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Dreamcatcher Movie-Tie In Audio, Cassette – Audiobook, Unabridged


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Product Details

  • Audio Cassette
  • Publisher: Simon & Schuster Audio; Unabridged edition (March 1, 2003)
  • Language: English
  • ISBN-10: 0743528557
  • ISBN-13: 978-0743528559
  • Product Dimensions: 7 x 4 x 2.5 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (749 customer reviews)
  • Amazon Best Sellers Rank: #1,870,669 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Stephen King fans, rejoice! The bodysnatching-aliens tale Dreamcatcher is his first book in years that slakes our hunger for horror the way he used to. A throwback to It, The Stand, and The Tommyknockers, Dreamcatcher is also an interesting new wrinkle in his fiction.

Four boyhood pals in Derry, Maine, get together for a pilgrimage to their favorite deep-woods cabin, Hole in the Wall. The four have been telepathically linked since childhood, thanks to a searing experience involving a Down syndrome neighbor--a human dreamcatcher. They've all got midlife crises: clownish Beav has love problems; the intellectual shrink, Henry, is slowly succumbing to the siren song of suicide; Pete is losing a war with beer; Jonesy has had weird premonitions ever since he got hit by a car.

Then comes worse trouble: an old man named McCarthy (a nod to the star of the 1956 film Invasion of the Body Snatchers) turns up at Hole in the Wall. His body is erupting with space aliens resembling furry moray eels: their mouths open to reveal nests of hatpin-like teeth. Poor Pete tries to remove one that just bit his ankle: "Blood flew in splattery fans as Pete tried to shake it off, stippling the snow and the sawdusty tarp and the dead woman's parka. Droplets flew into the fire and hissed like fat in a hot skillet."

For all its nicely described mayhem, Dreamcatcher is mostly a psychological drama. Typically, body snatchers turn humans into zombies, but these aliens must share their host's mind, fighting for control. Jonesy is especially vulnerable to invasion, thanks to his hospital bed near-death transformation, but he's also great at messing with the alien's head. While his invading alien, Mr. Gray, is distracted by puppeteering Jonesy's body as he's driving an Arctic Cat through a Maine snowstorm, Jonesy constructs a mental warehouse along the lines of The Memory Palace of Matteo Ricci. Jonesy physically feels as if he's inside a warehouse, locked behind a door with the alien rattling the doorknob and trying to trick him into letting him in. It's creepy from the alien's view, too. As he infiltrates Jonesy, experiencing sugar buzz, endorphins, and emotions for the first time, Jonesy's influence is seeping into the alien: "A terrible thought occurred to Mr. Gray: what if it was his concepts that had no meaning?"

King renders the mental fight marvelously, and telepathy is a handy way to make cutting back and forth between the campers' various alien battlefronts crisp and cinematic. The physical naturalism of the Maine setting is matched by the psychological realism of the interior struggle. Deftly, King incorporates the real-life mental horrors of his own near-fatal accident and dramatizes the way drugs tug at your consciousness. Like the Tommyknockers, the aliens are partly symbols of King's (vanquished) cocaine and alcohol addiction. Mainly, though, they're just plain scary. Dreamcatcher is a comeback and an infusion of rich new blood into King's body of work. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

If you're ready to commit virtually a whole day of your life to this unabridged version of King's latest blockbuster, this is what you'll get: some of King's best storytelling, beautifully read by DeMunn, an actor of great skill and subtlety who knows that less is more especially when it comes to this book's ample blood, horror and ferocious little aliens. DeMunn quickly and expertly creates four very distinctive characters to fit the quartet of Maine men boyhood chums who gather for their annual deer hunt as their lives seem to crumble around them. One of them, the history professor Jonesy, is recovering from a serious accident an event on which King dwells heavily but which DeMunn downplays as best he can. The Maine accents are perfect: working-class for the Beaver, who does menial work; a slight overtone of aspiration for Pete, the car salesman; slightly more polish for Jonesy, teaching in Boston; and a definite aura of erudition for Henry the psychologist. Even the aliens are distinguishably different testimony to the skills of both writer and reader. Simultaneously released with Simon & Schuster hardcover (Forecasts, Feb. 12).

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

More About the Author

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Customer Reviews

3.4 out of 5 stars
5 star
214
4 star
193
3 star
140
2 star
113
1 star
89
See all 749 customer reviews
Great characters, good writing, good story.
Laura
The four main characters don't really develop too much throughout the book, and although they were likable, you don't feel too attached to any of them.
Silk
Axtualy, this book is so bad that I couldn't make myself read any more than the first 150 pages or so!
Adi Adler

Most Helpful Customer Reviews

53 of 55 people found the following review helpful By Lawrance M. Bernabo HALL OF FAMEVINE VOICE on March 31, 2001
Format: Hardcover
Because "Dreamcatcher" is the novel Stephen King wrote (in longhand) while recuperating from his near-fatal accident, it easily lends itself to all sorts of psychological interpretations. After all, one of the characters is hit by a car and breaks a hip. To me, the first part of the book comes across as a melting pot of familiar elements from King books: once upon a time there was a group of four boys who were best friends ("The Body"), who become involved in stopping a great evil as adults ("It"), because of a spaceship that has landed in the woods ("The Tommyknockers") and a horrible infection is spreading around ("The Stand"). Fortunately they have some psychic ability ("The Dead Zone") that will help them not only with the aliens but also with the psycho running the government operation ("Firestarter"). For good measure, throw in literary homages to the original "Invasion of the Body Snatchers" and "Alien" with a generous twist of "The X-Files," while keeping in mind that not everybody gets out alive in a Stephen King novel, and you have the general picture of what "Dreamcatcher" is about.
The four friends--Joe "Beaver" Clarendon, Pete Moore, Henry Devlin and Gary Jones--are bound together in a way that they do not even suspect. Beaver is an inventive curser who owns a cabin in the Maine woods where the group gathers for the last time, Pete can find lost car keys or anything else when he puts his mind to it, Henry is a suicidal shrink who has a tendency to lash out at patients from time to time, and Jonsey is a college professor who just "knows" when students cheat on exams.
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17 of 18 people found the following review helpful By Untouchable on May 20, 2001
Format: Hardcover
Like quite a few other Stephen King books, (e.g. "Christine", "Needful Things", "The Tommyknockers", "Desperation" and even "Misery"), the story starts off with life going on as normal. We go from there to an uneasy feeling that not everything's as it should be. Then things start to get slightly skewed with the protagonists feeling just a little nervous. They don't know exactly what's wrong, but something's not right. Finally, all hell breaks loose and you are left with no doubt that you have just passed into Stephen King's realm, and through all the unreality, you still get the faint glimmer that this impossible situation just could be possible. We're faced with aliens in the woods, a possible threat to humanity and average guys who, on the surface, aren't really equipped for the fight.
You will probably want to read this book if: - You're a Stephen King fan who really enjoyed The Tommyknockers. - You want to read a new explanation for all of those supposed UFO sightings over the years. -You enjoy epic, save-the-world stories that, let's face it, could never happen - could they?
You probably won't want to read this book if: - You didn't enjoy The Tommyknockers. - You like the action at a sustained fast-pace. The book does tend to lose momentum mid-way through. - You have a thing about profanity.
Although the story is rather formulaic, this formula is the reason I read Stephen King books.
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13 of 13 people found the following review helpful By Jim Carroll on March 27, 2001
Format: Hardcover
For my money, Hearts in Atlantis is King's best work, narrowing out Pet Semetary, the Dark Tower series and the first half of It by a little bit. Dreamcatcher isn't quite as good as those, but it's still a good read (above all else, King is one of the best storytellers alive).
Things I liked: * The kids in his story are utterly believeable - he certainly hasn't lost touch with his childhood.
* As always, his references to other stories are clever in-jokes (and having this story set partially in Derry, I'd have been disappointed if there weren't any at all)
* The interior battle between Mr. Gray and Jonesy was VERY well written - another thing King can capture quite believably is the not-quite-reality of dreams.
* (very minor spoiler alert) The evolution of Mr. Gray from an alien 'intelligence' into something with human emotions/desires (bacon!) was nicely and subtly done.
* One thing I have always liked about King's work (and my wife doesn't) are his little sidepaths he takes his story down. The little ancedotes that let us get into his characters heads are essential, I think, to character development (my wife thinks they distract from the plot).
* Duddits was a fantastic character - even though he's essentially the same guy as the Wolf in Talisman, and Tom "M-O-O-N spells moon" Cullen from the Stand, it's a character I really like. Sort of like an old friend popping up unexpectedly :-).
Things I didnt like (and they're minor): * It reminded me a little of Tommyknockers, which I didn't enjoy at all. That has nothing to do with this book, actually, but I still don't forgive him for that one.
* Same thing with the last 200 pages of It, which was an absolutely fantastic story until he dragged in all that Spider and Turtle crap.
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72 of 88 people found the following review helpful By Jeremy Ulrey on March 10, 2004
Format: Mass Market Paperback
Critics jokingly refer to King's "loggorhea", his ability to churn out several lengthy tomes of new material each year, but the underlying implication is that this is one of the signs of his greatness. Pardon me for dissenting, but when every other novel (and sometimes several in a row) are of as poor quality as "Dreamcatcher" maybe it's time to take a laxative and kick off the shoes for awhile.
This book is cookie cutter King at his worst. Not only does he bite heavily from other writers and filmmakers, constantly quoting other superior works that deal with similar themes and plot elements, but he's guilty also of ripping off his own material. We have shipwrecked aliens that use mind manipulation techniques to control humans (Tommyknockers), recurring flashbacks to life altering events in the characters' childhood (It), an intellectual infant who turns out to hold the key to everything (too many books to count)... the list goes on. Unfortunately so does the book. I suppose it's King's matter-of-fact storytelling that makes some fans feel every word that spills out of his typewriter is priceless, but it's rather obvious to the more objective reader that very little he's churned out in the past 10-15 years (at least) couldn't use some judicious editing. Most of the back story in "Dreamcatcher" is mildly diverting but not at all necessary. Not to mention it smacks of that old "Moby Dick" ploy of heightening the suspense by tossing in chapters unrelated to the current narrative at key moments.
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