31 of 35 people found the following review helpful:
5.0 out of 5 stars
It's Oxygen!, November 12, 2005
This review is from: Drama Kings: The Men Who Drive Strong Women Crazy (Hardcover)
I've always believed that one's sharpest criticisms of others are really truest of oneself, and the previous reviewer of this book, Ellie Reasoner, provides a comic example of that. She said that DRAMA KINGS "set off to validate its own agenda and that's what it did." But, actually, that's what SHE did. It looks like she decided in advance what kind of book this is and then didn't bother to read it. Because actually, Dalma Heyn quite agrees with Reasoner. She doesn't remotely "expect a relationship to contain no flaws," she's not recommending trying to "change the behavior of any man," she doesn't claim that ALL men are "Drama Kings," and her bottom line, too, is, "if he's a jerk, get out of the relationship . . . ditch and move on." If you're in your 30s or 40s, strong, independent, eager to be interdependent, and DATING, you'll run into a lot of "drama kings" simply because that's what's left out there. There are plenty of great men, but naturally they're almost all taken!
To me, Heyn's work is oxygen. It's the only place I know where I can still find, in utterly contemporary form, the exhilaration I felt at the very beginning of feminism -- before it got all militant and strident and dogmatic, when it was just pure discovery, and recognition, and expression of the paralyzingly inexpressible. When it was spell-unbinding.
Heyn's first two books were about the mysterious loss of self that women in the 1980s and '90s still often experienced in their relationships with men, especially in marriage. "Marriage Shock" was about the asexual domesticity and dependency that could descend on a vital, independent young woman at the altar or soon after, and its roots in a long-ago historical moment when women's very survival came to depend on pleasing a man. "The Erotic Silence of the American Wife" was about how an affair could be, to paraphrase Kafka, the axe that shattered that frozen sea. It wasn't that the SEX in affairs was fresh and forbidden and therefore hot. It was that the SELF in affairs was natural and uncensored. What happened to women in marriage wasn't their husbands' fault. It was a kind of cultural spell that possessed and dispossessed them both.
Both books were perceived as dangerous. I remember being surprised by the wild misfit between the reviews and what was in the books. Heyn's honesty seemed to panic people to the point where they couldn't hear what she was actually saying. When "Erotic Silence" came out, she was pilloried for advocating affairs -- when what she really advocated was going into marriage with your eyes open to the danger, so you wouldn't lose yourself in the first place. With "Marriage Shock," she was attacked for encouraging women to walk out of marriage -- when all she had done was, first, point out that young women, who had already known the taste of self-possession, were in fact walking out of marriages earlier and earlier; and then, suggest that the way to save marriage was to make it hospitable to whole women.
The news in DRAMA KINGS is that women are just about past that now. They no longer give themselves up in love for much longer than a heartbeat. Instead, they try to give themselves -- huge difference! -- but often to men who are faking rather than taking, "20th-century men" who are attracted to 21st-century women's new strength yet are also driven to sabotage it. When these relationships don't work out, the women Heyn interviewed don't feel like victims. They absorb the experience and stride onward, stronger. Having loved, they're augmented rather than diminished, and readier for the reciprocal real thing if and when it comes along. If it doesn't -- well, they'll marry life!
This book is the exact opposite of all those shrill and gloomy jeremiads -- Maureen Dowd's being the latest -- about how women are paying a high price for having snatched the forbidden fruit of ambition and independence; how if you're educated and over 40 you're more likely to be struck by lightning than to find a man. "Women don't need men any more," Dal says. "They just want them." And that makes all the difference.
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9 of 9 people found the following review helpful:
3.0 out of 5 stars
3.50 stars - Been there done that, February 14, 2006
This review is from: Drama Kings: The Men Who Drive Strong Women Crazy (Hardcover)
At first, I really thought this was going to be a great book. The female author has a great tone and tongue and cheeek way of writing but...its just "okay". It is not deserving of all of the 5-star reviews that I see on here. In a nutshell, "Drama Kings" does not provide enough info on how to identify this behavior or how to disengage yourself from such an individual. Some reviewers seem to think that contents of this book are groundbreaking -- hardly. This book is about commitment-phobic men. It is material that has been covered in a hundred or so other books. This book would be good for a book club reading as it will definitely provoke discussion, however if you are really interested in this topic, I would strongly recommend reading "Men Who Can't Love" by Steven Carter & Julia Sokol.
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16 of 20 people found the following review helpful:
5.0 out of 5 stars
Drama Kings, November 3, 2005
This review is from: Drama Kings: The Men Who Drive Strong Women Crazy (Hardcover)
"Drama Kings: The Men Who Drive Strong Women Crazy" by Dalma Heyn is a great "can't put down" read, albeit a potentially uncomfortabe one for those women who are currently involved with and feel stuck in a relationship with someone who manifests the signs of a Drama King. Regardless of one's status, I believe that most, if not all women, will recognize the various syndromes, unfortunately, because they no doubt have experienced
the confusion and disappointments that accompany a relationship with a Drama King, regardless of type.
And, while delving into these issues may be neither a welcome or a pleasant diversion (far easier to just ignore the Drama King signs and hunker down with the familiar), the theories set forth in the book will give any woman with some intelligence a wake-up call in terms of evaluating her own dissatisfaction and what she can do to transform it into something positive, which for the healthy woman with self-esteem most likely would lead to termination of the relationship and moving on, whether as an independent, self-sufficient person or in a relationship with a more highly evolved man.
The book may be revolutionary in it analyses but, notwithstanding the discomfort it may potentially create, the read is well worth the effort, regardless of what a woman may elect to do in the future. In my own view, I think that Drama Kings should be read by every young woman about to embark on a relationship because it will give her the appropriate tools with which to assess a potential relationship as well as by those women who are frustrated in their attempts to make their current relationships more satisfying and meaningful. Hopefully, it will become a classic among womens' literature.
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