Dragonhaven [Paperback]

Robin McKinley (Author)

Product Details

• Paperback
• Publisher: G. P. Putnam's (2007)
• ASIN: B001DRLB98
• Average Customer Review: 3.4 out of 5 stars  See all reviews (72 customer reviews)

More About the Author

Robin McKinley has won various awards and citations for her writing, including the Newbery Medal for The Hero and the Crown and a Newbery Honor for The Blue Sword. Her other books include Sunshine; the New York Times bestseller Spindle's End; two novel-length retellings of the fairy tale Beauty and the Beast, Beauty and Rose Daughter; and a retelling of the Robin Hood legend, The Outlaws of Sherwood. She lives with her husband, the English writer Peter Dickinson.

Customer Reviews

Most Helpful Customer Reviews

69 of 72 people found the following review helpful:

4.0 out of 5 stars the ordinary becomes extraordinary; or does the extraordinary become ordinary?, September 24, 2007

By 

mlle. x (California) - See all my reviews
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This review is from: Dragonhaven (Hardcover)

About a page and a half into Dragonhaven, I put the book down and thought to myself, "She can't really keep up this annoying first person narration the whole book, can she?" When I think of Robin McKinley, I think of measured, deeply beautiful, polished prose - with a kind of intense, crystalline quality that has always lent itself well to the fairy-tale aspect of her stories. But Dragonhaven is written in the slangy, talky patter of its contemporary teenage narrator, Jake Mendoza. And she really does keep it up the whole way through.

I did eventually grow to like it (McKinley is a wonderful writer, after all, even if this isn't her usual style), but the depth and beauty of the story seems to peek through the clutter of language, rather than channel directly to the reader through the written word. Jake narrates like somebody who is talking a mile a minute and can't stop to catch his breath, let alone go back through to edit and clarify.

The story falls into the popular urban fantasy genre - a recognizable world of today that is subtly skewed by the addition of some fantastical element, in this case the existence of dragons. Jake lives on the only dragon preserve in America, at an institute in the park dedicated to the study of dragons. One day, seemingly by chance, he finds a dragon dying in the woods - a mother dragon killed by a poacher just as she was giving birth. All but one of her baby dragons are dead, as is the man who killed her. Jake, still trying to cope with the loss of his own mother, looks into the dragon's eye as she is dying and is so moved by what he sees there that he decides to do what he can to save the last of the dragon's litter.

The rest of the book is about raising a baby dragon. It's about the bureaucratic mess caused at the park by the death of the poacher, and the practical and philosophical consequences of Jake's determination to save the baby dragon. It's the kind of story that would be impossibly dull if it weren't so magical, and in this case the breathless pace of the narration counterbalances the steady, grim menace of the government and the long, slow struggle to keep the baby dragon alive. It always feels like a lot is happening, like events are just galloping by, even though there's no real action to speak of.

Things definitely get strange when it comes time for the baby dragon to meet her own kind, but that part of the story is too much fun to spoil.

I really enjoyed Dragonhaven, but it didn't move me the way that some of McKinley's other books have (The Blue Sword, Beauty, Sunshine). I'd give it three and a half stars if I could, and I'm rounding up out of a sense of loyalty.

40 of 42 people found the following review helpful:

3.0 out of 5 stars "Dragonhaven" or "How I went crazy from teenage boy patois", September 25, 2007

By 

Kylin N. - See all my reviews

This review is from: Dragonhaven (Hardcover)

In my opinion, Robin McKinley's greatest strength as a writer is her ability to make the mundane magical or portentous. Her voice is lyric and moving. She used it very successfully to elevate some of her more prosaic, slower-moving books from uninspired to elegant. Her voice is what saved both Rose Daughter and Spindle's End from mundanity, and what made Sunshine and her Damar books such classics.

That voice is missing from this book.

Ms. McKinley, for the first time in her career (as far as I can see), decided to write from the perspective of a teenaged boy. I believe she really struggled to capture the rhythm and honesty of her main character. She adopted a rushed, breathless teenage boy patois scattered with adjectives like "freaking" and "cheezing" that she successfully maintains throughout the ENTIRE book.

Unfortunately.

Her story, although slow in parts, was beautiful and well-drawn. (That's why I gave the book three stars.) However, my pleasure in the story was corrupted by my hatred of her language. It distracted terribly.

Although I am a devoted McKinley fan, I probably would not have purchased this book if I'd known what I was in for.

39 of 43 people found the following review helpful:

3.0 out of 5 stars How POV can nearly ruin a book..., September 25, 2007

By 

C. Bradburn (Royal Oak, MI United States) - See all my reviews
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This review is from: Dragonhaven (Hardcover)

I have to say right off the bat that McKinley does the teenager viewpoint extremely well (which is why it's not 2 stars instead of 3), but I found it very distracting, repetitious, and so expository in parts that I skipped whole paragraphs at a time to find the story again -- just like the last book I read written from a teen-aged boy's perspective. I liked the story, I liked the setting, I liked the characters, I just didn't like the POV. It was good enough to read in one sitting but that's more a testament to the plot than to Jake's recounting. A big disappointment.