From School Library Journal
Kindergarten-Grade 2-Plucky Chavi is determined to play the drums on the school float during Miami's Calle Ocho parade. The only problem is that everyone, from her music teacher to her own loving mother, is convinced that because she is a girl, she cannot possibly be good enough. Chavi knows differently, and she practices on anything she can get her hands on: pans, paint cans, car hoods. She just knows she's good, and before the book is over, so does everyone else. The exuberant text is alive with rhythms, and Chavi is a heartwarming heroine who compares favorably to other girls who think outside the box, such as Ruby in Shirin Yim Bridges's Ruby's Wish (Chronicle, 2002). Tonel's cartoon illustrations, executed in watercolor, colored pencil, and pen, are bright and busy, but have an amateurish look to them. The Spanish text, which appears on the recto, is a workmanlike translation of the English, which appears on the verso. Of particular interest to libraries in Cuban communities, this title is a serviceable addition.
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Gr. 2-3. With plenty of "Tun-DUN-DUN-tun, chicky-chack-PRACK!" providing a backbeat, Dole, a Cuban-born drummer, sends a determined child hurtling over an artificial gender barrier in this bilingual book, with English and Spanish on opposite pages. Outraged when her music teacher chooses a boy to drum in the upcoming Calle Ocho Festival, Chavi dons a disguise and marches off to strut her stuff. Admiration changes to shock when a group of men discover her gender, but when other listeners express support, Chavi's disappointment turns to triumph, and it isn't long before she has the crowd moving to her quick rhythms. The type is very small. But the energetic, unsophisticated illustrations depict Miami's famous festival with bright colors, exaggerated shapes, and proportions that match the lively words, which introduce Chavi's extended family and "the largest Latino festival in the nation." Although the setting here is more fleshed out than that of Brian Pinkney's
Max Found Two Sticks (1994), the two tales are otherwise closely akin, both in their sound-effects-laced narratives, and in their dynamic young protagonists.
John PetersCopyright © American Library Association. All rights reserved