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An outstanding debut story collection, Z.Z. Packer's Drinking Coffee Elsewhere has attracted as much book-world buzz as a triple espresso. Yet, surprisingly, there are no gimmicks in these eight stories. Their combination of tenderness, humor, and apt, unexpected detail set them apart. In the title story (published in the New Yorker's summer 2000 Debut Fiction issue), a Yale freshman is sent to a psychotherapist who tries to get her--black, bright, motherless, possibly lesbian--to stop "pretending," when she is sure that "pretending" is what got her this far. "Speaking in Tongues" describes the adventures of an Alabama church girl of 14 who takes a bus to Atlanta to try to find the mother who gave her up. Looking around the Montgomery Greyhound station, she wonders if it has changed much since the Reverend King's days. She "tried to imagine where the 'Colored' and 'Whites Only' signs would have hung, then realized she didn't have to. All five blacks waited in one area, all three whites in another." Packer's prose is wielded like a kitchen knife, so familiar to her hand that she could use it with her eyes shut. This is a debut not to miss. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
The clear-voiced humanity of Packer's characters, mostly black teenage girls, resonates unforgettably through the eight stories of this accomplished debut collection. Several tales are set in black communities in the South and explore the identity crises of God-fearing, economically disenfranchised teens and young women. In the riveting "Speaking in Tongues," 14-year-old "church girl" Tia runs away from her overly strict aunt in rural Georgia in search of the mother she hasn't seen in years. She makes it to Atlanta, where, in her long ruffled skirt and obvious desperation, she seems an easy target for a smooth-talking pimp. The title story explores a Yale freshman's wrenching alienation as a black student who, in trying to cope with her new, radically unfamiliar surroundings and the death of her mother, isolates herself completely until another misfit, a white student, comes into her orbit. Other stories feature a young man's last-ditch effort to understand his unreliable father on a trip to the Million Man March and a young woman who sets off for Tokyo to make "a pile of money" and finds herself destitute, living in a house full of other unemployed gaijin. These stories never end neatly or easily. Packer knows how to keep the tone provocative and tense at the close of each tale, doing justice to the complexity and dignity of the characters and their difficult choices.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
It seems as if, every semester, one of my college professors assigns a story or two from this book in a well-intentioned but poorly-executed attempt to foster diversity. Read morePublished 4 months ago by Cheeps
Packer creates believable, generally sympathetic narrators. She can also narrate in the third person. Read morePublished 5 months ago by Mary De Jong
ZZ Packer really touched into the emotion of all these characters. Whether you loved or hated them, you felt something.Published 7 months ago by Islah Tauheed
Really enjoyed this short story collection. I read it a little while ago and keep my eyes peeled for more from this amazing writer!Published 8 months ago by Samuel Flynn
I bought this book in hopes that I could find a way to "get into" literary fiction. it didn't happen. Read morePublished 10 months ago by Frank G. Howell
ZZ writes haunting short stories that stay with you. Her characters are complex and believable.Couldn't put it down.Published 11 months ago by Betsy Barron
ZZ Packer is a fine writer and a treat. She knows the territory of these short stories; she understands place, time and environment. Read morePublished 12 months ago by Really a Reader