Dracula (Dover Thrift Editions) [Unabridged] [Paperback]

Bram Stoker (Author)

Book Description

Publication Date: April 18, 2000 | Series: Dover Thrift Editions

A dreary castle, blood-thirsty vampires, open graves at midnight, and other gothic touches fill this chilling tale about a young Englishman's confrontation with the evil Count Dracula. A horror romance as deathless as any vampire, the blood-curdling tale still continues to hold readers spellbound a century later.

Editorial Reviews

From School Library Journal

Grade 7 Up?A naive young Englishman travels to Transylvania to do business with a client, Count Dracula. After showing his true and terrifying colors, Dracula boards a ship for England in search of new, fresh blood. Unexplained disasters begin to occur in the streets of London before the mystery and the evil doer are finally put to rest. Told in a series of news reports from eyewitness observers to writers of personal diaries, this has a ring of believability that counterbalances nicely with Dracula's too-macabre-to-be-true exploits. An array of voices from talented actors makes for interesting variety. The generous use of sound effects, from train whistles to creaking doors, adds further atmosphere. Lovers of mysteries and horror will find rousing entertainment in this version of a classic tale.?Carol Katz, Harrison Public Library, NY
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

The Dover volume collects 14 of Stoker's lesser-known horror stories such as "The Crystal Cup," "The Burial of the Rats," and "A Gipsey Prophecy." Though most of his other fiction has been overshadowed by Dracula, these offer some real chills and warrant reading. While editions of Dracula, which celebrated its centennial in 1997, are legion, Broadview's offers several extras, including a chronology of Stoker's life and appendixes on Transylvania, London, Mental Physiology, Reviews and Interviews, and more. That along with the full text make this one of the best editions available, especially at this remarkable price.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.

See all Editorial Reviews

Product Details

• Paperback: 336 pages
• Publisher: Dover Publications (April 18, 2000)
• Language: English
• ISBN-10: 0486411095
• ISBN-13: 978-0486411095
• Product Dimensions: 5.2 x 0.8 x 8 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (1,288 customer reviews)
• Amazon Best Sellers Rank: #2,150 in Books (See Top 100 in Books)
  • #4 in Books > Literature & Fiction > Mythology & Folk Tales > Fairy Tales

Most Helpful Customer Reviews

176 of 186 people found the following review helpful

5.0 out of 5 stars Easily the best horror novel ever written August 13, 2002

By Daniel Jolley HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:Mass Market Paperback

Bram Stoker's Dracula is, hands down, the greatest horror novel ever written. In addition, it is also an enduring classic of literature. You may have seen every Dracula movie ever made, but you do not know the real Count Dracula until such time as you have read Stoker's book. Of course, unless you have been living under a rock, you will know the general plot line, but I assure you there is a wealth of rich material buried throughout the text that is sure to excite, intrigue, and surprise you. Perhaps the ending is a slight anticlimactic, yet I, having read this novel before and being quite familiar with the Count, read the final pages with bated breath, an anxious mind, and the sense of exhilaration that only the most talented of writers can induce.

The most striking characteristic of Stoker's masterpiece is its solid grounding in late 19th-century Victorianism. This may prove frustrating to some readers. It is far from uncommon for the men in the tale to weep and bemoan the dangers threatening the virtuous ladies Lucy and Mina; virtue and innocence of women are hailed rather religiously. Mina, for her part, assumes the role then deemed proper for women, accepting and praising the men for their protection of her, worrying constantly about her husband rather than herself, shedding tears she must not let her husband see, etc. Yet, it is most interesting to see Mina rise above the circle of a woman's proscribed duties; she in fact becomes a true partner in the effort against Dracula, expressing ideas and conclusions that the men, with all of their wisdom, could not come up with themselves.

Another thing I find interesting is the lack of a clear protagonist in Dracula. Technically, I suppose, Jonathon Harker is the protagonist, but Mina, Dr. Van Helsing, Dr.... Seward, and the Count himself basically operate on an equal plane with him. It is Van Helsing who can be described as the anti-Dracula; he plans the moves by which he and his friends seek to thwart the Count's plans and destroy him; the second half of the novel can be compared to a chess match between two equally strong competitors. Minor characters such as the lunatic Renfield are also drawn clearly in our mind's eye by Stoker's incredible gift of characterization. While the format is unusual--the novel consisting fully of diary and journal entries by different characters--you cannot help but be drawn in closely to the group of heroic souls who pledge their very lives to one another as they take it upon themselves to combat a centuries-old evil.

One could expound upon a number of themes in this novel (and many literary critics have certainly done so), so I will just quickly mention a few. Is this an erotic story? Certainly, to some extent, but there is certainly nothing overtly sexual in these pages. Is it really horrible? One might wonder how much blood one would encounter in this product of the Victorian age, but there are indeed some rather shockingly gruesome descriptions of events--nothing to shock modern readers but probably quite surprising to Stoker's contemporaries. There are also subtle overtones of religion in these pages. Aside from the Christian objects that have the power to keep vampires at bay, the most striking scene in the novel is Dracula's perversion of the Lord's Supper in his own most nefarious deed.

I cannot recommend Stoker's masterpiece highly enough. The impatient reader may encounter sections that move too slowly than he/she would like, but such lulls are always wiped away by sudden spurts of activity and drama. Feminists will dislike the Victorian characterization of the women but can find unexpected pleasure in the strength and intellect of Mina. Literary critics will surely find in these pages a deep ocean of issues ripe for analysis. Of most importance, the common reader will find an absorbing storyline which may horrify him/her to some degree in places but which will certainly offer great rewards of enjoyment. I think most individuals would be won over completely by the great humanity of these characters and the unexpected richness and complexity to be found in this story of a fiend they thought they already knew. Read more ›

174 of 188 people found the following review helpful

5.0 out of 5 stars Brilliant June 9, 2009

By Michael P. Mcgeehan

Format:Kindle Edition

I have never read the novel "Dracula" but with it being absolutely free for my absolutely wonderful Kindle, I decided to give it a shot. The book is written entirely in correspondence from the characters; letters to each other, diary entries, telegrams, etc. While I did have to use my built-in Kindle dictionary many times with the big (or antiquated) words, the book flowed freely and was a surprisingly easy read. Certain scenes were downright chilling. What's truly amazing is Stoker's creation of such an incredible monster that has stood the test of time.

156 of 170 people found the following review helpful

2.0 out of 5 stars Reader Beware! October 2, 2005

By L. Davis

Format:Hardcover

Bram Stoker wrote the perfect gothic novel, and Jan Needle (so-called "editor") has butchered it in this edition. This is NOT Bram Stoker's original novel, it is an abridged version. Whole passages are missing, condensed or summarized. The language has been modernized, and the story has lost much of its period flavor. Poor Mr. Stoker must be turning in his grave.

Admittedly, some younger readers might appreciate not having to cope with a novel written in Victorian English, and the simplified delivery might suit some readers. But remember- this is a PERIOD novel, and translating it into contempory language inevitably and irredeemably changes its character.

On a plus side, the wonderful illustrations lend atmosphere, and the blood-soaked pages are suitably grisly.

27 of 27 people found the following review helpful

1.0 out of 5 stars Terrible July 30, 2007

By Phillip Stuart Zibilich

Format:Hardcover

As stated by another reader, this is *NOT* Dracula. This is a "Modernized for the 21st Century Reader Edition" variation of the original. Another way to describe it would be "Dumbed down for a third grader edition".

All of the feel, most of the character, and part of the story are completely gone.

Do not bother with this if you want Bram Stoker's Dracula.

27 of 29 people found the following review helpful

5.0 out of 5 stars It sucks January 4, 2006

By E. A Solinas HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

Format:Paperback

"Dracula" was not the first vampire novel, nor was it Bram Stoker's first book. But after years of research, Stoker managed to craft the ultimate vampire novel, which has spawned countless movies, spinoffs, and books that follow the blueprint of the Transylvanian count.

Real estate agent Jonathan Harker arrives in Transylvania, to arrange a London house sale to Count Dracula. But as the days go by, Harker witnesses increasingly horrific events, leading him to believe that Dracula is not actually human. His fiancee Mina arrives in Transylvania, and finds that he has been feverish. Meanwhile the count has vanished.

And soon afterwards, strange things happen: a ship piloted by a dead man crashes on the shore, after a mysterious thing killed the crew. A lunatic talks about "Him" coming. And Mina's pal Lucy dies of mysterious blood loss, only to come back as an undead seductress. Dracula has arrived in England -- and he's not going to be stopped easily.

"Dracula" is the grandaddy is Lestat and Jean-Claude, but that isn't the sole reason why it is a classic. It's also incredibly atmospheric, and very well-written. Not only is it very freaky, in an ornate Victorian style, but it is also full of restrained, quiet horror and creepy eroticism. What's more, it's shaped the portrayal of vampires in movies and books, even to this day.

Despite already knowing what's going on for the first half of the book, it's actually kind of creepy to see these people whose lives are being disrupted by Dracula, but don't know about vampires. It's a bit tempting to yell "It's a vampire, you idiots!" every now and then, but you can't really blame them. Then the second half kicks in, with accented professor Van Helsing taking our heroes on a quest to save Mina from Dracula....

And along the way, while our heroes try to figure stuff out, Stoker spins up all these creepy hints of Dracula's arrival. Though he wrote in the late 19th-century manner, very verbose and a bit stuffy, his skill shines through. The book is crammed with intense, evocative language, with moments like Dracula creeping down a wall, or the dead captain found tied to the wheel. Once read, they stick in your mind throughout the book.

It's also a credit to Stoker that he keeps his characters from seeming like idiots or freaks, which they could have easily seemed like. Instead, he puts little moments of humanity in them, like Van Helsing admitting that his wife is in an asylum. Even the letters and diaries are written in different styles; for example, Seward's is restrained and analytical, while Mina's is exuberant and bright.

This edition also has a foreword by Elizabeth Kostova, writer of a hit historical novel about Dracula/Vlad Tepes. While I get the feeling Kostova could easily write another book about "Dracula," here she simply writes a literate, intelligent study of the importance of the book, and the Big Themes present in it.

Intelligent, frightening and very well-written, "Dracula" is the well-deserved godfather of all modern vampire books and movies -- and arguably among the best. Read more ›