Duende: Poems [Paperback]

Tracy K. Smith (Author)

Book Description

Publication Date: May 29, 2007

Every poem is the story of itself.

Pure conflict. Its own undoing.

Breeze of dreams, then certain death.

                      --from "History"

Duende, that dark and elusive force described by Federico García Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.

Editorial Reviews

From Publishers Weekly

Starred Review. Federico García Lorca famously described duende in relation to flamenco music, but understood it as the dark wellspring for any artistic endeavor. As interpreted by Smith in her Laughlin Award–winning second collection, duende is the unforgiving place where the soul confronts emotion, acknowledges death and finds poetry. Smith writes from various unconsoled spaces, where [k]nowledge is regret and [e]ach word is a wish. About the view from a failing marriage, Smith says: I liked best/ When there was nothing/ That I could/ Or could not see. These 30 poems are roving, alluding to diverse countries and political situations, often shifting perspectives and locations abruptly between sections. Identity and history are often sources of pain, and Smith adopts various marginalized personas (Flores Woman, Persephone, John Dall, Ugandan girls sold into wifedom) unhinged by displacement. Identity politics bleed into personal lyric, where the poet admits, I am not/ What you intend me to be. Writing in the voice of a Ugandan girl, Smith says, Somewhere in every life there is a line./ One side to the other and you are gone./ Not disappeared but undone. Although the site of undoing may well be the source of duende, the poet's lyric brilliance and political impulses never falter under the considerable weight of her subject matter. (June)
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Review

Praise for The Body's Question:

"The most persuasively haunted poems here are those where [Smith] casts herself not simply as a dutiful curator of personal history but a canny medium of fellow feeling and the stirrings of the collective unconscious . . . [And] it's this charged air of rapt apprehension that gives her spare, fluid lines their coolly incantatory tenor as she warms to the task of channeling disquieting visions and fugitive voices." --The New York Times Book Review

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Product Details

• Paperback: 80 pages
• Publisher: Graywolf Press; First Printing edition (May 29, 2007)
• Language: English
• ISBN-10: 1555974759
• ISBN-13: 978-1555974756
• Product Dimensions: 9 x 6.6 x 0.3 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #146,303 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

6 of 9 people found the following review helpful:

3.0 out of 5 stars A Sophomore Effort, November 13, 2007

By 

Hillary Watson - See all my reviews
(REAL NAME)   

This review is from: Duende: Poems (Paperback)

Tracy K. Smith invents a world of dark images and emotions, fed not by inspiration, but by its alternate manifestation, duende. The concept, developed by Frederico Garcia Lorca, is a passionate, ancient and innovative source of creativity that appears in the face of struggle and death. It is a raw, sincere force that comes from the depth of the heart, the most tortured corner of the artist's life. Smith's collection of brooding poems has the characteristics of a sophomore effort--with fitting irony, her quest for something beyond herself is frustrated by her unwillingness to examine her own identity. She explores duende by taking her audience to all sides of the world--Uganda, Brazil--and leaves them stranded in misunderstandings. Though some of her poems are rooted in the United States, they contain only abstract images of herself, and her message is still unclear. However, her formula is successful in several poems, particularly the longer ones such as History and The Nobodies.

Smith's work hops from image to image, heavily relying on nature, creating impersonal, disjointed, and dark poems. In the poem Diego, she begins, "Winter is a boa constrictor/Contemplating a goat. Nothing moves,/Save for the river, making its way/Steadily into ice. A state of consternation." Her strong beginnings fade and fail to make connections with the tangible, or in some cases, with itself. Still, several of her poems do speak clearly. In Poem in Which Nobody Says "I Told You So," she describes the duende that lurks in love: "Lust is real. Love/is the momentary lapse of treason."

Duende is a B+ effort, with a lot of potential. If Smith can tighten her images and learn to bring her readers back home after the long journey, she will be a powerful voice on many political and social issues.

5.0 out of 5 stars A gift to one of my students, December 31, 2011

By 

Brenda Connor-Bey Miller - See all my reviews

Amazon Verified Purchase

This review is from: Duende: Poems (Paperback)

I read this book when it was first published. I shared her other book with one of my students who is a young writer and who admires Tracy K. Smith's work.

2 of 6 people found the following review helpful:

4.0 out of 5 stars Duende, a great read, October 18, 2007

By 

A. Jackson - See all my reviews
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This review is from: Duende: Poems (Paperback)

I enjoyed this book. Smith's use of imagery was powerful. Also, the variety in the formatting of each poem made it more interesting and captured my attention immediately. She found an effective way to mix historical and political issues with ideas with emotions the ordinary person experiences. Part four of the first poem, History, was especially inspiring. This, I feel, set the tone for the rest of the book. Not only did I enjoy the poetry, but I learned a lot as well.