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The Drowning Pool (Paperback)

~ Ross Macdonald (Author)
4.7 out of 5 stars  See all reviews (11 customer reviews)

List Price: $13.95
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  Hardcover, Large Print, January 31, 1979 -- -- $1.99
  Paperback, June 2, 1996 $11.16 $7.92 $1.98
  Mass Market Paperback, August 31, 1983 -- $15.99 $0.01
  Audio, Cassette, Unabridged $39.95 $25.17 $18.99
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Frequently Bought Together

The Drowning Pool + The Moving Target + The Galton Case (Vintage Crime/Black Lizard)
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Editorial Reviews

Amazon.com Review

Most writers who work in a specific genre such as science fiction or detective stories write with a comfortable narrowness, their ambitions constricted by well-worn conventions; a rare few attain something much deeper, as the scope of their explorations and the originality of their prose operate in a kind of tension with the genre's confines. Ross Macdonald is one such writer. In a series of 25 novels written between 1944 and 1976, all but five featuring Lew Archer as protagonist, Macdonald picked up the baton dropped by Raymond Chandler and Dashiell Hammett and took the genre to new heights.

The Drowning Pool, first published in 1950, is the second Lew Archer novel. It opens in classic hard-boiled fashion, with a well-dressed woman hesitantly engaging Archer's services at his L.A. office. Soon he's digging up secrets in her oil-rich hometown, and the themes that preoccupied Macdonald throughout his career begin to emerge: tormented families, buried secrets that fester through multiple generations, environmental destruction, concealed paternity, and the brutal contrast between rich and poor. Macdonald's later novels--including The Galton Case (1959), The Chill (1964), and The Underground Man (1971)--showed increased maturity and a tone less tied to tradition, but The Drowning Pool returns to the virtues that are the hallmarks of Mcdonald's work: complex and compelling plotting, psychological depth, just enough mayhem, and highly economical prose that routinely rises to something near poetry.



From Library Journal

Published in 1965, 1963, and 1950, respectively, this trio feature Macdonald's hard-boiled private detective Lew Archer. The plots involve murder, deceit, blackmail, sex, and all those other goodies that make for great crime stories.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Paperback: 256 pages
  • Publisher: Vintage (June 3, 1996)
  • Language: English
  • ISBN-10: 0679768068
  • ISBN-13: 978-0679768067
  • Product Dimensions: 7.8 x 5.1 x 0.6 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon.com Sales Rank: #226,913 in Books (See Bestsellers in Books)

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Customer Reviews

11 Reviews
5 star:
 (9)
4 star:
 (1)
3 star:
 (1)
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Average Customer Review
4.7 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
13 of 13 people found the following review helpful:
5.0 out of 5 stars Truly a mystery classic (but don't let that scare you), July 24, 2003
By Neal C. Reynolds (Indianapolis, Indiana) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)      
This review is from: The Drowning Pool (Hardcover)
I hesitate to call this a classic because some people consider "classics" as dull and out-dated. And there's nothing dull or out-dated here (well, maybe that paying $10 to be driven from Las Vegas to L. A. is a bit out of date).

Archer's hired to discover who sent his client's husband a letter accusing her of infidelity. Introduced to the family and friends at a party as a Hollywood agent, he is sensitive to the growing tension and explosive atmosphere. The reader knows of course that somebody's going to be murdered, but these early chapters are among the most skillfully written to build suspense that I've ever read.

Written in 1950, the inclusion of a homosexual couple was quite daring although there is not graphic description, and isn't significant enough a factor of the plot to either offend or attract a reader.

Read this and I'm sure you'll find it on your own list of crime classics.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Ross MacDonald was a true artist., February 27, 2002
By David J. Gannon (San Antonio, TX USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
A Ross MacDonald is like an extremely well crafted 1950's black & white noir movie. Nothing comes through in it's true color, everything is projected in shades of gray, the action is stately yet never drags, and the characters are all vaguely threatening.

All of MacDonald's novels exhibit certain basic themes--tormented families, buried secrets that fester through multiple generations, environmental destruction, and the brutal contrast between rich and poor. The key to MacDonald's long running success was Archers realism and authenticity, MacDonald's ability to craft complex yet understandable stories, his mastery of language, and his ability to generate a specific atmosphere of threatening suspense on a consistent basis.

All of the above referenced themes are present in The Drowning Pool, which I think is MacDonald's best novel, though The Underground Man is right up there as well.

MacDonald's novels aren't just mind candy-reading him is a literary experience. I believe that is why he was successful in a sort of restrained way. Escapists will not get into these books-they are too cerebral. If you want to your books affect you, MacDonald and Archer are your kind of guy's.

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13 of 15 people found the following review helpful:
4.0 out of 5 stars One of the best fifties LA noir, January 2, 2001
By Erik J. Larsen (st. paul, mn) - See all my reviews
(REAL NAME)   
I'm not a big fan of detective series because they tend to become robotic in plot and characterization, but the Ross MacDonald/Lew Archer series is an exception. Crisp language, tight plots, and geat dialog make for a gripping story.

A sad sidenote. Don't rent/watch the insipid Paul Newman/Joanne Woodward movie 'loosely' based on the book. Instead of LA they set it in New Orleans and they basically rearranged all the characters into pale versions of their literary counterparts. Just thought I'd let you know.

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Most Recent Customer Reviews

3.0 out of 5 stars The Water Here's too Shallow
In his second Archer tale, Macdonald attempts to explore family psychology, but the result for me was disappointing. Read more
Published 12 days ago by Red Rivere

5.0 out of 5 stars Not typical of his later work, but still quite good
There is no such thing as a bad Ross MacDonald novel, but while this is good, it isn't typical of his best work. Read more
Published 15 months ago by Robert Moore

5.0 out of 5 stars Hard-boiled prose at its very best
Of all the classic heroes in hard-boiled fiction (Spade, Marlowe, etc.) I've always found Lew Archer to be my favorite. Read more
Published 22 months ago by C. Avery

5.0 out of 5 stars Good vintage Ross Macdonald
A different Lew Archer here than THE BLUE HAMMER Lew Archer. The tone is in TDP is more gritty and hardboiled. Lew is less the romantic toward the ladies he meets. Read more
Published on November 10, 2006 by Ed Lynskey,

5.0 out of 5 stars Hardboiled Masterpiece.
In this skillfully written tale of murder and intrigue, Ross MacDonald manages to "out Chandler" Raymond Chandler. Read more
Published on December 17, 2004 by Michael G.

5.0 out of 5 stars The way America is.
Ross Macdonald describes America the way it really is, mindblowing, desperate, full of paranoia!! His descriptions of faded starlets and worn-out harlots wandering around... Read more
Published on October 23, 2000 by flava_flav_anilla

5.0 out of 5 stars Dashiell's Hammett's heir goes him one better
Ross MacDonald is usually compared to Dashiell Hammett and Raymond Chandler. However Lew Archer is never hard-bitten (despite hard-bitten experience) as Hammett and Chandler's... Read more
Published on June 20, 2000 by Unique ViewPoint

5.0 out of 5 stars thorougly excellent
MacDonald was not only the heir to craftwork of Hammett and Chandler, he may well have brought this particular strain of crime fiction to its pinacle. Read more
Published on March 16, 2000 by lucas cragg

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