Now in its twentieth year, Dramatists Sourcebook-the best selling guide for opportunities for stage writers-is completely revised annually, with more than 1100 opportunities for playwrights, translators, composers, lyricists and librettists, as well as opportunities for screen, radio and television writers. In an easy to use format, the Sourcebook details script-submission procedures for more than 350 theatres seeking new plays; more than 150 prizes and sections on submission guidelines, fellowships and grants, organizations, script preparation, agents, colonies and residencies, workshops, publishing opportunities and submission calendar. Thoroughly indexed, with an invaluable calendar of submission deadlines, this is an indispensable reference work for any stage or screenwriter.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars
Essential information for the professional playwright,
By
This review is from: Dramatists Sourcebook 2000-01 (Paperback)
Of all the reference books for writers, I find the Dramatists Sourcebook to be the most complete. It doesn't have EVERYTHING, but it can tell you where to FIND everything. Sources for production, contests, funding are updated each year (a couple of quibbles...I found one deadline date that was off last year), as well as useful service organizations for playwrights, and for those who haven't realized that a play is not a screnplay, always a lesson on formatting. The Theater Communications Group puts out a lot of useful publications, but this one is at the top of my list.
5.0 out of 5 stars
Essential information for the professional playwright,
By
This review is from: Dramatists Sourcebook 2000-01 (Paperback)
Of all the reference books for writers, I find the Dramatists Sourcebook to be the most complete. It doesn't have EVERYTHING, but it can tell you where to FIND everything. Sources for production, contests, funding are updated each year (a couple of quibbles...I found one deadline date that was off last year), as well as useful service organizations for playwrights, and for those who haven't realized that a play is not a screnplay, always a lesson on formatting. The Theater Communications Group puts out a lot of useful publications, but this one is at the top of my list.
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