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Drummin' Men: The Heartbeat of Jazz The Swing Years [Paperback]

Burt Korall (Author)
4.3 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

December 5, 2002 0195157621 978-0195157628
In the 1930s swing music was everywhere--on radio, recordings, and in the great ballrooms, hotels, theatres, and clubs. Perhaps at no other time were drummers more central to the sound and spirit of jazz. Benny Goodman showcased Gene Krupa. Jimmy Dorsey featured Ray McKinley. Artie Shaw helped make Buddy Rich a star while Count Basie riffed with the innovative Jo Jones. Drummers were at the core of this music; as Jo Jones said, "The drummer is the key--the heartbeat of jazz."
An oral history told by the drummers, other musicians, and industry figures, Drummin' Men is also Burt Korall's memoir of more than fifty years in jazz. Personal and moving, the book is a celebration of the music of the time and the men who made it. Meet Chick Webb, small, fragile-looking, a hunchback from childhood, whose explosive drumming style thrilled and amazed; Gene Krupa, the great showman and pacemaker; Ray McKinley, whose rhythmic charm, light touch, and musical approach provided a great example for countless others, and the many more that populate this story.
Based on interviews with a collection of the most important jazzmen, Drummin' Men offers an inside view of the swing years that cannot be found anywhere else.

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Editorial Reviews

From Library Journal

The drummer is one of the jazz band's most important members, providing the energy, pulse, and drive that can make or break a unit. Korall illuminates these points and more in his latest offering, a fine follow-up to his Drummin' Men: The Heartbeat of Jazz; The Swing Years, which was published in 1990. A jazz authority whose writings have appeared in such publications as the New York Times, Modern Drummer, and the Village Voice, Korall is also a jazz drummer and can thus talk knowledgeably about various stylistic aspects of drumming. As in his previous work, he uses interviews with musicians to address various key artists and concepts. It's hardly surprising that drummers Art Blakey, Max Roach, Kenny Clarke, and Roy Haynes are included, but the unexpected coverage of artists like Tiny Kahn, Stan Levey, Shadow Wilson, and Don Lamond provide diversity and a greater understanding of how bop drumming evolved. While there is some overlap between the two books, Korall's latest offering is no carbon copy. It is a readable tome that would appeal to jazz enthusiasts and jazz scholars alike. Recommended for academic and public libraries with a jazz interest. Ronald S. Russ, Arkansas State Univ., Beebe
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review


"[The author's] breezy prose and insight into the quintessentially American lives of his subjects make Drummin' Men well worth reading."--The New York Times Book Review


"A brilliant account of a very important period in the history of American music."--Max Roach


"A splendid achievement."--Artie Shaw


"A book that illuminates not only the pantheon of jazz drummers in classical jazz but also makes clear the very essence of the jazz spirit."--Nat Hentoff



Product Details

  • Paperback: 400 pages
  • Publisher: Oxford University Press, USA (December 5, 2002)
  • Language: English
  • ISBN-10: 0195157621
  • ISBN-13: 978-0195157628
  • Product Dimensions: 9.2 x 6.1 x 1.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,864,002 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.3 out of 5 stars (6 customer reviews)
 
 
 
 
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16 of 19 people found the following review helpful:
5.0 out of 5 stars Buddy Ruch Fanatic, November 14, 2002
By A Customer
This is a GOOD book on the Be Bop drummers, my only complaint is that the author has opinions that I do not agree with. Such as "Blakey is not a virtuoso"; My opinion is that Blakey played solo's that were beyond "Human Technique",they were Spiritual. He also relates a story of how Buddy Rich was Philly Joe's "Demon",and again states that Philly Joe Jones was not a virtuoso. The author also states that the "Rich versus Roach" recording was a "radical mistake" for Max, because Buddy "ran Roach out of the studio". The author seems to think Buddy Rich is "The world's greatest drummer". And that the real innovaters have no technique. I say ,listen to Buddy with Bird & Diz;(Tasteless Bombast),then listen to Max(pure melodic Beauty). I don,t care if Buddy can play 3000 single strokes per minute, lets don,t distort the truth, with this continuing myth. Buddy did'nt make any contribution to "Music", that these cats did.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars The pulse of the Big Band Era, July 27, 1998
By A Customer
This is an outstanding account of the Big Band Era from the standpoint of the individuals who literally provided the beat. They're all here in the story of the best of the big band drummers: Chick Webb, Buddy Rich, Gene Krupa, Davey Tough, Ray McKinley, Big Sid Catlett, and more. This was clearly a labor of love for author Burt Korrall, who is an amateur drummer himself. Following his references to recorded material the reader can become absorbed in the topic in a way he or she never thought possible. The fact is, this book is well written and makes great reading for anyone interested in the Big Band Era or swing/jazz drumming.
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6 of 8 people found the following review helpful:
1.0 out of 5 stars a waste of time, August 21, 2004
A book about bebop drummers needs to explain 1) what bebop drumming consists of and 2) how the styles of the various drummers profiled diverge. This book does not do either. Instead we are told that drummer after drummer after drummer has "a great feel" and "great time"; we learn nothing.

If it were just that I'd give the book another star for its sketchy and scattered biographical information, but considering how badly written the book is, I can't justify it.

I suggest instead that you buy a copy of "The Grove Dictionary of Jazz" and look up the entry for each famous drummer you want to know about. You'll learn a lot more and have a much better time doing it.

For transcriptions consult Modern Drummer magazine.
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Inside This Book (learn more)
First Sentence:
Chick Webb, trying out a cymbal at the Avedis Zildjian Company factor in Massachusetts, circa 1938. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
liner essay, jazz authority, sock cymbal, two bass drums, swing drummer, drum rudiments, other drummers, black drummers, greatest drummer, jazz feeling, modern drummer, drummer man, many drummers, most drummers, jazz drumming, jazz people
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Buddy Rich, Gene Krupa, Dave Tough, Chick Webb, Big Sid, Sid Catlett, Benny Goodman, Louis Armstrong, Kansas City, Bud Freeman, Tommy Dorsey, Woody Herman, Artie Shaw, Down Beat, Glenn Miller, Lester Young, Max Roach, Paramount Theater, Baby Dodds, Count Basie, New Orleans, Fletcher Henderson, Hickory House, Lionel Hampton
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