From Publishers Weekly
Inspired by the life of renowned Oaxacan woodcarver Manuel Jimenez, newcomer Cohn and Cordova (My Land Sings) tell of Mateo, a young woodcarver who bravely breaks with a generations-old artistic tradition. The subsistence farmers of the boy's village are known for their juguetes, tiny carvings of wooden animals so small they could fit in the palm of a hand, carved by men and boys, and painted in fiesta-bright colors by women and girls. But Mateo dreams of carving life-size animals, with surfaces that tingle with vibrant, improbable colors and surreal patterns. I see animals so big and bright that I will need to carve them with a machete! he tells his disapproving father. When Mateo ultimately produces a glorious wooden menagerie including a quetzal with majestic feathers he wins over not only Papa, but the entire village, and a new way of carving is born. Cohn captures the boy's pursuit with straightforward eloquence, whether describing a child's heady experience of a fiesta or articulating the imaginative forces that set apart and drive a true artist. Cordova chronicles Mateo's artistic development in radiant, double-spread tableaux, setting off the text with festive decorative borders. She borrows the highly stylized characterizations and flattened perspectives typical of Mexican folk art, but she animates the compositions with big, bold shapes and electric, saturated colors. A fitting tribute to the energy and power of an artist's distinctive vision. Ages 4-8.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Grade 1-3-Inspired by the story of Oaxacan wood-carver Manuel Jimenez, this tale shows how imagination can become a compelling force for change. Like his father and grandfather, Mateo carves juguetes, tiny wooden toy animals, to sell at fiestas. The boy, however, wants to make large and bright animals that are brilliantly decorated with speckles and patterns. Since his father disapproves, the child makes his creations on the sly. At fiesta, they sell like hotcakes, and a new art form is born. The text is a trifle wordy and static, but the story does impart its message of belief in oneself without undue didacticism or heavy-handedness. Cordova's brilliant primitive paintings, rendered in acrylic and colored pencil on a gessoed background, bring Mateo's animals to vivid life, reinforcing the textual message. A two-page afterword gives information on Jim nez and his art. A good introduction to a uniquely Mexican art form.
Ann Welton, Grant Elementary School, Tacoma, WA Copyright 2002 Reed Business Information, Inc.