to have--such a tremendous influence on later works. Stevenson's prose is elegant, it is "an easy read," and I think most contemporary readers will enjoy it if they make the effort to see it within the context of its era.

GFT, Amazon Reviewer