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| 1. The Lady Is A Tramp |
| 2. What Now My Love |
| 3. I've Got A Crush On You |
| 4. Summer Wind |
| 5. Come Rain Or Come Shine |
| 6. New York, New York |
| 7. They Can't Take That Away From Me |
| 8. You Make Me Feel So Young |
| 9. Guess I'll Hang My Tears Out To Dry/In The Wee Small Hours Of The Morning |
| 10. I've Got The World On A String |
| 11. Witchcraft |
| 12. I've Got You Under My Skin |
| 13. All The Way/One For My Baby (And One More For The Road) |
I am so unbelievably sick and tired of these alleged Sinatra "fans" pouring forth their venom upon an album which, you know what folks, really is not all that bad. Shock of shocks, if you really LISTEN to the album without analyzing every note and musical substructure, it is actually quite a pleasure.
No, this is not the Frank Sinatra of the continually fawned over Capitol years or even that of his early Reprise careers. That Sinatra was technically flawless on virtually everything he recorded, while at the same time being able to inject his music with emotional power.
The Sinatra of Duets and Duets II is not as technically perfect as the man of decades (yes, DECADES) past, but what he lacked in 1993 in form and phrasing is more than made up for in wisdom and emotion.
Why is it that Sinatra in particular is always attacked for getting older and for not being the singer he was 30-40 years earlier. Other performers don't suffer that same fate. Tony Bennett was and is a superb singer, but have you listened to the man lately, he is not exactly the same one who made I Left My Heart in San Francisco a hit 40 years ago. However, how often is he criticized or attacked for the ravages time has inflicted on his voice, rarely. Instead, the critics chirp about how great his new more fully jazz style is. No such reprive for Frank Sinatra.
Those Sinatra fans who can not appreciate the full scope of Sinatra's career have missed the boat. I don't care if you own over 100 Sinatra albums (certainly possible with all the compilatins, repackaging etc), if you can't see the value, beauty and sheer impact of ALL the stages of Sinatra's career, you don't know what it is to truly be a fan of Old Blue Eyes. Those who can't appreciate anything FS did after 1968 are missing an entire and important piece of the legacy.
For the Duets album itself, aside from Barbara Steisand (who I admire greatly as a singer, but simply can't stand to listen to) the Duet partners hold their own with FS and he with them. Even the Bono duet, much maligned, if listened to in the spirit of fun and exuberance in which it was recorded, can't help but make you smile.
My only regret about the Duet series was that there was no Duets III and IV.
In closing, what made Frank Sinatra great was the mere fact that anything and everything he sang had merit because HE SANG IT.