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The Drawings of Raphael (Master Draughtsman Series)
 
 
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The Drawings of Raphael (Master Draughtsman Series) [Paperback]

Raphael (Author), Stephen Longstreet (Introduction)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Paperback: 46 pages
  • Publisher: Borden Publishing Company (December 1, 1988)
  • Language: English
  • ISBN-10: 0875051812
  • ISBN-13: 978-0875051819
  • Product Dimensions: 10.7 x 8.5 x 0.3 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #636,912 in Books (See Top 100 in Books)

 

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14 of 16 people found the following review helpful:
5.0 out of 5 stars Drawings of Raphael (MDS), July 10, 2006
This review is from: The Drawings of Raphael (Master Draughtsman Series) (Paperback)
This series is a superb way of studing Raphael and his drawing techniques. The cross hatching is distinct and the attitudes of the posed figures are classical. The man knew how to observe with a careful eye. Anyone who want to advance in their drawing observation and technique will learn from Raphael or any of the drawing series. Remember all the old masters studied the drawings of other artists to advance their technique and compositions. Even Peter Paul Rubens used the poses from other artists drawings in his works and even drew on the original works at times. The famous 19th century artists studied other artists graphic works in museums to help advance their artistic studies in technique and compositions. Now with the production so advance in reproduction we do not have to travel to far museums to study the works of artists. This series bring them right to our door.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars An Average Amount Of Information, June 2, 2010
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This review is from: The Drawings of Raphael (Master Draughtsman Series) (Paperback)
The book "The Drawings Of Raphael" contains 44 pages of drawings by the famous painter. The printed part of each page is typically about 7 inches wide by 9 inches tall. These drawings appear to be studies done for other works of art and not finished products themselves. Each page has caption that gives the medium ( e.g. ink, chalk etc.) and the museum that contains the drawing. The sizes of the original drawings are not stated. On most pages, it is possible to see the individual strokes in Raphael's famous hatching. There is a two page essay on Raphael by Stephen Longstreet.

This book is one of the "Master Draughtsman Series" published by Borden Publishing company, so I assume its purpose is provide information for students of drawing. Without knowing the size of the original drawings, it isn't possible to know whether a given drawing is an astounding example of intricate detail or merely an average drawing that has been greatly reduced to fit on the page of a book.

I rate this book as three stars out of five to indicate that it does an average job in informing people about Raphael's drawings.

I don't know whether scholars have standardized any nomeclature for Raphael's drawings. Using the the titles given in the book, the drawings are as follows:


St. George
Pen, pricked for transfer
Uffizi Gallery, Florence, Italy

Sketch after Leonardo Da Vinci's "Mona Lisa"
Pen and ink
The Louvre, Paris, France

The Judgment of Zaleucas
Pen and ink
Windsor Castle, Royal Library, Berkshire, England

Hercules and The Hydra
Pen and ink
Windsor Castle, Royal Library, Berkshire, England

Studies of the Heads of Two Apostles and of their Hands
Black chalk, touched with white
Ashmolean Museum, Oxford, England
(This drawing also appears on the cover of the book.)

Study for God The Father Blessing
Pen, lightly squared in red chalk
Musee Wicar, Lille, France

The Plea of St. Stephen
Pen and ink
Albertina Museum, Vienna, Austria

Study of a Man's Head and Hand
Black chalk
Devonshire Collection, Chatsworth, Derbyshire, England

Leda and The Swan
Pen and ink
Windsor Castle, Royal Library, Berkshire, England

Group of Four Standing Soldiers
Silver-point on bluish gray paper
Ashmolean Museum, Oxford, England

St. Thomas
Silver-point drawing
Musee Wicar, Lille, France

Two Battle Scenes with Prisoners being Pinioned
Pen and brown ink
Ashmolean Museum, Oxford, England

The Infant Christ and Other Studies
Pen and dark-brown ink
Ashmolean Museum, Oxford, England

The Virgin and Child with St. John
Pen and ink
Uffizi Gallery, Florence, Italy

Man Leaning Over a Blustrade and Head
Pen and ink
Musee Fabre, Montpellier, France

A Combat of Nude Men
Red chalk
Ashmolean Museum, Oxford, England

The Planet Mars and an Angel
Red chalk
Musee Wicar, Lille, France

Draped Figure and Apollo
Pen; over a stylus sketch
Musee Wicar, Lille, France

Study for the "Parnassus"
Pen and ink
Windsor Castle, Royal Library, Berkshire, England

A Nude Man Sitting on a Stone and Other Studies for a Resurrection
Black chalk, pen and brown ink
Ashmolean Museum, Oxford, England

Two Crouching Nude Men
Black chalk
Windsor Castle, Royal Library, Berkshire, England

Kneeling Nude Women
Red chalk
Devonshire Collection, Chatsworth, Derbyshire, England


Two Male Figure Studies
Pen and ink
Albertina Museum, Vienna, Austria

St. Bruno
Pen and wash, touched with white
Uffizi Gallery, Florence, Italy

Man Feeling in Terror
Black chalk
Windsor Castle, Royal Library, Berkshire, England

Study for a Soldier, His leg Repeated
Black chalk
British Museum, London, England

Venus and Psyche
Red chalk
The Lourvre, Paris, France

Man Leaning Over a Balustrade and the Draught of a Sonnet
Pen and ink
Musee Fabre, Montpellier, France

The Phrygian Sibyl
Red chalk over a stylus sketch
Ashmolean Museum, Oxford, England

A Group of Warriors
Pen and ink
Ashmolean Museum, Oxford, England

The Massacre of the Innocents
Red chalk
Windsor Castle, Royal Library, Berkshire, England

Two Figures and Detail Studies for Heads, Hands and Feet
Silver-point touched with white
Ashmolean Museum, Oxford, England

Hercules and The Nemean Lion
Pen and ink
Windsor Castle, Royal Library, Berkshire, England

Apollo and Study of the Viol in His Hand
Pen and ink
Musee Wicar, Lille, France


Madonna Enthroned and St. Nicholas of Tolentino
Pen and ink
Stadelsches Kunstintitut, Frankfort on Main, Germany
(printed on a half page)


St. John the Baptist
Pen and ink
British Museum, London, England
(printed on a half page)

Studies for "The Massacre of the Innocents"
Red chalk
Albertin Museum, Vienna, Austria

Studies for the Trinity of S. Severo
Silver-point heightened with body-color
Ashmolean Museum, Oxford, England

Nude
Charcoal and chalk
Uffizi Gallery, Florence, Italy

Heads of Two Apostles
Black chalk
Windsor Castle, Royal Library, Berkshire, England

Christ Giving the Keys to St. Peter
Red chalk
Windsor Castle, Royal Library, Berkshire, England

Studies for Two Kneeling Women
Black chalk
Ashmolean Museum, Oxford, England

Venus
Silver-point on pink prepared paper
British Museum, London, England


An Angel
Red chalk
Ashmolean Museum, Oxford, England

The Three Graces
Chalk
Windsor Castle, Royal Library, Berkshire, England
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RAPHAEL WAS BORN RAFFAELLO SANZIO SANTI in 1483 on the Tuscany borders in Urbino, Italy, a town the Duke of Montefeltro had made into a center of art and culture. Read the first page
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