For use with all Bb, Eb, bass clef, and C instruments, the JAZZ PLAY ALONG SERIES is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY, each tune includes a split track with: * Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. FOR PERFORMANCE, each tune also has: * An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. INCLUDES: Caravan * Don't Get Around Much Anymore * In a Mellow Tone * In a Sentimental Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Perdido * Prelude to a Kiss * Satin Doll * Sophisticated Lady * Take the "A" Train.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Essential Duke Play-Along,
By Coffee Drinker (USA) - See all my reviews
This review is from: Duke Ellington: Jazz Play-Along Volume 1 (Paperback)
A really nice selection of the essential Duke: Caravan, Don't Get Around Much Anymore, In a Mellow Tone, In a Sentimental Mood, It Don't Mean a Thing (If It Ain't Got That Swing), Perdido, Prelude to a Kiss, Satin Doll, Sophisticated Lady, and Take the "A" Train. Hard to imagine a better collection.The following comments are from an amateur bass player's viewpoint, and they apply equally to all of the volumes in the Hal Leonard Jazz Play-Along series: These playalongs come with two complete tracks for each tune. One is the "split-track" that puts the bass in the left channel and piano and drums in the right channel. There is a soloist--either trumpet or sax--who plays a VERY vanilla head, then there's a repeat with just the rhythm section so that YOU can try soloing against it. A bass player can just cut out the left channel and play bass behind the soloist and then play behind a "phantom" soloist. You can imagine a vocalist or whatever instrument you want. I think this is great practice since a real soloist might be playing anything, and you need to be able to play behind him no matter what his solo sounds like. Or YOU can be the second soloist yourself on these play-alongs, if you want. When using headphones and cutting out the left (bass) track to use as a bass play-along, I find that the right track sounds much more natural if I put it into both channels, using either a software program or special adapter cables I made. I do not find the second "stereo" track to be useful for a bass player since it is rhythm section only and you can't pull the bass entirely out of it. (Jamie Aebersold's play-alongs have only a rhythm section, no actual soloist, but you can split the bass out of his play-alongs and play along with the rest of the rhythm section, imagining any soloist you want.) There is a bass clef section for C instruments in each Hal Leonard play-along book that accompanies the CD, but it contains no bass lines--just changes and a melody written for a bass clef solo instrument, like trombone. You can use it to learn the melody on bass, if you wish, then branch off from there to write you own bass solo. I think it's a good thing that no bass lines are provided because it's an excellent exercise to write your own bass line in two-feel, then write another one that walks. After a while, you can learn to pull this off on the fly, just looking at the changes. If you're a rank beginner, you'll probably be busy enough just playing roots that you get from the changes, then you can add approach notes, and pretty soon you'll advance to two-feel, then walking. I use these play-alongs in conjunction with instruction books on constructing bass lines to learn to apply bass construction techniques to Real Book tunes. Using these play-alongs is the next best thing to playing with a live group, and they're always ready when you want to practice. If you're a Mac person, I recommend downloading your play-along CDs into iTunes, where you can organize them as you like. But I highly recommend actually playing them through Audiolobe, which you can buy online for $20 at its home website. You load the tune you want from iTunes into Audiolobe, which then lets you change tempo and/or pitch and even create focused loops on the fly--you don't have to make a new file each time you want to do this. A great and fun way to learn with play-alongs.
5.0 out of 5 stars
Great book to have,
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This review is from: Duke Ellington: Jazz Play-Along Volume 1 (Paperback)
This is a great book. Hal leonard jazz play alongs are always garantee of good/reliable sheet music and Excellent rhythm section. Since its intended for performance and not only for practice the quality of the rhythm section is very satisfying (specially when you cant practice with a real group). Volume 1 has must to know tunes for every Jazz musician. Duke is a very played and studied musician, one can learn a lot from his music, from cadences to rhythm changes. Some play along from Ellington is vital, and this is not a bad one to start with. It also has "it dont mean a thing if it aint got that swing", a tune I could not find anywhere else but this book. I recommend this book. Be ready to get used to different chord notation if you are used to the aebersold series though! (For eb, Bb, C and bass instruments too.)
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