Dracula in Love [Deckle Edge] [Hardcover]

Karen Essex (Author)

Book Description

Release date: August 10, 2010

In this wonderfully transporting novel, award-winning author Karen Essex turns a timeless classic inside out, spinning a haunting, erotic, and suspenseful story of eternal love and possession.
 
From the shadowy banks of the river Thames to the wild and windswept Yorkshire coast, Dracula’s eternal muse, Mina Murray, vividly recounts the intimate details of what really transpired between her and the Count—the joys and terrors of a passionate affair that has linked them through the centuries, and her rebellion against her own frightening preternatural powers.
 
Mina’s version of this gothic vampire tale is a visceral journey into Victorian England’s dimly lit bedrooms, mist-filled cemeteries, and asylum chambers, revealing the dark secrets and mysteries locked within. Time falls away as she is swept into a mythical journey far beyond mortal comprehension, where she must finally make the decision she has been avoiding for almost a millennium. 
 
Bram Stoker’s classic novel offered one side of the story, in which Mina had no past and bore no responsibility for the unfolding events. Now, for the first time, the truth of Mina’s personal voyage, and of vampirism itself, is revealed. What this flesh and blood woman has to say is more sensual, more devious, and more enthralling than the Victorians could have expressed or perhaps even have imagined.

Editorial Reviews

Amazon.com Review

Bruce Feiler Reviews Dracula in Love

Bruce Feiler is one of America’s most popular voices on faith and family. He is the author of five New York Times bestsellers, including Walking the Bible, Abraham, and America’s Prophet. His latest book, The Council of Dads, tells the uplifting story of how friendship and community can help one survive life’s greatest challenges. Read his review of Dracula in Love:

Gorgeously written and erotically charged, the novel Dracula in Love is like its century-jumping central characters: deeply rooted in the past while pushing ageless mythology into strikingly current realms. Historical novels should have plenty of history, and this novel surely does. Romantic novels should have their share of sex and romance, and this novel delivers both. But its true revelation is its gripping sense of anticipation, heartache, discovery, and unflinching chill.

With Dracula in Love Karen Essex turns her inimitable, piercing gaze to illuminating what should be familiar terrain--Victorian England--and what might seem like well-trod territory--a certain Count. Her considerable trick is to make you forget entirely all the baggage that attends her story by planting us firmly in the shoes and the psyche of one of the "victims," Mina Harker. I am walking up the steps of the finishing school with the quivering heroine; I am secreting away in London’s subterranean shadows with the jilted lover; I am traveling into the mysteries of southern Austria and Ireland's haunted west coast (yes, begone tired Transylvania!) where our heroine discovers her own dark powers.

I shudder in horror and delight when the fangs make their inevitable plunge.

I met Karen Essex when both of us were briefly embedded in the Southern gothic world of Nashville. She would soon unearth some of history’s most misunderstood women and vividly revive them for contemporary ears. From Kleopatra (note the provocative spelling) to the countess of Elgin (and her fascinating courtesan doppelganger from the ancient world, Aspasia) to feuding sisters who posed for Leonardo (watch the genius brought down to earth!), Karen overturns history’s conventions and shows how these women are keenly relevant today.

I am hardly a vampire freak. The Twilight books "eclipsed" me. And I’ve never owned a set of plastic fangs. But I do love Karen Essex, and this novel is enough to make me a little bloodthirsty.

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From Booklist

This variation on Bram Stoker’s Dracula tells the story from Mina Murray Harker’s point of view. As a child, Wilhemina was given to strange dreams and sleepwalking, which so alarmed her parents that at age seven she was sent to a boarding school for young ladies to “learn to control herself and her urges.” And she did become a proper young lady, with a proper fiancé, a young solicitor named Jonathan Harker. But the bewildering dreams continue, and one summer, which she is spending in Yorkshire with her friend Lucy Westerna, she sees a mysterious shipwreck at Whitby. After that the dreams become more like memories, and a presence, which she cannot see, follows her. Essex, who has been praised for her historical novels, has drawn a detailed picture of England at the end of the nineteenth century, including some of the horrendous psychological practices introduced from Germany. Essex’s twist on Stoker’s plot is sufficiently original, and the quality of her writing makes this novel stand out among the vampire offerings. --Frieda Murray

See all Editorial Reviews

Product Details

• Hardcover: 384 pages
• Publisher: Doubleday; 1 edition (August 10, 2010)
• Language: English
• ISBN-10: 0385528914
• ISBN-13: 978-0385528917
• Product Dimensions: 1.3 x 6.6 x 9.6 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 3.7 out of 5 stars  See all reviews (115 customer reviews)
• Amazon Best Sellers Rank: #1,024,570 in Books (See Top 100 in Books)

More About the Author

Karen Essex is the author of five novels of historical fiction. The latest, DRACULA IN LOVE, retells Bram Stoker's tale from the female perspective. STEALING ATHENA chronicles the fantastic journey of the controversial Elgin Marbles. The national and international bestseller LEONARDO'S SWANS, for which she won Italy's prestigious 2007 Premio Roma for foreign fiction, is the story of the rivalry between Leonardo's muses. Essex also wrote two acclaimed biographical novels, KLEOPATRA and PHARAOH, about the infamous queen of Egypt.

She is also an award winning journalist and a screenwriter, and wrote BETTIE PAGE: LIFE OF A PINUP LEGEND, the only authorized biography of the late pin-up icon.

Presently dividing her time between London and Los Angeles, Karen invites friends and readers to follow along as she chronicles her adventures, joys, and sorrows in putting together a complex work of historical fiction: www.karenessex.com/blog. Also, please follow her on Twitter: www.Twitter.com/karenessex.

Most Helpful Customer Reviews

24 of 27 people found the following review helpful

5.0 out of 5 stars For the Male Reader: Plenty of History & Mythology to Sink Your Teeth Into August 10, 2010

By Jonny Snosrap

Format:Hardcover

As a lover of creatures of the night, I thouroughly enjoyed the brimming vampire mythology contained in this book. There's an entire underlayer to this dark world that I wasn't aware existed. Any true vampire fan will appreciate the stones that have been unturned by Essex.

I also appreciate the author's take on Stoker's original story, despite the generous dose of romance inevitably geared at female readers. Not being a female reader, I was drawn to the darker parts of Victorian London and the rich history provided, not to mention the chilling hallways and rooms in the asylum.

Overall, I found the book engaging and a good read. With elements for vampire fans, literature lovers, history fanatics, there is plenty to sink your teeth into.

9 of 10 people found the following review helpful

2.0 out of 5 stars No Lasting Impression and Little Character Depth (C+ Grade) August 10, 2010

By Katie Babs VINE™ VOICE

Format:Hardcover

Karen Essex takes many liberties in Dracula in Love, that's different in every which way from Dracula. The only thing that remains are the characters, and even then, their actions made me shake my head. I really wanted to enjoy Dracula in Love, but found so many things questionable. I would say this is a borderline fantasy novel with very sensual scenes of desire and claiming of one souls where the taking of blood is used rather than actual sex.

Mina has been haunted by disturbing dreams all her life. She tends to sleepwalk and reaches out to a shadowy man who calls for her. Her parents turned their backs on her because when she was a child, she would see strange things. She was sent from Ireland to a boarding school in London, where she was taught to be a well mannered young lady. There she meets Jonathon and they fall and love. Mina also spends her time with an old school chum, Kate Reed, a brash, outspoken journalist who may or may not be having an affair with another journalist. While Jonathon is away in charge of a real-estate transaction in the duchy of Styria, Mina has erotic dreams that make her question her mortal soul. But then Mina is sent word that Jonathon is recovering in a hospital. She rushes to her fiancé and is shocked to see that his body can't be controlled, as in he is constantly aroused. He admits that he succumbed to the desires of the flesh for the Count's niece. Mina feels betrayed but still marries Jonathon.

The Harpers' marriage is less than ideal and Mina feels Jonathon needs help. Around this time, her dear friend Lucy has died from treatments due to female hysteria. Mina will take Jonathon to the same mental institution where Lucy was committed, hoping he will recover from his ordeal, as well as find out what really happened to Lucy. Soon Mina is a victim of the same treatment Lucy was given, and is rescued by the man in her dreams, who proves to her that she is not of this world and has lived many lives before this one.

Dracula in Love is heavy on mythological lore about fairies and the Sidhe, and how Mina is not a simple mortal and meant to be with the Count. The Count has watched Mina through many lifetimes, waiting for the moment to make her his mate again. He treats her with care, only giving into a few base desires because of how fragile she is.

Karen Essex present a solid case why Mina should run off with the Count seeing as they're soul mates, and how Jonathon is weak in mind and body and treats Mina with a major lack of respect. Again the decision is all in Mina's hands. It's up to her and how she handles it. Dracula in Love almost reads like a mystery thriller. I was ready to give it the benefit of the doubt, but Karen does something in the last fifty pages that really turned me off and just didn't make sense. I really didn't see any chemistry between Mina and the Count, and Jonathon's entire wishy-washy personality was practically destroyed. I didn't find myself sympathetic to Mina and everything she has gone through. As writing goes, Karen does have an appealing style, but because I couldn't connect with any of the characters, Dracula in Love didn't make any lasting impression on me.

Katiebabs

17 of 21 people found the following review helpful

2.0 out of 5 stars Why Bother? September 13, 2010

By Jodi VINE™ VOICE

Format:Hardcover|Amazon Vine™ Review (What's this?)

*********SPOLIER ALERT*************SPOILER ALERT****************

The main problem I have is this.....

If a writer is going to take on the task of rewriting a classic novel such as Dracula, and if said author is going to change our perception of who Dracula REALLY was, essentially turning the nefarious Count into a "lonely, misunderstood" guy whose major sin seems to be that of falling in love with a woman who technically isn't his, then why can't this same author alter the fate of one "misunderstood" Count? Why go through the trouble of rewriting Dracula's character to such a degree that he wins the affections of the reader, only to have the author kill him off anyway? If, as Mina Harker claims, Bram Stoker "got the story all wrong", couldn't he have gotten the ending wrong as well? I really hate books that kill off very likable characters and, as far as this story is concerned, Dracula was actually a very likable guy. I was actually rooting for him, thinking he stood a chance considering Bram Stoker "got it all wrong", but I was sorely disappointed.

Throughout the entire book, Mina's idiotic husband who, by the way, checks Mina into an insane asylum and allows her to be tortured at the hands of his "friend" and this same idiotic husband who commits egregious acts of adultry against his innocent and naive wife, maintains his title as hero while Count Dracula (who, by the way, rescues Mina from the insane asylum that her husband abandoned her in) keeps his place as local villain. What the.....?? The husband, with his arrogant and holier-than-thou attitude emerges as the champion and the Count, who has saved Mina's life several times and waited patiently with her while she tried tirelessly to remember her past relationship with the Count, remains villified. The author got the qualities of our characters mixed up and gave "the good guy" evil characteristics (with a still happy ending!) and "the bad guy" was rewritten as a good guy, but still given a villian's fate.

Overall, I hated this book for the reason mentioned above. However, there were some interesting details about how people were treated in insane asylums and some of the stories about how Mina and Dracula met (in a past life) were interesting. Still not worth reading, though, in my opinion.