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27 of 27 people found the following review helpful:
5.0 out of 5 stars
How White Culture has variously used Native Spirituality, January 13, 2005
This is one fascinating book. Every now and again I run across a book that takes me off in a direction I had not even suspected would be worth examining. Heck, this is a book I could not have even imagined. It is such a treat to be surprised and delighted.
In "Dream Catchers", Philip Jenkins guides us through the story of how the Native American (Indian?) culture has been variously (mis)interpreted, (mis)used, and (mis)adapted over the centuries. It is essential to remember that this is NOT a book about the religion or spiritual beliefs of Native Americans.
In some ways this seems strange because as I read it I had to keep reorienting myself to this fact. As I read about how White Culture found new ways to use Native American symbols as a label for issues in its own culture, I wanted to learn more about what the actual beliefs of the various North American Native cultures were. This is a topic for study in many other books (it would require a whole library of books and a lifetime of study to really grasp them in a meaningful way, I suppose).
Mr. Jenkins takes us on a lively tour through time and through changing culture and purpose. While I cannot do an adequate job of summarizing the book here, and I really want you to enjoy the surprising ride on your own, I can say that there really are three broad periods: 1) Rejection: The Indian as pagan, lost, benighted and in great need of Christianization, 2) Tolerance and Transition: the Period after the Indian Wars and particularly after WWI when Christianity and Western Culture had a great crisis of meaning. There was a huge turning to Indian culture as if it were a monolithic thing. White writers wrote supposed guides to this Spiritual "system" and ended up writing about their own beliefs as much as any insights they had to Native American spiritual systems, and 3) Acceptance: the Sixties and New Age creation of all kinds of spiritual paths that used (and almost always misused) native totems, symbols, and words and incorporated White Culture concerns with matters such as the Environment and Feminism, all the way through to UFOs and Magick (sic).
This really is a most interesting book. I was exposed to so much I did not know that I honestly did not suspect that reading this book would be such a satisfying and enlightening experience. I urge you to take the time to read this book. You will learn more about American Culture as it exists today from this one book than from a whole shelf full of less competent books.
Highly recommended.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
sheds light on a largely unknown area of history, November 10, 2006
This review is from: Dream Catchers: How Mainstream America Discovered Native Spirituality (Paperback)
Jenkins book is a journalistic-style account of the history of a particular type of cultural appropriation: the importation of American Indian spirituality, either in large chunks or tiny fragments, into mainstream white spiritual practices. The first part of the book is devoted to the background history of Euro-American attitudes toward Native spirituality, from the 16th through the 20th centuries. There are many "aha!" moments here, as Jenkins skillfully connects the many fascinating facts and stories from these centuries into a remarkably coherent narrative. The latter part of the book explores late-20th/early 21st century white beliefs and practices that incorporate Native symbols and ideas. It also details the industry that has grown up to feed the hunger for "authentic" spiritual products and experiences with a Native inflection.
Jenkins is clear that his book is about the images of Native Americans and their religions as imagined by the white mainstream. You will find very few Indian voices in this account and even fewer references to actual religious beliefs and practices of Indian people. There are good books by anthropologists and others that fill that niche. What Jenkins provides is something rather new -- a history and analysis of a colonial and post-colonial cultural appropriation that seems actually to be sincerely meaningful to the appropriators. Jenkins doesn't hide his discomfort with these uses and misuses of "stolen" spirituality, and he debunks a few cherished new-age myths along the way, but he ultimately presents a balanced and subtle account of a complex phenomenon.
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1 of 7 people found the following review helpful:
2.0 out of 5 stars
A Disappointment, July 30, 2009
I was very disappointed with this book. I expected better as I had greatly enjoyed Jenkins' book The Lost History of Christianity. This previous work documented the depressing story of the extermination of Eastern Christianity, primarily by Moslems, but it presented a history of which I was mostly unaware and found quite interesting. At least this earlier book was sympathetic to Christianity.
Dreamcatchers covers a more recent history and one closer to home. It divides American history into two periods: Prior to 1890 when white settlers were bent on eradicating the Native American population along with their pagan religious practices and after 1890 when whites felt sufficiently secure to study, preserve and appreciate the religious practices of Native Americans. Jenkins creates a caricature of the former period, pretty much ignoring the friendships established by the Quakers, Moravians and others with the native population and their sensitive documentation of Indian life and sincere attempts to accommodate their culture into the more highly structured European Christian culture. In the latter period, Jenkins goes beyond the valuable efforts to document and preserve the memory of the Native American culture and fawns over the high value of these practices. Jenkins seems to repeat these two themes repeatedly like a mantra until after 78 pages, I wearied of continuing and set the book down. I gave up hope of finding something helpful to me.
I give the book 2 stars instead of 1 because it does present a point of view that I had not previously considered, yet I cannot give it 3 stars because he fails to convince me of the validity of this point of view.
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