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Drawing with an Open Mind
 
 
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Drawing with an Open Mind [Paperback]

Ted Seth Jacobs (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)


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Product Details

  • Paperback: 136 pages
  • Publisher: Watson-Guptill (March 1, 1991)
  • Language: English
  • ISBN-10: 0823014657
  • ISBN-13: 978-0823014651
  • Product Dimensions: 11 x 8.3 x 0.4 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #549,377 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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22 of 23 people found the following review helpful:
5.0 out of 5 stars You need this book, June 15, 2003
By 
Rembrantley "paintslinger" (Anchorage, Alaska United States) - See all my reviews
This review is from: Drawing with an Open Mind (Paperback)
If you were stripped of every luxury of life, and had to exile yourself to an abandoned island with only the essentials for human existence, you'd think of things like food, water, and shelter. Likewise, if I ever had to get rid of every book in my how-to art library except for the ones that I would absolutely shrivel up and blow away without, this book would remain on my shelf along with Richard Schmid's "Alla Prima" and "Life Drawing in Charcoal" by Douglas Graves. These three are my food, water and shelter for surviving as a serious art student.

This book puts a greater emphasis on the artist's focus and state of mind than it does on technique.. Sound a little "Zen-like?" It is, in a lot of ways, but "you will draw what the mind sees" until you learn to draw what the eye sees. "The problem," Jacobs writes, "is not that we don't see well enough but that we do not draw what we see. We draw what we think." This is coming from a man whose drawings look like the masterpieces of da Vinci, Michelangelo, and Raphael. Better listen to him.

While developing your mental-visual muscles, Jacobs goes into symmetry, balance, and light. But only after opening your eyes to what you see before you so your art won't be contaminated from an image file in your brain.

Each topic is broken down into bite-sized segments--you can literally read a topic and digest it in 5 minutes or less. Or, if you want to sit down for the full meal, read and absorb several topics, review some you've read before, and skip ahead to some other stuff you found in the index. Then go draw. You'll be flexing art muscles you never knew you had. And you will be very pleased with your results.

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16 of 17 people found the following review helpful:
3.0 out of 5 stars Great drawings, but text could be better, June 28, 2002
This review is from: Drawing with an Open Mind (Paperback)
Jacobs' book focuses mostly on figure drawing, and not drawing in general. He makes a number of points that are highly useful for someone who wants to draw well, such as empasizing the need to avoid imposing symbolic forms (circles, tubes, etc.) on figure drawings. As part of that emphasis he stresses some practical points, including the need for the artist to notice that there are no true parallel lines or concave forms in the human body. Unfortunatley he is a bit too long-winded and mystical-sounding when he makes these points, and I found myself having to re-read many of his passages to figure out what he meant, or else simply saying, "Huh?" This book would probably be better to use after you've read one by Jacobs' former student, Anthony Ryder, called "The Artist's Complete Guide to Figure Drawing," which is one of my favorite how-to art books. Ryder covers much of the same ground as Jacobs, but is much clearer and has more practical detail. However, as a previous reviewer noted, Jacobs' drawings included in the book are quite impressive and inspiring by themselves. (Many of Ryder's drawings in his book are remarkably similar in style to those done by Jacobs- you can definitely tell where he learned to draw.)
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11 of 13 people found the following review helpful:
5.0 out of 5 stars Great inspiration for aspring artists..., May 8, 2000
By A Customer
This review is from: Drawing with an Open Mind (Paperback)
This book has several simply marvelous sketches by the artist, many of which you'll wish were available as prints. While perhaps not as instuctive in teaching you how to draw as it might be (the author focuses more on mind-set then techniques), the drawings will inspire you to improve.
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Inside This Book (learn more)
First Sentence:
What is drawing? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
sepia chalk, hidden curve, representational style, black chalk
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sepia Conté, New York, Metropolitan Museum of Art, Courtesy of Lucien Gold Schmidt
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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