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The troubles begin when stewardship of Arrakis is transferred by the Emperor from the Harkonnen Noble House to House Atreides. The Harkonnens don't want to give up their privilege, though, and through sabotage and treachery they cast young Duke Paul Atreides out into the planet's harsh environment to die. There he falls in with the Fremen, a tribe of desert dwellers who become the basis of the army with which he will reclaim what's rightfully his. Paul Atreides, though, is far more than just a usurped duke. He might be the end product of a very long-term genetic experiment designed to breed a super human; he might be a messiah. His struggle is at the center of a nexus of powerful people and events, and the repercussions will be felt throughout the Imperium.
Dune is one of the most famous science fiction novels ever written, and deservedly so. The setting is elaborate and ornate, the plot labyrinthine, the adventures exciting. Five sequels follow. --Brooks Peck --This text refers to an out of print or unavailable edition of this title.
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I love sci-fi but don't read much of it because I prefer fantasy. DUNE feels like a perfect blend of the two. A war of noble houses set in space. Paul Atreides is heir to the duchy- and to say that he is well trained for the job would be an understatement. His father, Duke Leto, is given charge of Arrakis- a hellish desert-world and the sole source of "the spice" which the entire universe needs. A very prestigious assignment, but treachery and peril comes with it. Paul finds himself thrown into the mystery of Dune and its fierce natives, the Fremen. Is he the savior their prophecy speaks of?
I was first blown away by DUNE at the age of 16, and have since considered it "the one to beat". In 8 years, very few books have made me question that judgment: Game of Thrones, Foundation, Lord of the Rings, Ender's Game. I had to reread it to be sure I wasn't just naïve at the time. Was it really THAT great? Absolutely.
The sci-fi classification does not mean "Dune" is inaccessible to non-sci-fi fans, because most of the traditional sci-fi elements are either absent or mere background. Several remarkable scenes of hand to hand combat are more reminiscent of ancient Roman gladiators than of science fiction! There are weaknesses: mature themes (such as allusions to pedastry) make "Dune" unsuitable for children, and Herbert's use of language is not outstanding. But what especially makes "Dune" great is the complexity of ideas. Herbert has created not just a story, but a memorable world conveying an elaborate philosophy of ideas, with three outstanding themes:
1. ECOLOGY. Arrakis is a barren and bare planet of desert sands, with characters reminiscent of desert Arabs (Herbert studied Arabic extensively in researching for the novel).
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