Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond (Paperback)

by Jessica Abel (Author), Matt Madden (Author) "Some of you are into manga, others are into the underground comix of the 1960s, and still others are into film or video games, but..." (more)
Key Phrases: big frog, homework critique, penciling tools, Br'er Rabbit, Br'er Coon, Ames Lettering Guide (more...)

Editorial Reviews

Amazon.com Review
Learn to create your own comics with Drawing Words and Writing Pictures, a richly illustrated collection of 15 in-depth lessons that cover everything from crafting your story to lettering and laying out panels.

Take a Look Inside Drawing Words and Writing Pictures

Three Panels That Move Beyond the Grid

This page from Mike Mignola's Hellboy is a beautiful example of creating rhythm and mood. Read more...	In Blankets, Craig Thompson tells his story through dramatic and unexpected page layouts. Read more...	In David B.'s Epileptic, the shape and orientation of the panel reinforce the storytelling. Read more...

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From Booklist
Born Mary O’Brien to a middle-class British family, Dusty Springfield would go on to a career that spanned England and the U.S. as a pop and soul singer, eventually earning the title of “white queen of soul.” Music scholar Randall examines how Dusty, through her voice and her camp personality, transcended the boundaries of race, sex, class, and even nationality, although she has become marginalized in histories of pop music of the 1960s. Citing Henry Louis Gates Jr., Nelson George, and others, Randall explores Springfield’s career in the context of cultural appropriation at a time when more and more white musicians were getting rich from copying the sound and style of black American music. She traces that movement across the U.S. and into Britain in the 1960s and the explosion back across the waters of the British revolution in music that included the Beatles. Randall draws on archival research and interviews with friends, fans, and fellow performers. Photographs and graphics, including detailed instructions on how Dusty achieved her bouffant, add to the story of a pop icon. --Vanessa Bush

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Product Details

• Paperback: 304 pages
• Publisher: First Second (June 10, 2008)
• Language: English
• ISBN-10: 1596431318
• ISBN-13: 978-1596431317
• Product Dimensions: 11.9 x 8.9 x 0.9 inches
• Shipping Weight: 2.5 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #19,354 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #11 in	Books > Arts & Photography > Reference > Study & Teaching
  #15 in	Books > Professional & Technical > Education > Specific Skills > Humanities
  #47 in	Books > Comics & Graphic Novels > Cartooning

Customer Reviews

Most Helpful Customer Reviews

23 of 23 people found the following review helpful:

5.0 out of 5 stars Wanna' Make Comics? Start Here..., June 12, 2008

By	Kevin McCloskey (Kutztown, PA) - See all my reviews (REAL NAME)

I brought an advance copy of this book into a college illustration class I teach. The class was quite impressed. In fact, two students went onto Amazon online and bought it instantly. Usually I discourage shopping during class, but Drawing Words and Writing Pictures is an answered prayer for the aspiring comics artist.

This is an ideal text for a 15-week class in comics. It also has guidance for starting an informal collective class. It includes suggestions for the stereotypical solitary artist, who the authors are gracious enough to refer to as ronin. There is a wealth of info on the narrative process, page design, lettering, pens, and even Photoshop scanning advice.

The authors' individual web pages present a lot this DIY info, so search out their sites, see if their philosophies appeal to you. The book contains multiple perspectives from two remarkable artists. Matt Madden is into "formalist" styles, working within Houdini-like constraints. Jessica Abel's La Perdida is one of the great masterpieces of the long-form graphic novel.

From George Herriman to Robert Crumb, Charles Burns, to Kaz and John Porcillino, the book is crammed with a diversity of styles. Wide-ranging and inclusive, no matter what one's preferred comics style, from manga to superhero to alternative, you will find something to like here.

Instructors will find the bibliography alone is worth the price of admission, I teach a seven-week college comics course each fall. My plan is to email the students over the summer, tell them to get this book and get started on the exercises. The ronins will get a head start and their classmates will lose face.

Scott McCloud's Making Comics is also a valuable college course text for serious students, who have some background in reading comics and thinking critically about the artform. Drawing Words and Writing Pictures, however, has practical exercises for students at any level. Highly recommended.

10 of 10 people found the following review helpful:

3.0 out of 5 stars A Welcome Addition to Your Collection, July 16, 2008

By	L. Adonis "Artist/Illustrator/Muralist/Colleg... (U S Virgin Islands & Tampa, Florida) - See all my reviews (REAL NAME)

I am a BIG fan of both Abel and Madden's work. I go to BOTH of their websites several times a month and "La Perdida" and "99 Ways To Tell A Story" are part of my collection of graphic novels.

This book is great for high school & college art teachers who want to teach sequential art to their classes. I believe the content is particularly suited for art majors that are interested in the finer points of visual narrative. And you can tailor your curriculum around the chapters if you so choose. If you want to use these for middle school kids I think simpler steps need to be added. I like the fact that people can form groups: "Nomads" OR go do it alone: "Ronins" and follow the lessons independently.

This book is NOT bad.

All the chapters and lessons are made to be studied in sequence and if you are an old timer to comic art you can easily skip to other chapters; which I did alot. A seasoned pro will probably go to the chapters that interest him/ her the most. One chapter that I REALLY like was called "Black Gold" the chapter on using and inking with a brush.

The other chapters on page layout, panel construction, character design,
facial features/ figure anatomy were VERY good.

My ONLY complaint was the layout of the book. My [web]comic artist collegues & I felt there was TOO much white space waisted on each page, the typeface was too small and that neon orange color used throughout the book distracting. It was hard to read and strained the eyes.

Plus being a webcomic artist myself I wanted to see MORE about using the computer for making comics. It covered scanning, re-sizing, adjusting your line art in PhotoShop, etc. The chapter on lettering was good; but they tended to downplay the use of COMPUTER LETTERING. They make a STRONG point in favor of HAND LETTERED comics; but it would have been nice if they address lettering on the computer as well.

My Suggestions:
A. Read the book cover to cover.
B. Do the Exercises. I am in a NOMAD group; plus I'm doing the RONIN thing as well.
C. Do the Homework.
D. Go back to your favorite chapters again and again.
E. Cross reference this with OTHER books on how to make comics.

This book is a welcome addition to any comic artist's arsenal of graphic narrative/ sequential art references. Use it along with books by Will Eisner & Scott McCloud and you'll be fully versed in the Language of Comic Art.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Amazing book, September 29, 2008

By	Tommy J. King - See all my reviews (REAL NAME)

I bought this book for a class titled "Human Satire and Caricature". All of the projects for our class came out of this book, or were somewhat derived from the lessons, and I must say, it's one of the best classes ever.

The text is a large contributor, but not the only one. My professor's an amazing guy as well.

Definitely a great buy if you're into anything dealing with comics, technical drawing, layout, storytelling, or any combination of those. It's structured really well, and a person with nearly no artistic talent can easily be turned into a decent comic artist by reading this book front to back and following the lessons in it.