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Into this situation strides Gar, an aristocratic idealist who is as out of place in the royal seat as John is as a bloodthirsty warrior. He is looking for John, because Aversin is the only living Dragonsbane, that is, he killed a dragon several years ago that was threatening his people. Another dragon has appeared down south, and is threatening the capital. Gar persuades John and Jenny to go south to face the monster, in return for the garrsions to be sent north again and the Realm to take interest in the north once again. John, who'd rather study dragons than slay them, reluctantly agrees to go.
Here we start on a high adventure, which in typical Hambley fashion, quickly becomes a web of political intrigue, dark magics, and hidden intents. Gar turns out to be the royal heir to the throne, the king is enslaved to a witch of tremendous but mysterious power, and the confrontation with the dragon turns out to be more than anyone bargained for. This is a great tale, one that will keep you turning the pages long into the night. The characters are so normal, and human, that you can't help but identify with them. This is not your typical hero slays dragon quest, nor is it a typical mighty mages contest. What it is, is a simple human story, about what is important in life, and why we do the things we do. I highly recommend this book.
Unfortunately, the sequels do not do this story justice, and you really aren't missing much if you skip them.
Dragonsbane is easily Hambly's best book to date (26 November 1997). She woos us into her universe, which admittedly is not difficult since there are few new artifacts to engage our attention, but she also manages to woo us into the interior spaces of her characters where we are allowed to see the kinds of choices that people make every day and every lifetime.
The book is full of choices -- Jenny Waynest gives up mastery of magic in order to have a relationship with her lover and her sons -- and those choices are constantly called into question, both by the characters themselves and by the situations into which the characters are drawn. Jenny knows that her life could have been very different had she chosen to pursue her magic despite its severe demands; only the dragon is able to confront her when he sees clearly into her heart and mind and asks: "Do you cling to all the little joys because you are afraid of the great ones?"
Dragonsbane falters as most Hambly books do: the author is so enamoured of language that the well-drawn tapestry of scene and mood sometimes looks more like the over-busy, tassled throw rugs my Aunt Geneva used to embroider, applique, and give away to all the grandkids. Sometimes, a simple image does the trick.
But the great strength of the book is that it is not overwhelmed by the artifacts of the genre. The story is clearly about people, not about magic, and Hambly is able to use the artifacts to seduce us into a story where dragons love gold for its singing of their names.
Dragonsbane is the most accomplished, most polished, and most poignant of Hambly's work.