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Drama Junkie Queen
 
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Drama Junkie Queen [EXPLICIT LYRICS]

biLLy bOy on poiSon
5.0 out of 5 stars  See all reviews (3 customer reviews) More about this product

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. On My Way 2:44$0.99 Buy Track
listen  2. Saturday's Child 3:06$0.99 Buy Track
listen  3. Happy Valentine's Day [Explicit] 3:58$0.99 Buy Track
listen  4. 4 Leaf Clover 4:30$0.99 Buy Track
listen  5. Angry Young Man 3:58$0.99 Buy Track
listen  6. Drive Me Insane 2:52$0.99 Buy Track
listen  7. Higher Power [Explicit] 3:10$0.99 Buy Track
listen  8. You're Too High 3:12$0.99 Buy Track
listen  9. Standing Still [Explicit] 3:13$0.99 Buy Track
listen10. Another Lonely Start 3:08$0.99 Buy Track


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Customers buy this album with Horehound ~ The Dead Weather

Drama Junkie Queen + Horehound
  • This item: Drama Junkie Queen ~ biLLy bOy on poiSon

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Product Details

  • Audio CD (July 7, 2009)
  • Original Release Date: July 7, 2009
  • Number of Discs: 1
  • Format: Explicit Lyrics
  • Label: Ironworks Records
  • ASIN: B0025X4OXE
  • In-Print Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #116,163 in Music (See Bestsellers in Music)

Editorial Reviews

About the Artist

Davis LeDuke rolls up his left sleeve. Like so many American rock gods in waiting, he has a tattoo. But this is no fake sleeve of random color-splurge that marks out the common or garden emo, this is ornate script curling around his forearm from elbow to wrist, reading thus: 'I saw the best minds of my generation destroyed by madness, starving hysterical naked'. "This is a Ginsberg quote, the first lines of 'Howl'," he explains. "He's definitely my favorite poet but I read Burroughs, I read Robert Frost, I read a lot of philosophy, I just read the Communist Manifesto just because I felt like it. I got to the end of the book and thought 'Wow, if only people could be perfect'." Billy Boy On Poison's erudite and literate singer isn't your average LA rock freak, but then Billy Boy aren't your average LA rock band. Their glam sparkle is gleaned from Bowie, not Motley Crue. Their garage punk crunch is Hendrix, New York Dolls, The Strokes and The Stooges, not 70s Aerosmith and Dogstar. Their lyrical inspiration is beat poetry, not breast enhancement. And unlike the Sunset Snort Set, Davis had his sex and drug years already; as a moody and reflective artist he did his teens entirely the wrong way round. "I matured very quickly," he says, a fallen product of the US school system. "I've been told that I have an old soul from an early age and that I grew up quickly. I started to get in trouble at twelve years old, smoking pot, doing drugs, having sex." You were, to quote your debut album title, a 'Drama Junkie Queen'? Davis laughs. "Maybe not the drama, but a junkie queen, yeah. At that young an age I didn't get that bad but I'd fuck around in school, I'd piss my parents off, not things where I'd get arrested, I just felt rebellious towards everything, I cut God out of my life and do to this day. I chose the completely opposite side of life." So, having been brought up on John Griffin, Glen Miller, Miles Davis (after whom he was named) and classic rock (his abiding childhood memory is of his father sitting him and his brother down and air-guitaring along to Led Zeppelin's 'Immigrant Song') at the age of thirteen, Davis sold his old soul to rock'n'roll. With three songs written with mentors Michael Gurley, Chris Sorenson and Stu Brantley, Davis started Billy Boy On Poison at the start of 2006 on a mission to meld his childhood influences with his favorite bands - The Velvet Underground and The Brian Jonestown Massacre. Psychedelic glam rock, it transpired, would never sound so modern. Shunning the original idea of a solo project because "I didn't want the focus all to be on me", he roped in guitarist Ryan Wallengren (a true child of Aerosmith) through a musician friend and saved his cousin Jessi Calcaterra from the mile long mountain town of Middle Park, Colorado (they'd play baseball against South Park) by recruiting her on drums. As Davis gradually developed the skills to write songs without his svengali trio, in Hard Drive Studios in North Hollywood the threesome and a revolving cast of guitarists and bassists pieced together a debut album, 'Drama Junkie Queen'. They wrote songs about girls ('Saturday's Child'), sex ('On My Way') and being attracted to people who'd had the fucked up childhoods they never had themselves (the staggering Weezer-esque epic 'Four Leaf Clover'). Davis was a precociously talented melodic virtuoso singing unreconstructed rock hog lyrics like "I'll make it to your bedroom honey/I can make you wet" to songs that took in The Hives, The White Stripes, The Strokes' "Last Night", The (International) Noise Conspiracy and Weezer's "Pinkerton". And playing music live over the following year, Billy Boy on Poison dazzled. Decked out in full make-up, bleach blonde locks and spandex and covering 'Suffragette City', Descanso's 'Heart Is A Whore' and 'Speaking In Tongues' by Eagles Of Death Metal, a Billy Boy show at Silverlake's Safari Sam's Club understandably drew the eye of Ironworks Music in 2007, a label co-owned by habitual foiler of terrorist masterminds Kiefer Sutherland and producer/songwriter Jude Cole.

In the time since signing with Ironworks, Billy Boy on Poison have changed in all but Clockwork Orange-inspired name. Guitarist Greg West was lured away from a course at the Berklee School Of Music to join the band, hooked by the Myspace page that described Billy Boy as sounding like 'hot, wild, abusive, dirty, hair pullin, ass spankin, pillow bitin, moanin, groanin, howling sex!'. Bassists came and went like Spinal Tap drummers and they finally decided to remain a four-piece. They became the first band to be signed to the UK offshoot of Geffen Records, toured the US south, wrote a potential single called 'Doctor Danger' with the DeLeo brothers of Stone Temple Pilots and had one of their raw early songs 'Dirty Bomb' used as the theme to a VH-1 show and released on the limited 'Sweet Mess EP'. Furthermore album opener and single On My Way featured in the hugely popular US TV smash Gossip Girl. And, most pivotal of all, they have begun to grow out of their glam postures and started mining a rich seam of brooding darkness. "I used to try and go for the whole Bowie thing," Davis explains, "and something clicked in my mind 'Why are you doing this? What sort of role are you trying to play? This has already been done'. When we all started getting depressed and went through this dark time when we were switching members I wasn't feeling it as much anymore. One day I was like 'Alright, I've had my fun'. We went from bright colors to black. I don't want these kids to look at us and be like 'oh just another one of those bands'. If you see a band that's wearing all black you don't know what to expect." So the glitterburst of youthful punk energy that is 'Drama Junkie Queen' arrives. And so it stands, a wonderful record of filth, fury and overt exuberance alongside the artfulness of their more recently penned tunes and the creative lyrical depths that Davis now dredges daily. "I'm writing poetry every day and eventually I'd like to write books," he says. "I feel like the songs on this record are good songs because they're hooky and they're catchy and they mean something, they have a message. And now I have a different way of approaching it, I can look more outside the box, use my art and test myself. Now we're moving forward because we want to move forward, not because people are telling us to." Watch close: you're about to see the best minds of our generation enhanced by madness...


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Customer Reviews

3 Reviews
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Average Customer Review
5.0 out of 5 stars (3 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars This album rocks!, July 14, 2009
By Music Lover (Los Angeles, CA United States) - See all my reviews
I have been waiting for this album to be released. It is great! All of the tracks are really catchy, well-written, and well-sung. One of their songs was used in Gossip Girl and more recently in the previews for Entourage. I LOVE this CD!!!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars I am sitting at your back porch baby come and answer the door, July 20, 2009
I saw this band at Pianos in NYC I have been waiting not so patiently for the release of this record!

What a rocking debut album and if CBGSs in NY was still open BBOP would take the roof off. The tracks that stand out the most are 'On My Way, 'Happy Valentines Day' and 'Drive me Insane' for the more punky edge. The riffs are first class and Davis' lyrics are so naughty, I love it!

'You're Too High' isn't so angsty but a great track and the 'Another Lonely Start' completes this musical journey by an ace new band..."I put a flower at your door...did your tears wash them away" and has the nicest bit of lead guitar I have heard in while!

Buy it folks and go out and see these guys!!

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5.0 out of 5 stars Drama Junkie Queen, September 14, 2009
By M. Ramseyer (Los Angeles) - See all my reviews
(REAL NAME)   
Really strong first CD, I have really enjoyed listening to it.
If you like Dead Weather, Cage the Elephant, Black Rebel Motorcycle
Yeah, Yeah, Yeahs, give this CD a try.
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Drama Junkie Queen
91% buy the item featured on this page:
Drama Junkie Queen 5.0 out of 5 stars (3)
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