With Drop City
, T. Coraghessan Boyle offers proof that he has become one of America's most prolific, gifted storytellers. Set in the 1970s, Boyle entertains readers with the denizens of "Drop City," a counterculture California commune that welcomes anyone wanting to live off the grid, use drugs, and practice free love. Boyle sublimely captures the sociology of its rebellious members, who doubt the sincerity or beliefs of newcomers, express some insecurity about nonconformity, and chastise outsiders while remaining oblivious to their own hypocrisy. Marco, Pan, Star, and other "cats" and "chicks" live hassle-free until dissention and cries of racism mount amid increasing run-ins with the local government (a young girl is raped, installation of a sewage system is mandated, a mother lets her toddlers drink LSD-laced juice). Seeking refuge, the citizens move north, to Alaska, to reinvent their utopia, but soon learn the natural environment is more unforgiving of a lackadaisical lifestyle.
Drop City is funny, evocative, and well-paced, shifting between the hippies and the Alaskan locals--primarily Sess and his new bride Pamela (a city dweller who arranged stays with several trappers over a few weeks to determine whom she would marry)--until the two cultures collide. Balanced between plot and character, Boyle excels at describing the physical world and his characters' interaction with it, whether portraying the harshness (or sheer beauty) of the Alaskan wilderness, the simple survival routines of its grizzled inhabitants, or the sounds wafting through Drop City: "the goats bleating to be milked or fed, the single sharp ringing note of a dog surprised by its own hunger, the regular slap of the screen door at the back of the house--and underneath it all, like the soundtrack to a movie, the dull hum of rock and roll leaking out the kitchen windows." Truly American in spirit, Drop City is a strong novel of freedom and those in pursuit of lives of liberty. --Michael Ferch
From Publishers Weekly
Boyle has a wonderful eye for the comedy of imposture when the self-deceived themselves practice deception. His ninth novel, which centers on the travails of a hippie commune, Drop City, in the early '70s, gives him plenty of poseurs to work with. Drop City, in Sonoma County, Calif., is run, in a manner of speaking, by a gold-toothed purveyor of Aquarian notions, Norm Sender. The Drop City family includes Pan (aka Ronnie) and his high school pal Star (aka Paulette Regina Starr), who have fled from the East Coast together; two rather predatory black dudes; and a variegated crew of longhaired "cats" and flower-child "chicks." Star, sweet but often naive, is the opposite of Pan, beneath whose free love patter lurks an unnerving rapacity. Star soon hooks up with Marco, whose solid virtues are concealed beneath his veil of hair. When "The Man," in the person of the Sonoma County sheriff's department, condemns the property, Norm, who has inherited other property far away in Boynton, Alaska, proposes a tribal migration north. Meanwhile, the news in Boynton is that local trapper Cecil "Sess" Harder is marrying Pamela McCoon, after an eccentric courtship ritual. Sess's major problem lately has been a violent feud with Joe Bosky, the local bush pilot. When the Drop City hippie bus rolls into Boynton, a comic clash of civilizations ensues. Building utopia upriver from the Harders, Drop City's denizens discover that polar climes demand rather drastic behavioral adaptations. Boyle understands the multitudinous, sneaky ways innocence insulates itself from ambiguity-but in this novel he leavens that cynical insight with genuine sweetness. While the Day-Glo of the hippie era has long since faded, this novel brings it all back home-and helps us see how much in the American grain it all really was.
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