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Duke Ellington Presents
 
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Duke Ellington Presents [Original recording remastered]

Duke EllingtonAudio CD
4.0 out of 5 stars  See all reviews (2 customer reviews)

Price: $12.66 & eligible for FREE Super Saver Shipping on orders over $25. Details
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One of the most important and influential jazz musicians of the 20th Century, Edward "Duke" Ellington led a band from the early 1920s until his death in 1974. He composed new material relentlessly, specifically writing to get the best out of his band members. In the late 20s his band earned a residency at Harlem's Cotton Club, which brought nationwide fame to Ellington, as their performances were… Read more in Amazon's Duke Ellington Store

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Product Details

  • Audio CD (August 2, 2005)
  • Original Release Date: 2005
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Shout Factory
  • ASIN: B0009Y26RW
  • Also Available in: Audio CD
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #304,104 in Music (See Top 100 in Music)

 
1. Summertime
2. Laura
3. I Can't Get Started
4. My Funny Valentine
5. Everything But You
6. Frustration
7. Cotton Tail
8. Day Dream
9. Deep Purple
10. Indian Summer
11. Blues

 

Customer Reviews

2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Pre-Newport 1956 Ellington, June 19, 2002
By 
This review is from: Duke Ellington Presents (Audio CD)
Originally recorded on the Bethlehem label, this is a very good if unessential cd to add to one's collection.

What makes it different from other Ellington recordings is that six of the eleven selections are material not normally associated with his music. As one would expect from the title, this is a showcase for the excellent sidemen in the Ellington band. In a sense, that makes it more "Ellington" since his compositions were usually written with the talents of his personnel in mind. This is good......because one gets to hear the the likes of Paul Gonsalves' vaporous tones on a ballad like "Laura" and contrast that to his performance on "Cotton Tail" taken at a break-neck pace.

I enjoyed the entire cd...particularly Harry Carney on "Frustration", Johnny Hodges on "Daydream", Paul Gonsalves, Jimmy Hamilton on "Deep Purple", and the finale,"Blues", where everybody blows!

If you dig the Ellington band, you will like this.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Worth checking out--lots of the "Strayhorn effect", March 27, 2007
By 
Peter Gillette (Appleton, WI United States) - See all my reviews
(REAL NAME)   
This review is from: Duke Ellington Presents (Audio CD)
I found this CD in a bargain bin at a record store that was closing, and, while it's not the warmest Duke album, it's certainly one of the most plush. Cottontail burns here with Paul Gonsalves giving his extended treatment to the original chart (with, it sounds like, Cat Anderson adding his, um, tasteful touch to the band choruses). Elsewhere, though, the palette is much more moody and expansive, with cool ballads that spring forth big climaxes. Strayhorn contributed five works to this album, among them Deep Purple, a fine arrangement of his own "Day Dream," and "Laura." "Laura" in particular is a fascinating feature for Johnny Hodges in that Hodges seems to be influenced by Charlie Parker's (Hodges-like) reading of this on the with-strings album. Sure, the sound is muddy, but if you're the type who would track down and appreciate these arrangements, you probably aren't TOO hung up on the need for crystalline digital transfers. One of two concurrent Duke albums for the smaller Bethlehem label, this album hasn't gotten the Columbia dress-up and publicity that virtually all of his other late-fifties reissues have gotten, and that's a shame, because on every track, you can hear the band tentatively getting used to their new role as a studio orchestra rather than a dance band, and the soloists really rise to the occasion. Why not five stars? Many of the finest charts (especially, in fact, the Strayhorn ones) are quite dated in their more elementary use of whole-tone sonorities, making them--in isolated moments--sound less sophisticated than the more experimental ballads the band would record in the sixties, or even, for that matter, than the plush ballads of the Blanton-Webster period in the forties, that were less self-conscious and had more of a constant pulse. Nonetheless, these are chance-taking arrangements, and if you're into jazz orchestration, check it out.
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