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Driving with the Devil: Southern Moonshine, Detroit Wheels, and the Birth of NASCAR
 
 
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Driving with the Devil: Southern Moonshine, Detroit Wheels, and the Birth of NASCAR [Hardcover]

Neal Thompson (Author)
4.6 out of 5 stars  See all reviews (41 customer reviews)


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Book Description

October 3, 2006
“Moonshiners put more time, energy, thought, and love into their cars than any racer ever will. Lose on the track and you go home. Lose with a load of whiskey and you go to jail.” —Junior Johnson, NASCAR legend and one-time whiskey runner

Today’s NASCAR is a family sport with 75 million loyal fans, which is growing bigger and more mainstream by the day. Part Disney, part Vegas, part Barnum & Bailey, NASCAR is also a multibillion-dollar business and a cultural phenomenon that transcends geography, class, and gender. But dark secrets lurk in NASCAR’s past.

Driving with the Devil uncovers for the first time the true story behind NASCAR’s distant, moonshine-fueled origins and paints a rich portrait of the colorful men who created it. Long before the sport of stock-car racing even existed, young men in the rural, Depression-wracked South had figured out that cars and speed were tickets to a better life. With few options beyond the farm or factory, the best chance of escape was running moonshine. Bootlegging offered speed, adventure, and wads of cash—if the drivers survived. Driving with the Devil is the story of bootleggers whose empires grew during Prohibition and continued to thrive well after Repeal, and of drivers who thundered down dusty back roads with moonshine deliveries, deftly outrunning federal agents. The car of choice was the Ford V-8, the hottest car of the 1930s, and ace mechanics tinkered with them until they could fly across mountain roads at 100 miles an hour.

After fighting in World War II, moonshiners transferred their skills to the rough, red-dirt racetracks of Dixie, and a national sport was born. In this dynamic era (1930s and ’40s), three men with a passion for Ford V-8s—convicted criminal Ray Parks, foul-mouthed mechanic Red Vogt, and crippled war veteran Red Byron, NASCAR’s first champion—emerged as the first stock car “team.” Theirs is the violent, poignant story of how moonshine and fast cars merged to create a new sport for the South to call its own.

Driving with the Devil is a fascinating look at the well-hidden historical connection between whiskey running and stock-car racing. NASCAR histories will tell you who led every lap of every race since the first official race in 1948. Driving with the Devil goes deeper to bring you the excitement, passion, crime, and death-defying feats of the wild, early days that NASCAR has carefully hidden from public view. In the tradition of Laura Hillenbrand’s Seabiscuit, this tale not only reveals a bygone era of a beloved sport, but also the character of the country at a moment in time.


Editorial Reviews

From Publishers Weekly

Thompson's raucous account of NASCAR's early decades raises from obscurity the "motherless, dirt-poor southern teens... in jacked-up Fords full of corn whiskey" who originated the sport that's now the second most popular in America. Stock car racing grew up in the 1930s South, when moonshine runners, having perfected the art of daredevil driving while escaping "revenuers" hunting for untaxed whiskey, transferred their skills to the event booming in Atlanta and Daytona Beach. Loosely defined as races where the cars were totally unmodified—even though they were actually supercharged beyond recognition—stock car racing was a rawer, more redneck endeavor than AAA-sanctioned events like the Indy 500, which were the realm of rich enthusiasts driving specially built vehicles. Thompson (Light This Candle: The Life and Times of Alan Shepard) celebrates entrepreneurial ex-con Raymond Parks, wizardish mechanic Red Vogt and driver Red Byron instead of the better-known promoter Bill France, "the P.T. Barnum of stock car racing," whom Thompson blames for moving NASCAR from its whiskey-soaked past to mainstream, logo-strewn present. The author is clearly in love with his subject, and the enthusiasm of this breathless, nostalgic account will be contagious to Southern history buffs and historically minded NASCAR fans. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

This is a colorful, multifaceted history of the hell-raising origins of stock-car racing in the 1930s and 1940s. Thompson fastens onto what might be considered the original stock-car racing team, an Atlanta-based trio--Raymond Parks, Red Vogt, and Lloyd Seay--who worked in the moonshine business, which depended on fast cars for escapes from lawmen. Recounting their biographies, and those of a host of bootlegging competitors, Thompson instills the outlaw milieu--Seay, the 1941 stock-car champ, was murdered in a bootlegging dispute--of the early days. Ad-hoc races, such as one held on a beach in Daytona, Florida, developed into regular events; its impresario, Bill France, disdained the bootleggers from Georgia and eventually outmaneuvered Parks and Vogt to control NASCAR when it was organized in 1947. Thompson believes that the modern NASCAR organization downplays its beginnings in white lightning. His fascinating corrective should inveigle the fans of one of the most popular sports in America today. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 432 pages
  • Publisher: Crown (October 3, 2006)
  • Language: English
  • ISBN-10: 1400082250
  • ISBN-13: 978-1400082254
  • Product Dimensions: 9.1 x 6.2 x 1.5 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (41 customer reviews)
  • Amazon Best Sellers Rank: #423,631 in Books (See Top 100 in Books)

More About the Author

Ever since my high school English teacher suggested I had some talent, I'd dreamed of the writer's life. In college, a drunk-Irish professor/priest further stoked the dream, and in 1988 I found myself happily employed as a newspaper reporter. Twenty years later, I'm still a professional writer, but the circumstances have changed. Instead of working 9-5 (more like 6-6, most days) at one of the nation's sadly struggling newspapers, I'm self-employed. That means I'm writing, thinking about writing, or feeling guilty about not writing, all the time. Writing is my hobby, my career, my obsession. If not for my family, I'd likely be writing (and reading, and probably drinking) day and night. I'm not proud of that. It's a problem, trying constantly to improve my work (and boost my income), while striving to be a good dad, husband, person. Balancing work against the rest of my life seems to get harder all the time.

One problem I've often wrestled with is finding the right balance between the artistic and the structural. I've felt strongly that writing can't be a strictly artistic endeavor. Like the construction job I'd held as a teen, working as a mason's helper, the simple formula is usually brick by brick by brick. Of course, there's room for art in masonry, too (see: Colliseum), and that's where the formula gets complicated. One lingering question of my career has been: how can writers create something meaningful and compelling, but remain productive and efficient? I've dedicated my career as writer (and teacher) to filling my toolbox with the best tools, my playbook with the best tactics.

Fifteen years as a journalist flew by like this: Philadelphia Inquirer (a year); Roanoke Times & World-News, in southwest Virginia (3 years); St. Petersburg Times (less than a year - marriage intervened); The Bergen Record, in northern New Jersey (3 years); and the Baltimore Sun, which I left in 2002, after 5 years. I've also written for Outside, Esquire, Men's Health, Backpacker, Sports Illustrated and the Washington Post Magazine, and newspapers such as the Christian Science Monitor. And I've taught workshops and seminars, incuding three years with the Great Smokies Writing Program at the University of North Carolina-Asheville.

As a journalist, the issue of art-slash-poetry versus structure-slash-efficiency was often governed by a daily deadline. I had no choice but to submit the best-built story by 6 or 7 p.m. If I started early enough in the day, I could add some flair, a bit of me. But usually, the stories were merely functional, and therefore ephemeral, and this often troubled me. I bristled against the limits of daily journalism, the narrow just-the-facts focus, and frequently nagged editors to let me write longer, more meaningful stories, the kind of "narrative non-fiction" found in The New Yorker, Vanity Fair, Outside, and Sports Illustrated. Similarly, as an author, I've aspired to achieve the kind of non-fiction storytelling on display in such books as Friday Night Lights, The Perfect Storm, and Seabiscuit.

During my final two years at the Baltimore Sun, I began researching my first book, Light This Candle: The Life & Times of Alan Shepard, America's First Spaceman (Crown, 2004). I then left the Sun and moved to North Carolina to research and write my next book, Driving with the Devil: Southern Moonshine, Detroit Wheels and the Birth of NASCAR (Crown, 2006). That was followed by Hurricane Season: A Coach, His Team, and their Triumph in the Time of Katrina (Free Press, 2007). In mid-2010, I'm working on my fourth book, a biography of the eccentric world-traveling cartoonist Robert "Believe it or Not" Ripley. [See reviews, excerpts, photos and videos at NealThompson.com]

 

Customer Reviews

41 Reviews
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Average Customer Review
4.6 out of 5 stars (41 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

27 of 27 people found the following review helpful:
5.0 out of 5 stars Gain a new apprecation for stock car racing's early days, November 1, 2006
This review is from: Driving with the Devil: Southern Moonshine, Detroit Wheels, and the Birth of NASCAR (Hardcover)
Two years ago I'd never been to a race. Now I've attended four and watch every weekend. Picked this book up in order to feed my now voracious appetite for all things racing. Guess what...it filled me in on the less well-known formative years of stock car racing. For those who think the France family created stock car racing and NASCAR as well and are unwilling to bend from that view, then this book will likely upset them. On the other hand, if you're open-minded and willing to question the so-called accepted theory of NASCAR's creation being soley by Big Bill and want to know more about the shine runners who helped make the sport popular, then you'll find this book immensely entertaining. Thoroughly enjoyed the book, and felt educated, enlightened, and entertained all at the same time.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars Amazing Details, October 11, 2006
By 
R. May "rosymay" (Hudson, Florida United States) - See all my reviews
(REAL NAME)   
This review is from: Driving with the Devil: Southern Moonshine, Detroit Wheels, and the Birth of NASCAR (Hardcover)
Being a novice to Nascar I have been reading everything I can get my hands. This book, "Driving with the Devil" is "straight up". It gives so much more insight to the beginnings of Nascar than any other book I have read. Some things I didn't even know & some things surprised me, it put together pieces of my own heritage. Amazing book, I recommend it highly.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Absolutely intriguing and entertaining book!, March 31, 2007
This review is from: Driving with the Devil: Southern Moonshine, Detroit Wheels, and the Birth of NASCAR (Hardcover)
What mystifies me is that I am not a racing fan in the least but this book seemed to call to me from the library shelf. As a new resident of Georgia, coming from NY, I felt that I needed to do the "when in Rome..." thing and soldier through the book. No need to labor, as it had me in its grip from the first page. It answered all my questions about all things southern, with a vivid description of life here in the last century as well as an unbelievably human story of the men who made moonshine and how their driving skills translated well into car racing at the outset of the stock car boom. It also introduced me to a unique man, a former master bootlegger named Raymond Parks, who, while not generally a race car driver, was as responsible as anyone for NASCAR being in existence today. His deep pockets kept many drivers racing and his mechanic, a genius named Red Vogt, actually came up with the name NASCAR. That Bill France used legal maneuvering to claim the NASCAR brand for himself and his family doesnt diminish what Raymond Parks did for the sport, and even for France himself who often found himself in need of financial help from the former moonshine baron Parks. Highly highly recommended for anyone who likes a good tale well told.
A footnote--Raymond Parks still lives and works in Atlanta, owning , fittingly, a liquor store on Northside Drive. He is 93 yrs old. I stopped in to say hello the other day, and he was courteous and happy to show me all of his wonderful NASCAR and racing mementos. While slowed by age and possibly early alzheimers, he was a gentleman and I enjoyed my chat with him. Red Vogt's garage on Spring St, where the name NASCAR was coined, is still standing but is now an urban music shop. The garage door was open though, and I could see inside to where Red worked his miracles on the early Ford engines.
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