Draw

Matthew Jay | Format: Audio CD

Product Details

• Audio CD (August 28, 2001)
• Original Release Date: 2001
• Number of Discs: 1
• Label: Capitol
• ASIN: B00005NNF3
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #302,467 in Music (See Top 100 in Music)

Track Listings

1. Four Minute Rebellion

2. Let Your Shoulder Fall

3. You're Always Going Too Soon

4. Only Meant To Say

5. Meterology

6. Call My Name Out

7. Molasses

8. Please Don't Send Me Away

9. Remember This Feeling

10. Become Yourself

11. The Clearing

12. A World Away

Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

4.0 out of 5 stars Jay Wandering, November 14, 2001

By 

Sasha Hays (Madison, WI) - See all my reviews

This review is from: Draw (Audio CD)

It's not so unlikely, is it? A talented kid from South Wales shifts from smashing heads on the football field to writing sensitive songs about life, death, loss and love. Such is the story of Matthew Jay, whose debut album, "Draw," could mellow out any linebacker out there.
Jay's acoustic thumbing and electric ripples create a sound that hovers between the likes of Nick Drake and Coldplay. Weighty words surf on his swift, streamlined beats and wispy melodies. Jay's voice is shy and soft-spoken, hitting each note with robotic precision- almost unfit for the passionate themes of his songs.
But perhaps this wallflower subtlety is what makes the rest of "Draw" so intriguing. Despite his distant whisper, Jay's words are remarkably startling and clever. "You licked the tears right off my face," he chants in the kickoff song, "Let Your Shoulder Fall," while spewing sunshine harmonies and a swiveling beat. Jay's melodic groove continues in the steady "Meteorology," and "You're Always Going Too Soon," a dazed, jittery verse that sounds as lonely as its title.
Throughout "Draw's" cloudy overtones, Jay maintains a paper-cut edge that's lyrically bittersweet. His best work comes from the more experimental tracks: the instrumental "Molasses" is eerie and pushy, "The Clearing" is refreshingly jumpy, and "Please Don't Send Me Away," tackles the theme of "a bloke trying to get into heaven." These would make great blueprints for Jay's future endeavors.
At first listen, "Draw" may seem a bit backgroundish and lost in space. Jay's fading voice often drifts so much that one may wonder if he's left the studio, maybe to take a bath in his own introspectiveness. But whenever the listener hears Jay wander off, he ought to move quickly to catch up. After a few spins, "Draw" becomes wistful, fluid, and surprisingly addictive.

11 of 12 people found the following review helpful:

3.0 out of 5 stars Jay Wandering, September 29, 2003

By 

Sonya Larson (The Daily Cardinal-- Madison, WI) - See all my reviews

This review is from: Draw (Audio CD)

It's not so unlikely, is it? A talented kid from South Wales shifts from smashing heads on the football field to writing sensitive songs about life, death, loss and love. Such is the story of Matthew Jay, whose debut album, "Draw," could mellow out any linebacker out there.
Jay's acoustic thumbing and electric ripples create a sound that hovers between the likes of Nick Drake and Coldplay. Weighty words surf on his swift, streamlined beats and wispy melodies. Jay's voice is shy and soft-spoken, hitting each note with robotic precision- almost unfit for the passionate themes of his songs.
But perhaps this wallflower subtlety is what makes the rest of "Draw" so intriguing. Despite his distant whisper, Jay's words are remarkably startling and clever. "You licked the tears right off my face," he chants in the kickoff song, "Let Your Shoulder Fall," while spewing sunshine harmonies and a swiveling beat. Jay's melodic groove continues in the steady "Meteorology," and "You're Always Going Too Soon," a dazed, jittery verse that sounds as lonely as its title.
Throughout "Draw's" cloudy overtones, Jay maintains a paper-cut edge that's lyrically bittersweet. His best work comes from the more experimental tracks: the instrumental "Molasses" is eerie and pushy, "The Clearing" is refreshingly jumpy, and "Please Don't Send Me Away," tackles the theme of "a bloke trying to get into heaven." These would make great blueprints for Jay's future endeavors.
At first listen, "Draw" may seem a bit backgroundish and lost in space. Jay's fading voice often drifts so much that one may wonder if he's left the studio, maybe to take a bath in his own introspectiveness. But whenever the listener hears Jay wander off, he ought to move quickly to catch up. After a few spins, "Draw" becomes wistful, fluid, and surprisingly addictive.

11 of 12 people found the following review helpful:

4.0 out of 5 stars Your starter for..., August 30, 2001

By 

"bonzee" - See all my reviews

This review is from: Draw (Audio CD)

It's easy to draw comparisons here...but let's just leave that alone. This Debut is a truly great start, and i always hate to predict but i think Matt's here to stay. Well crafted, simple and melodic songs! Thank goodness we're finally ridding ourselves of Nirvana-esque, over-rated, record company produced bands!!!! I honestly was ready to jump off a cliff with that music that has haunted us for too many years... truthfully I'd rather be haunted by talent such as this! Finally, decent songwriting is once again showing its face...and wait a min'...he can sing too! The cover shot reminds me of a young Georgie Harrison!!(Mmmmm!)
BUY IT!