As drumming grows popular as a spiritual as well as artistic pursuit, drummers and drumming teachers like Helm step forward with instruction that goes beyond what one got in high-school band. Most who embark upon drumming as a spiritual path don't play snare or bass drums, in any case, nor are there any spiritual marching bands--yet. Typically, the drums played spiritually are ethnic instruments, such as the Arabic
doumbek and the African
djembe, that are held between the legs or on a strap around the neck, and played with the hands. Helm includes the basics on playing such drums in the text and an accompanying CD. Beyond that, he teaches such nontechnical aspects of drumming as drum-circle courtesy, how to find a teacher or group, and drumming traditions. Sometimes his technical expertise and spiritual grounding fuse, as in the chapter on how to play "laid back" or just behind the beat--a challenging style that seems as much meditation as technique.
Patricia MonaghanCopyright © American Library Association. All rights reserved
About the Author
Drumming for as long as he can remember, Russell Buddy Helm (southern California) has played live and in recording sessions with a variety of rock bands, including Frank Zappa, Chuck Berry, Tim Buckley, and the Allman Brothers. He has taught everything from Afro-Cuban to jazz, R&B, rock n roll, and reggae. His current drumming workshops make the healing qualities of the drum accessible to all people, regardless of their musical backgrounds.
When he was eight, he started his classical musical training under a well-known woman drum teacher in Elkhart, Indiana named Eilleen Trafford. He excelled at percussion in both symphonic work and drum and bugle corps, earning fifteen medals of excellence. As a teenager he developed his musical styles in rhythm and blues, rock, country, folk and spiritual drumming like Afro Cuban and Gospel. While living in Coconut Grove in Miami, he was exposed to the Caribbean culture where his understanding of spiritual drumming progressed.
He moved to Los Angeles to continue his musical career and artistic training and to teach drumming. There he played with Frank Zappa and then played and toured with Tim Buckley for several years, recording an album in 1973, (Honeyman, released in 1997).