From Publishers Weekly
Haute couture, love triangles, jealousy and corporate rivalries fuel this simplistic but entertaining fifth installment of Zubro's Paul Turner series (after The Truth Can Get You Killed). When Guinevere Inc.'s signature model, international fashion sensation Cullom Furyk, falls to his death from the penthouse of one of Chicago's most exclusive hotels, police detective Paul Turner and his partner, Buck Fenwick, are put on the case. Cullom had been attending a party celebrating an informal merger between rival fashion houses Guinevere Inc. and Heyling & Veleshki. Turner's interrogation of the guests quickly reveals that the merger was far from a match made in heaven. Guinevere's president, Franklin Munsen, and the young upstart couple Gerald Veleshki and Roger Heyling had been rumored to employ vicious subterfuge to undermine each other's companies. Cullom had been crucial to Guinevere Inc.'s success, and it was no secret among the glitterati that Heyling & Veleshki would have done anything to get their hands on Cullom's moneymaking body. Turner and Fenwick also turn up hints from several sources in the fashion industry about Cullom's reputation as a sexual athlete who had few close friends but lots of gay lovers. The catty, ever-shifting alliances of haute couture don't make it easy for honest joes Turner and Fenwick to pin down a suspect. The sardonic, earthy Fenwick plays a straight bad cop well to Paul Turner's sensitive, gay good cop as the two pick their way through the events and scene-makers gathered in Chicago for a major fashion convention. With pithy dialogue, Zubro solidly crafts the cops' camaraderie. The other characters, however, are not so fortunate; their speech often seems forced or robotic. While the murder trail leads to an only mildly suspenseful ending, Turner in particular is attractive enough to make this lightweight mystery worth reading. (June)
Copyright 1999 Reed Business Information, Inc.
The latest Paul Turner mystery has the gay police detective and his irrepressible partner, Fenwick, investigating the death of swooningly gorgeous male model Furyk Cullom in a fall from a penthouse. Was he pushed? After all, the apparently sweet, lovable guy certainly was, according to most reports, one to love 'em and leave 'em. Then, too, what of the conflicting rumors about his employer's financial health? Was Cullom ready to leave the company for the competition? Zubro offers plenty to snicker at in the world of high fashion and plenty of zingy one-liners from his wisecracking crime fighters as they career from one fashion event to the next in pursuit of the murderer. A quick, neat read featuring fast-breaking developments, cinematic pacing, and a TV movie feel. But is the vast wasteland ready for a one gay^-one straight pair of flatfoots? And in Chicago, to boot? Reading fans can but hope.
Whitney Scott