Most Helpful Customer Reviews
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33 of 34 people found the following review helpful:
5.0 out of 5 stars
A long underrated and long deleted album/CD, September 2, 2005
Duke made this recording back in early 1963 in Paris. Atlantic (the original label) didn't see fit to release it until 1977 (3 years after Ellington passed away). Let me tell you, it was one of the recordings that got me hooked on jazz. And to add insult to injury, the CD version didn't come out until 2004; what were record executives thinking? Anyway, it's finally here in CD form and it's great for lots of reasons.
For starters, the instrumentation: 2 violins, viola, piano, bass, drums, and with some brass on the 2nd half. Stephane Grappelli, Ray Nance, both on violin, and Svend Assussen on viola, handle the strings with superb ensemble work, accompaniment, and soloing. These guys prove that violins, violas, even cellos can swing with the best of them when they're in the right hands. It's also interesting to hear how each string player swings and improvises, but with a sound distinctive from the other 2.
Duke is right on tops of things directing the whole show from the piano chair. Ernie Shepperd, the bassist, provides solid bass lines and a wonderful syncronized vocal-bass solo, a la Slam Stewart, on Take the A Train, but he's humming and plucking instead of humming and bowing.
Lastly, there are combination of familiar and more obscure Ellington compositions in this collection. For those of you who know that Ellington is the greatest composer and one of the greatest pianists that America ever had, in any genre, this is an essential or near-essential CD to buy. Like all great jazz, it hasn't dated at all.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
The best Ellington + guest album, June 23, 2008
I've been looking for this CD for more than 10 years - I had the original vynil edition, and was already one of my favorite Duke Ellington recordings.
This album features violinist Stephane Grappelli, a legend of his own, who imparts a gipsy mood whenever he is present. It is amazing to hear his recordings with so many different people and genres, like Duke's (small version) band and other artists like Brazilian violonist Baden Powell.
Perhaps surprisingly, though, the resulting mix is very cool, as if both parties were looking for a common ground elsewhere, without loosing their own personnality.
To me, the recording of "In a Sentimental Mood" is the most beautiful and haunting I've ever heard - it starts with a violin solo, and Duke's "kitchen" (including himself at the piano) joins in the coolest way. If it's true that Paul Desmond (from Dave Brubeck's great quartet) managed to sound like a dry martini, this song is the closest to a sentimental mood you will ever get.
Curiously, this album was released after Duke's death. There is another terrific album, appropriately called "For Duke", made by Bill Berry and a great deal of Ellington's former band as a tribute for him, after he died.
Together, these two albums might be the best post-mortem tribute any musician might want, and even though I have many other albums by Duke Ellington, these two are among the ones I love the most.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
The Glories of Ellington, Part 837, October 27, 2007
DUKE ELLINGTON'S JAZZ VIOLIN SESSION is packed with musical treasure; my own favorite is "Pretty Little One," but every track is exquisite in its own way.
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~ Stephane Grappelli
~ Ray Nance
~ Eddie South
~ Dizzy Gillespie
~ Stephane Grappelli
by Duke Ellington 
