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66 of 68 people found the following review helpful:
5.0 out of 5 stars
Oh, to trespass OUT rather than to trespass into..., September 3, 2000
This review is from: Dreams of Trespass: Tales of a Harem Girlhood (Paperback)
Subtitled, Tales of a Harem Girlhood, this is a most fascinating tale of the realities of a Moroccan harem. Most Westerners take the word harem and think Turkish harem - hundreds of women floating around large tiled rooms waiting to serve the lord and master. Mernissi, a western schooled sociologist, feminist, and scholar, takes us into the life of a young girl born into a family in Fez (in Western Morocco) in the 1940's. Her harem is not the rooms of I-Dream-of-Jeannie look-alikes but rather the complex social structures of the Moroccan/Muslim family in the middle of this century. Her harem is the world of women, daughters, mothers, aunts, and grandmothers who live 'inside' the urban home (but interestingly, live more freely out on the country farm). We learn about the feelings she and her brother (with whom she is close) experience when they come of an age to be separated; he relegated to the world of the men, and she to the hidden world of the harem. Mostly, though, this beautiful book tells the stories of the women in Fatima's harem who have dreams and fantasies (that will never come true), including the dreams of trespass into the outside world, the world of men. After having worked in Morocco in the early 1990s, I could see that much has changed for Moroccan women, but thoughout the Arab world there still exist plenty who still have those dreams of trespass.
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35 of 35 people found the following review helpful:
5.0 out of 5 stars
The seclusion of women through the eyes of a child, August 12, 2001
This review is from: Dreams of Trespass: Tales of a Harem Girlhood (Paperback)
Subtitled, "Tales of a Harem Girlhood," this is the story of the author, Fatima Mernissi's Moroccan childhood in the 1940s. Now a sociologist at the University Mohammed V in Rabat, Morocco, she has skillfully recreated the sense of wonder and observation of a child. Her own father had only one wife, but she lived in an extended family with an aunt, uncle, cousins, divorced female relatives, and even some women who had once been slaves and who no had nowhere else to go. The term "harem" as she uses it, means the seclusion of women. Her mother, who was illiterate, dreamed moving beyond the walls, but did not even have the privilege of simply walking down the street as western women do. Instead, she rebelled by embroidering birds of flight and encouraged her daughter to get an education. The household was lively, and I felt myself drawn right in, getting to know each person through Ms. Mernissi's eyes. I was treated to their storytelling and home theatrical productions; I observed them sneaking up to the roof to get a bit of privacy; I understood why the act of chewing gum was considered a rebellion; I left the walled compound in the city with her when she visited her maternal grandmother who lived on a farm, one of eight co-wives, who gets to "cuddle" with her husband only one out of eight days. As I'm about the same age as the author, I couldn't help thinking about my life and how much I took for granted in my own childhood - such as the simple act of walking down the street and being exposed to the outside world through newspapers, radio and television. This book provided a magnificent glimpse into a world that seems as strange to me as mine would have seemed to her. And it certainly opened my eyes. At only 242 pages, "Dreams of Trespass" was much too short. I could have gone one reading and reading. And my only criticism is that it was only about her childhood. I wished it would have gone on and described the next fifty years. Highly recommended.
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24 of 25 people found the following review helpful:
5.0 out of 5 stars
Wonderful again and again!, January 26, 2006
This review is from: Dreams of Trespass: Tales of a Harem Girlhood (Paperback)
To me it is alarming how prevalent the myth of the "harem" is among Americans. I just watched an interview a few weeks ago and the gentleman interviewer smiled from ear to ear when his guest (a female professor) mentioned the word. I guess I was lucky to have visited a harem in Berrechid, Morocco over a decade ago and got the true story of its cultural evolution over time. Well there were pashas at one time and they did have several wives, but today it is the tales about them that feed our curiosity. Although these stories are not as Romantic as we may like, they still feed the imagination in a remarkable way. This book is simply wonderful in its direct and simple approach to a cultural phenomena that is still evolving, and Mernissi is helping that evolution to occur. It is above all her way of telling old stories that can tame the Shahriyar's in all of us. How could you not fall in love with Chama? Mernissi writes with deep feeling and compassionate understanding for the Morocco that all Westerner's should know but so rarely get a chance to experience. In her writing she takes you behind the hijab and the 40's harem wall to meet with people who have so much to teach us about limits, boundaries, and breaking out. But breaking out means knowing the rules (qa'ida, read 62-3). I think that the lesson is in learning 'how to know.' Not just knowing the rules as they are but in knowing 'how' they exist.
Mernissi explains all uncommon and new words to readers by way of interesting footnotes that are valuable even for people who are familiar with Moroccan societies. That helps the reader again to know 'how' the rules of the harem exist.
More than anything I am attracted to her descriptions of the beautiful people that live in her memories. Though some may see this book as just anthropology, socoiology, or even feminism, I think it is actually a book about the human capacity for compassion and love. In fact when I go back through the book I see it everywhere in Asmahan's "Ahwa!" (I am in love) and even in such names as Aunt Habiba (root habib=friend, companion). Even when she writes about Christians or Jews it is always with a comical kind of curiosity never malicious or spiteful, just enough to make you smile. She brings the outside in. This is a dream book, one you can enjoy in your own interior harem, or if you prefer Castillo Interior (Santa Teresa's "interior castle").
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