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Anyone getting their first look at Death Cab live on this film should expect to be set back on their heels by the band's capacity to tear it up. Theyre frequently called "poppy," but what transpires onstage is flat-out rock & roll. Mitchell tucks most of the interview and road footage between the film's 13 performances, but when he overlays images with the music or breaks for commentary, the effect is nearly always complementary. "Title and Registration" in New Orleans feels even more bleakly beautiful spliced with rainy bayou road images. "We Looked Like Giants" smoothly detours into Gibbard's musings on young love, then cuts back into the performance for a duel-drum-set jam session. "Styrofoam Plates" gets briefly interrupted for an eloquent digression on the funeral that inspired the lyrics; it's just unfortunate that for the remainder of the song the vocals sound so submerged. Given that most of Death Cab's fans are enamored with their lyrics, the film's major flaw is that they're occasionally buried and indiscernible, particularly when a performance takes a ferocious turn--but in consolation, these smackdowns are when the band seems most in their element.
After witnessing this enthusiasm, it's a little surprising to hear that the touring life has started to feel mundane. Aside from the occasional ascent up the speakers to keep things lively, theyre fighting this sensation by putting themselves in the mindset of the folks at their shows. For Harmer, playing huge rooms has made him obsessed with the guys in the back: "Are they rockin' out?" Walla says that he's been making more eye contact with fans on this tour "just to see what's going on," and he's delighted by the huge grins that elicits. Due to their relentless schedule and the "comfy cocoon" of their new tour bus, shows provide their only opportunity to connect and glimpse the impact they're making outside of the dream state of the tour. As McGerr describes it, "You can't see in front of you or behind you. You're engulfed in a fog, and you don't know what things will look like when the fog lifts." This film draws viewers to the edge of this fog, and they sense its charmed disorientation.
DVD Features
The whirlwind nature of the project (compared to, say, the seven years of film that went into DiG!) presumably didn't leave Mitchell the luxury of a ton of spare footage, but the disc includes several worthwhile extras. The "Stability" rehearsal's marred by the muddy, distant quality of the vocals, but the instruments are solid, and it's interesting to see their practice space. An acoustic set of three songs at San Francisco's Metreon comes with some fun banter (Walla declaring his reverence for Sarah Vowell, Gibbard jokingly deflecting a question about his side project), and the stripped-down performance offers a spare beauty uncommon at their electrified shows. The additional interviews include a demonstration of drummer McGerr's rhythmic prowess; a story about the band embracing the slickest stage they ever played and, in Harmer's words, "turning it into the Death Cab on Ice Show" (Gibbard: "I must have fell five or six times on my ass"); and more historical details from "producer, sometimes-arranger-type" Walla on the Hall of Justice studios, a building that, before--becoming the secret headquarters for tracking and mixing The Photo Album and much of Transatlanticism--witnessed the creation of Nirvana's Bleach. The Andycam feature will be most enjoyed by expats of Spokane, WA, for a drunken late-night walking tour of their city, including perhaps the most hilarious 10 seconds of the entire film--the grim look on Gibbard's face as the camera pans the only nightclub they could locate. But the best extra is an intense, gorgeous demo version of "Lightness" with vocal percussion, playing over a triumphant tour montage. If only the circular nature of Transatlanticism hadn't precluded burying this treasure at the end. --Mari Malcolm
Recommended Death Cab for Cutie Discography
![]() Transatlanticism, 2003 | ![]() The Photo Album, 2001 | ![]() We Have the Facts and We're Voting Yes, 2000 |
![]() Forbidden Love EP, 2000 | ![]() Something About Airplanes, 1999 | ![]() You Can Play These Songs with Chords, 2002 |
More Music Documentaries from Plexifilm
![]() I Am Trying to Break Your Heart: A Film About Wilco | ![]() Moog | ![]() Gigantic (A Tale of Two Johns): A Movie About They Might Be Giants |
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Most Helpful Customer Reviews
12 of 13 people found the following review helpful:
5.0 out of 5 stars
Excellent, thoughtful DVD,
By
This review is from: Drive Well, Sleep Carefully - On the Road with Death Cab for Cutie (DVD)
Not many "indie" bands get to have their own DVD, especially one of this quality. From start to finish "Drive Well, Sleep Carefully" is a joy for any fan of Death Cab or indie music. The interviews are very insightful (and often times funny) and the music is just awesome. Death Cab sound a lot different live than on record (read: heavier), and it is really great to watch such a finely tuned band play with eachother, giving new dimensions to their songs(new & old alike). Definitely worth a purchase!
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Drive Well, Sleep Carefully,
By
This review is from: Drive Well, Sleep Carefully - On the Road with Death Cab for Cutie (DVD)
I had a Death Cab for Cutie phase, so this DVD was perfect. If you're only semi into them, or only like a few songs, you might not like the DVD. If they're at the top or near the top of your list of good music these days, I'd recommend it.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Why you'd want to watch this,
By ebmAddikt (Portland Oregon) - See all my reviews
This review is from: Drive Well, Sleep Carefully - On the Road with Death Cab for Cutie (DVD)
Every rock band needs to make at least one tour video like this! Drive Well, Sleep Carefully portrays an honest and humble perspective of the band playing at sell-out venues accross the country. What I find really great about this film is, for one, the live songs are not from one single showing, and the track listing on the back cover tells you which city the song is played in. Another is that throughout the video you get to see and hear the band talk about life as a rock band, or life in general, and they may sometimes comment about the song they're about to play or tell you which up-coming movie they're excited to see - it's very fun to watch the band just be themselves having fun and admitting that they're just ordinary people like everyone else.In addition to this, there are plenty good extras to burn your time away for 41 minutes. One of my favorites is the band practice for Stability - anyone who's ever been in a band can relate to just zoning out and getting lost in a few good measures of music played in a seemingnly endless cycle... that's now captured here on video! :) Altho obviously cut short (10 minutes), Im sure the band carried on for at least another hour. enjoy!
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