Dreams of a World

Antonio Lauro (Composer), Antonio Ruiz Pipo (Composer), John W. Duarte (Composer), Toru Takemitsu (Composer), Egberto Gismonti (Composer), Luis Felipe Ramon y Rivera (Composer), Ernesto Lecuona (Composer), Jose Antonio de Donostia (Composer), Francisco Tarrega (Composer), Neomi Shemer-Sapir (Composer), Mikis Theodorakis (Composer), Gaudencio Thiago de Mello (Composer), Enrique Granados (Composer), Jose Antonio de San Sebastian (Composer), Naomi Shemer (Composer) | Format: Audio CD

Product Details

• Composer: Antonio Lauro, Antonio Ruiz Pipo, John W. Duarte, Toru Takemitsu, Egberto Gismonti, et al.
• Audio CD (November 2, 1999)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Teldec
• ASIN: B00002DEUI
• Average Customer Review: 4.8 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #96,508 in Music (See Top 100 in Music)

Track Listings

1. Virgillo

2. Cancion

3. Danza No. 1

4. Fantasia

5. Black Is The Color Of My True Love's Hair

6. Darling Cora

7. Putney Hymn

8. Finale

9. Londonderry Air

10. Agua E Vinho

11. Romanza

12. Brisas Del Torbes

13. Canto Siboney

14. Preludio No. 6: Dolor

15. Recuerdos De La Alhambra

16. Four Songs: Of Sting And Honey - Tomorrow - Jerusalem Of Gold - Spy Girl

17. One Day In May

18. You Have Set My Star

19. Varre Vento

20. Dedicatoria

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars Still a dream ..., December 25, 2004

By 

Daniel J. Rose (Shrewsbury, MA USA) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Dreams of a World (Audio CD)

This has long been my favorite classical guitar recording, and I just put it on again after hearing another recent favorite recording ("Reflections of Spain") played by David Russell, who is perhaps the most gifted contemporary guitarist on record. I was inspired to do so by Russell's performance of the "Cancion y Danza No. 1" by Antonio Ruiz-Pipo, which though quite excellent, I knew right away was quite different from Isbin's take on the same piece.

First, let me say, I hope that they are good friends, because they are both landmark musicians and worthy "competitors." Both clearly play with absolute love for both the music and the instrument. In short, I prefer Isbin's recording of the Pipo "Danza," even though, overall, Russell's playing is technically cleaner and more facile (but not by much). (Across his entire CD, I recall barely any string noise from Russell, where as Isbin manages a mere dozen or so clear such imperfections across her entire and ample CD; big deal).

I think the thing that draws me to Isbin in this piece (and her CD, in general) is her incredible variety of rhythm, attack, and tone color, all of which combine to give an impression of near perfect balance between spontaneity and precision. She has a way of taking time without the slightest sense of delay or heaviness. This is probably because her tempo never changes, only the rhythm around it, which is a classic hallmark of rhythmic mastery. This means that she hears and feels, both deeply and objectively, every moment of "sound and space" (notes and rest) from beginning to end, like an unbroken line painted across a master's canvas. Combined with this, she uses the space between her bridge and finger board to elicit the most amazing contrasts in tone color (one of the great contributions of Segovia to the art).

Russell plays with equal mastery of rhythm and attack, perhaps aided by the remarkable sonic depth built into his guitar. While he makes maximum use of that wonderful guitar sound, he is somewhat less dramatic in his changes of volume and tone color between phrases, aiming for a more consistent and lyrical quality, certainly another aim of mastery in itself, but there in lies the difference. Still, his sharp shaping of phrases, especially in his choice of Spanish music on his entire CD, with that impeccable technique behind it, weaves a spell all its own.

So, even though Russell's is among the finest pure Spanish musical CDs available, and one of my favorite in that genre (musical realm), I still have to give my nod to Isbin's multi-national effort for its unmatched ability to conjure, especially today, the most sublime dreams of a better world.

14 of 15 people found the following review helpful:

5.0 out of 5 stars Astoundingly Subtle Performance, July 5, 2004

By A Customer

This review is from: Dreams of a World (Audio CD)

Sharon Isbin's fame is well-deserved, and she has spent many years learning the exacting technique of the classical guitar so that any style of performance from Bach to Brazilian makes 'sense' under her fingers. What a remarkably poetic player. For those of you who love the instrument, you will hear no one perform with as much depth, grace, expression as Isbin does.

Sharon Isbin is all musicianship and brilliance, she has clearly built her reputation upon impeccable performances both live and in recording. Her craft in Dreams of A World is multifold- she initiated the commissioning of works such as the Duarte piece, developed transcriptions and arrangements, created a lush, emotional 'program' that progresses from one work to the next in a highly organic fashion.

If you are looking for high-speed pyrotechnics, Isbin is absolutely capable of this, and plays the most demanding pieces of the classical guitarist's repertoire. The current album is virtuosic in her nuanced and coloristic passages, and the music calls forth the greatest delicacy from the instrument. Both of these types of performance are well within Isbin's range. Witness her Bach recordings, orchestral recordings, contemporary and 'classic' pieces of the canon of guitar works. She embraces the very highest values of the instrument and brings to stage and CD an artful awareness of prescisely what each musical work requires in order to shine. Overplaying can be as dull as underplaying - Isbin does neither. In her hands each work shines and is truly a gem of multifaceted musical pleasure.

For those music lovers who know the guitar and its possibilities, you will realize that the instrument is in the hands of a prodigy-turned-international player who is one of a kind not only in her generation, but for several generations. Why is it no surprise that Segovia, the composer Rodrigo, and numerous luminaries of the classical guitar world have given her their ultimate compliment - full and unconditional support? She deserves the accolade -- it is in her hands - listen to it here on this CD, and find the heart of the music - you'll recognize the heart and spirit of each piece immediately through Isbin's performances.

Listen to this work, and explore Isbin's entire opus and repertoire. She brings into the world beauty beyond what was known before - that is her gift.

I hope you're decide to make this CD your gift - to yourself and to others.

I am a composer -- to my ears, this music is heartwrenchingly gorgeous, and it comes to life through the performer's hands.
Isbin's performances are a life lesson- those who seek depth and profundity through music will find it here.

Enjoy.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Dreams with raw emotions., January 24, 2005

By 

Benelita T.C .E (New York, USA) - See all my reviews

This review is from: Dreams of a World (Audio CD)

This is one of my all time favorite CD. When critics call Sharon Isbin the "Monet of the guitar" or the "preeminent guitarist of our time" they only begin do justice to her mastery of the instrument. On this CD my favorite pieces are Agua E Vinho, Cancíon y danza for guitar, Recuerdos de la Alhambra. They are superbly played; they are flawless, passionate ,very moving. I cannot help feeling transcend when listening to Dreams of a World. Ms. Isbin does more than play nice music from all over the world; in this CD she shares her heartfelt dreams of a world.

I highly recommend Dreams of a World.