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Duma Key: A Novel Mass Market Paperback


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Product Details

  • Mass Market Paperback: 800 pages
  • Publisher: Pocket Books; Reprint edition (October 21, 2008)
  • Language: English
  • ISBN-10: 1416552960
  • ISBN-13: 978-1416552963
  • Product Dimensions: 2.9 x 1.7 x 0.5 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (904 customer reviews)
  • Amazon Best Sellers Rank: #32,028 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Amazon Significant Seven, January 2008: It would be impossible to convey the wonder and the horror of Stephen King's latest novel in just a few words. Suffice it to say that Duma Key, the story of Edgar Freemantle and his recovery from the terrible nightmare-inducing accident that stole his arm and ended his marriage, is Stephen King's most brilliant novel to date (outside of the Dark Tower novels, in which case each is arguably his best work). Duma Key is as rich and rewarding as Rita Hayworth and the Shawshank Redemption (yes, that Shawshank Redemption), and as truly scary as anything King has written (and that's saying a lot). Readers who have "always wanted to try Stephen King" but never known where to start should try a few pages of Duma Key--the frankness with which Edgar reveals his desperate, sputtering rages and thoughts of suicide is King at the top of his game. And that's just the first thirty pages... --Daphne Durham


Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce."

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you?

--Chuck Verrill

"Memory"
Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That's what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten.

Maybe, but that doesn’t matter, either. That's what Kamen says.

My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy success in that life, worked my way up like a motherf---er, and for me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her.

I had an accident at a job site. That's what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm.

I was supposed to lose my life, but I didn’t. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn't happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She's remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he’s a yank-off. My wife says she’ll come around.

Maybe , maybe no. That's what Kamen says.

When I say I was confused, I mean that at first I didn’t know who people were, or what had happened, or why I was in such awful pain. I can't remember the quality and pitch of that pain now. I know it was excruciating, but it's all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn’t academic at the time. At the time it was more like climbing a mountain.

Continue Reading "Memory"

Duma Key
How to Draw a Picture
Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can't remember.

How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I’ve come to believe.

Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through.

Still, imagine that small hand lifting the pencil... hesitating... and then marking the white. Imagine the courage of that first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know.

My Other Life
My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let's get through the Minnesota part.

Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn’t work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own.

For me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her.

Continue Reading Duma Key

--This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Starred Review. King's latest novel is a fantastically eerie tale in line with his best psychological thrillers. John Slattery offers a triumphal performance—his firm, gripping tone perfectly suits this story of the darker side of human memory and creativity. The characters are each so different and complicated, creating a challenge for even the most seasoned narrator. But Slattery does the near-impossible and physically becomes Edgar Freemantle. In fact, the two become so inseparable the listener almost feels guilty listening to his heartfelt confessions. King's vision of Freemantle's fictional personal memoir demands a narrator so believable and solid in his delivery that it seems almost impossible. But Slattery creates a truly moving experience, commanding and truthful.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

More About the Author

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Customer Reviews

Very interesting characters and a good story.
Gerard F. Zemek
The climax was quite anti-climactic (actually, it was downright silly) and in the end I cared very little for how things ended up for the characters.
Joe R.
I read this book in 6 days flat and it's a little over 600 pages - I never do that, but I couldn't put it down.
Mom of 2 in GA

Most Helpful Customer Reviews

315 of 346 people found the following review helpful By Julie Neal TOP 1000 REVIEWERVINE VOICE on January 22, 2008
Format: Hardcover
Yes, it's scary. Yes, it's long. But this new novel is more than just another Stephen King book. With a streamlined style and a plot that's never predictable, it's King at his crisp, clear, page-turning best. Before you read further, let me acknowledge I'm incredibly biased here. Not only have I been a Stephen King fan ever since 1975's 'Salem's Lot, I live on a small island off the west coast of Florida, exactly where this story takes place. Great sunsets, a beach lined with huge rental homes, a populace of "the newly wed and the living dead".... they're all part and parcel to this story, and all around me as I sit here typing on my little porch.

Beyond the colorful setting, "Duma Key" combines the concepts of bodies gone bad and creativity gone wild -- typical King material -- with the everlasting powers of friendship and love. It's a great beach read, an outstanding character study, a terrific horror story and, eventually, an uplifting tale of moral redemption.

Obviously that's plenty of raw material, but King masters it all, with a writing style that's better than ever. As always his imagery is simply stated yet memorably vivid -- waves, for example, crash on the beach with the sound of "the breath of some large sleeping creature" -- and even the most basic sentences and paragraphs have a perfect mix of energy, grace and wit. This time, however, King really takes his time, with a slow pace that allows for plenty of character development and story detail.
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261 of 289 people found the following review helpful By Tom S. TOP 1000 REVIEWER on January 22, 2008
Format: Hardcover
This is one of the best books ever from one of the best American writers. Stephen King knows what scares us, and he's been proving it for thirty years, but this new novel adds a layer of humanity to the fantasy that makes it all the more surprising. Though the protagonist of DUMA KEY is ostensibly a divorced construction engineer with a latent talent for drawing, he is also clearly a stand-in for the author himself, making this arguably his most personal narrative.

I won't reveal the hypnotically readable plot--it must be experienced to be appreciated--but I will say that Edgar Freemantle's living nightmare plainly echoes events in Mr. King's recent history. A life-threatening accident, like an illness or the loss of a loved one, puts many things in perspective, and DUMA KEY sometimes seems like a personal statement, a portrait of the artist that is as thrilling as it is vivid. For all its entertaining terrors, it is ultimately a celebration of life itself. I urge you to read it. Highly, highly recommended.
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80 of 85 people found the following review helpful By Anastasia Beaverhausen VINE VOICE on January 24, 2008
Format: Hardcover Verified Purchase
"Duma Key" is King at the top of his form. For someone who's been one of the best in the business for over thirty years, it's difficult to imagine new territory to chart...but that's exactly what King does here in his first novel set in Florida. Make no mistake: This is a classic King novel with all of the supernatural bells-and-whistles. But there's an added emotional depth that will touch more readers than past King books, I think.

The first 100 pages are a moving feat even for King, who draws upon his own accident as well recalling the horrific events in Abigail Thomas's memoir A Three Dog Life. King has been flirting with critical acclaim to match his commercial success for years, and this may finally be the book that elevates his status to another level in literary circles. Don't call it a comeback, though, because we all know that he never really left his Constant Readers.

Edgar Freemantle, the narrator, is in an accident that leaves him without an arm and with a shifting memory. But the story doesn't stop there. I could summarize the plot, but that would take some of the mystery away. So here's what King has to say about the basis of the novel: "[Edgar] discovers that, after this injury, that he is really a very talented painter and he moves to Florida and he starts to paint these pictures and then strange things start to happen with the pictures... And there is something going on, on this island, this Duma Key that is actually amping that talent up and making it stronger because there is something wrong there." (Lilja's Library interview, 01/17/07.)
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116 of 126 people found the following review helpful By Oxford42 on January 24, 2008
Format: Hardcover
Scary, long, fun, and more than just another Stephen King book. I've read Stephen King for years and I am always amazed at his story lines. His style made me feel as if I was 'in the story,' truly a treat. From Carrie to Duma Key it has been a good ride and I hope it continues for years to come.

In Duma Key, Edgar Freemantle had proven that the American dream works. As a building contractor in the Twin Cities in Minnesota, he made a lot of money and received plenty of acclaim. He and his beloved wife Pam were worth at least forty million by the time he turned 50. They had two children. The end of his "Golden Age" began when he experienced a basic law of physics that being a pickup truck has no chance against a twelve-story crane.

Edgar came out of that crash with a cracked skull, and a fractured left side with broken ribs, a broken right hip and loss vision and his right arm was lost. He was fortunate to have survived. Twenty-five years of marriage ended when a constantly raging Edgar became verbally abusive to Pam who visited everyday as he recuperated. Edgar also suddenly displayed a talent as an artist.

Needing to leave behind people, he flees to Duma Key, Florida where only two other trauma survivors reside. Edgar finds out his new artistic skills enables him to see and change the future life and death of others even as he investigates the tragic history of his new island home.

Readers will sense the rage inside Edgar even as he calmly tells his tale. This is Stephen King at his best as he uses the theme of a person feeling isolated ready to strike out at others even loved ones.
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