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Duchess of Death: The Unauthorized Biography of Agatha Christie
 
 
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Duchess of Death: The Unauthorized Biography of Agatha Christie [Hardcover]

Richard Hack (Author)
3.8 out of 5 stars  See all reviews (17 customer reviews)

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Book Description

July 1, 2009
Although she is the most popular novelist in history, with over two billion books sold worldwide, Agatha Christie lived a life shrouded in secrecy and fueled by curiosity. Nearly as notorious for her aversion to the press as she was for her 80 books and collections of short stories, Christie made no secret of her need for privacy. Utilizing over 5,000 previously unpublished letters, notes, and documents, award-winning biographer Richard Hack allows Christie to write again, 33 years after her death. Duchess of Death is her story, as full of romance, travel, wealth, and scandal as any mystery Christie ever crafted.

There have been numerous biographies of the Queen of Crime, all of which claim to be definitive. However, Duchess of Death is the first to draw from such an enormous number of previously unpublished correspondence and notes, effectively establishing it as the most authoritative, penetrating look at the personal and literary life of Christie.

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Editorial Reviews

From Publishers Weekly

Best known for biographies of Howard Hughes, Rupert Murdoch, Ted Turner and J. Edgar Hoover, Hack this time investigates the grand dame of the mystery novel, Agatha Christie. Hack smartly opens with the prolific U.K. author's biggest mystery: an eleven-day disappearing act she pulled in 1926, following the final breakdown of her marriage. From there, Hack meticulously recounts her personal and professional life, exploring Christie's youth in seaside Devon, her beginnings as a writer, and her global escapades with second husband Max Mallowan. Hack is thorough with the facts, but also humanizes his subject with personal details like Christie's strained relationship with her daughter, well-rooted in letters and other primary sources (including Christie's autobiography). Though occasionally overwritten, Hack's work should entrance Christie fans, as well as anyone who enjoys lively literary biography. Color photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Publisher

PHOENIX BOOKS is pleased to report that as of May 6, 2011 DUCHESS OF DEATH has been totally re-formatted for the Kindle and is complete with linkable footnotes and index. All issues raised in the reader comments below have been resolved so that the Kindle edition is now a pleasure to read

Product Details

  • Hardcover: 284 pages
  • Publisher: Phoenix Books (July 1, 2009)
  • Language: English
  • ISBN-10: 1597776203
  • ISBN-13: 978-1597776202
  • Product Dimensions: 9.3 x 6.2 x 0.9 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #119,435 in Books (See Top 100 in Books)

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Customer Reviews

17 Reviews
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4 star:
 (1)
3 star:
 (4)
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Average Customer Review
3.8 out of 5 stars (17 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

35 of 37 people found the following review helpful:
2.0 out of 5 stars Mixed marks...and an odd cover, August 24, 2009
By 
L. Lyons (Virginia, US) - See all my reviews
(REAL NAME)   
This review is from: Duchess of Death: The Unauthorized Biography of Agatha Christie (Hardcover)
This book is a retelling of the life of Agatha Christie drawn from her writings, from previously published sources, and, perhaps, from letters and papers at the University of Exeter, or perhaps not. This is not clear in spite of the cover of the book proclaiming that this is an "unauthorized biography" that was drawn "from over 5,000 unpublished letters, notes, and documents." Inside the book, however, there is no mention of these letters etc. except by implication in the thanks to the research staff at the University of Exeter. They are not mentioned in the extensive bibliography. "Letters" are cited in the endnotes without further explanation. Some letters are cited to Laura Thompson's "Agatha Christie: An English Mystery" which, interestingly, is not mentioned in the Bibliography. There are other interesting gaps in Bibliography: Christie's own "Come Tell Me How You Live" is not cited, yet is obviously the source of much of the Middle East information. Only one of the Westmacott novels is listed although these must be the major source of insight into Christie's perception of her own emotional life. I do not have the sense that the author is being deceitful, but rather than he is being sloppy. The deceit, I think, is from the publisher whose hype on the cover implies that there is something new between these covers. There is not.

There is also sloppiness in useage. These are not big flaws, just little annoyances. Examples: In the UK they do not have "twin beds"; they have single beds. They do not have "backyards"; they have gardens. They do not "graduate from high school"; they leave school. Agatha Christie was never Lady Agatha Christie. That would communicate that she was the daughter of a duke, marquis, or earl. She was Lady Mallowan (not Lady Agatha Mallowan, just Lady Mallowan) as the wife of Sir Max Mallowan. She was also Dame Agatha Christie in her own right.

What is most puzzling about this book is that the first part of it is quite well done and evokes Christie's life in an engaging way. It is a good read. It is interesting. He tells the Harrogate incident quite well and with a convincing understanding of what might have happened. Then, about the middle of the book when Christie is remarried and off to the Middle East, the story becomes dull and uninteresting. There are lists of books published and movies made. There is a mention of the unrelenting tax problems. There is illness and there is death. Obviously, the material is what the material is, but good grief, what a bore he makes it. It's as if the book was written by two different people: one a novelist and biographer and the other the writer of corporate brochures.

Generally, I must say that Laura Thompson's book is a much better read and she had the real advantage of the cooperation of Christie's family. The "unauthorized" and "unpublished" sources mentioned on the cover implies falsely that something new will be offered. It is not. This is simply an uneven library job.
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32 of 34 people found the following review helpful:
5.0 out of 5 stars FASCINATING BOOK!!, July 11, 2009
This review is from: Duchess of Death: The Unauthorized Biography of Agatha Christie (Hardcover)
I have read several biographies by Richard Hack and enjoy his writing style, so when I discovered his latest book on mystery writer Agatha Christie I added it to my collection. I picked it up the other evening, intending to read a few pages before going to bed, and four hours later found myself still reading!! Christie, as seen through the eyes of this author, is turned into a fascinating (and thoroughly surprising) woman. A romantic, a celebrity despite her need for total privacy, and a charismatic explorer of artifacts in what is now Iraq. This book will certainly appeal to the millions of Christie fans, who will find the author's research impeccable and his writing brilliantly crafted. Compared to the other Christie biographies, this one adds warmth and a wonderfully detailed depiction of a time period when one would rather go without food than servants. I finished the book in two days, and have already purchased a second copy as a gift. Bravo for a job well done on a difficult subject.
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11 of 12 people found the following review helpful:
3.0 out of 5 stars Frustrating, October 10, 2009
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: Duchess of Death: The Unauthorized Biography of Agatha Christie (Hardcover)
Like other reviewers, I was taken in by the claim on the front of the book that it draws on 5,000 letters, and then disappointed to see that, if this is the case, so few of these letters could have been of any substance. Hack excels at explaining the business side of Agatha Christie and the industry that accreted around her. I did not know for example, that Rosalind Hicks left behind a fortune of six hundred million dollars--how is that even possible? I expect that many of the bruited 5,000 letters might have come from the papers of her agent or publishers? Otherwise the lack of footnotes is frustrating indeed.

For example, on page 212 there is a brief discussion of Christie's one venture into screenwriting, a treatment for MGM of Charles Dickens' novel Bleak House. Hack tells us that Bleak House, completed in April 1962, came in at 270 pages long, absurdly overlong for a feature film. But we never find out how he knows this. Did he read the screenplay? How does he know it was 270 pages? How does he know the month of completion? No references are given. It is one of my dreams someday to read Christie's "Bleak House" screenplay, and I would have appreciated more information here.
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