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Dust of Retreat


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Audio CD, March 28, 2006
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$8.79 & FREE Shipping on orders over $35. Details Only 7 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

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listen  1. A Sea Chanty of Sorts 4:27$0.99  Buy MP3 
listen  2. Skeleton Key 3:25$0.99  Buy MP3 
listen  3. Vampires In Blue Dresses 3:19$0.99  Buy MP3 
listen  4. Quiet As a Mouse 4:36$0.99  Buy MP3 
listen  5. Jen Is Bringing the Drugs 2:50$0.99  Buy MP3 
listen  6. Dress Me Like a Clown 4:37$0.99  Buy MP3 
listen  7. On a Freezing Chicago Street 3:02$0.99  Buy MP3 
listen  8. Paper Kitten Nightmare 3:33$0.99  Buy MP3 
listen  9. Barfight Revolution 3:30$0.99  Buy MP3 
listen10. A Light On a Hill 3:58$0.99  Buy MP3 
listen11. Talking In Code 3:44$0.99  Buy MP3 
listen12. Bookworm 3:04$0.99  Buy MP3 


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Product Details

  • Audio CD (March 28, 2006)
  • Original Release Date: January 1, 2006
  • Number of Discs: 1
  • Label: Indieblue Music
  • ASIN: B000E6TZLK
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Best Sellers Rank: #104,652 in Music (See Top 100 in Music)

Editorial Reviews

The Dust of Retreat, is a wintry sort of album, filled with stories and observations, made tastier with Jesse Lee's cello, Emily Watkins' rhodes piano and Hubert Glover's trumpet. Chris Fry played the drums and Casey Tennis played more drums and banged on things with mallets. Tyler Watkins played electric bass, usually without any shoes on his feet. Artemis. 2006.

Customer Reviews

4.8 out of 5 stars
5 star
84%
4 star
10%
3 star
6%
2 star
0%
1 star
0%
See all 31 customer reviews
Every song is good.
J. Ladenheim
I love there sound, though I will say they are better live.
E. Pardue
This is one of my new favorite albums.
Emma Lee Maria Anderson Millspaugh

Most Helpful Customer Reviews

9 of 10 people found the following review helpful By E. A Solinas HALL OF FAMETOP 100 REVIEWERVINE VOICE on December 11, 2006
Format: Audio CD
Witches, vampires and "glass eyed pets" inhabit Margot and the Nuclear So-and-So's' debut album, "The Dust of Retreat."

But despite all the otherworldly stuff in it, this is an album about bruised, abused love affairs, wrapped up in multilayered indie-rock. And the Indiana band has a unique, shimmering brand of music that sounds like the Decemberists locked inside a haunted house.

It opens with the haunting, otherworldly strains of "A Sea Chanty of Sorts," a mournful ballad that launches out into sweeping solos at times. "And if you love well that should be enough/instead it turns your joy into sorrow," Richard Edwards murmurs. "My women lied/she was a witch in disguise... when we kissed/it didn't feel poisonous..."

He follows it up with the bittersweet "Skeleton Key" ("I did a sick, sick thing to my love/My lack of loyalty, it swallowed her up"), bouncy chamberpop about vampires, blasts of electro-riddled indie-rock, folky pop about vampires and the emptiness of fame, and languid indiepop with a poignant edge.

When a band is named after a Wes Anderson character (Margot from "The Royal Tenenbaums"), you know it's worth a second (maybe a third) listen. And this is the sort of music that you'd expect to find in such a movie -- poignantly introspective, and a tad whimsical. In a good way.

Guitar melodies swirl around the music, interspersed by haunting, voicelike shimmer of synth, and the dusky sweeps of cello strings, all wrapped up in a mellow Rhodes passage. There's the occasional jazzy trumpet, folky banjo, tambourine, and piano melody too. None of the songs are actually bad -- but the ghostly chamberpop is what works the best.
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7 of 7 people found the following review helpful By M. Tacker on December 11, 2006
Format: Audio CD
This has, in the nearly 2 years since its original release, become one of my top albums of all time. The songs are beautiful with melodies so well written that you instantly feel like you know them. Richard's songwriting is brilliant - sweet, sometimes sad, and emotional without being cheesy. The instrumentation is beautifully crafted and well thought out.

Highly recommended.
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6 of 7 people found the following review helpful By Andrew Malott on March 28, 2006
Format: Audio CD
Margot and the Nuclear So and So's deftly combine sounds of folky acoustic guitar, driving electric guitar, smooth cello, and catchy piano to create a wonderfully unique sound. Singer/songwriter Richard Edwards, formerly of the band Archer Avenue, continues his trend of unbeatable vocal melodies paired with poignant lyrics. While Archer Avenue's album I Was an Astronaut will break your heart if it's not already broken, Margot's Dust will make you realize that there are more beautiful things in life to be concerned with than love. Themes like the bitterness of life and loss of childhood innocence are prominent throughout, but instead of drowning in minor keys and drop-tuned guitars, Richard leans toward the more subdued, introspective end of the spectrum. Rather than wallow in the sadness, he finds beauty in the grays and browns of urban life.

Excerpt from review of original Standard Recordings release (May 5, 2005) from Rockmusicreview.com (Jack Shepler, editor-in-chief)

Full review of Artemis Records re-release (March 28, 2006) to be posted later.
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2 of 2 people found the following review helpful By Chelsea on June 23, 2006
Format: Audio CD
I don't generally write reviews, even for bands and albums that I genuinely quite enjoy. This, though, is definitely an exception in any number of respects. Really, Margot is an exceptional band in every respect, and contrary to some of the other reviewers, I don't think they really sound quite like anyone else.

Death Cab For Cutie and Arcade Fire seem to be the most common comparisons, but Margot, for me at least, seems a lot more... genuine, perhaps? The songs ring true because they're both poignant and touched with humor, rather than just being chocked full of emo over-sensitivity. They also sound amazingly polished, considering this is their first release and the band has only been together about a year. Their sound is also amazingly deep and layered, partly for the obvious reason that they have an eight person band where most bands are half that, and also because the vocals are just as genuine and beautiful as the songs themselves.

All in, definitely pick up a copy... its one of the most satisfying things I've heard this year.
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2 of 2 people found the following review helpful By J-Bob on March 28, 2006
Format: Audio CD
I purchased the original independent release of this album and it is remarkable. Amazing songwrtiting, unique and compelling arrangements, vocals that will break youir heart. It's very likely the best CD of 2005, in my opinion. I plan to pick up the re-release because this album is just that damn good. Do yourself a favor and order it now.
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1 of 1 people found the following review helpful By Sean Coleman on July 6, 2007
Format: Audio CD
As far as I'm concerned, Richard Edwards is the second best songwriter making music today.

He crafts beautifully simple tales of love, loss, hope, skepticism, optimism, desperation, acceptance, confusion, wisdom, intelligence, humor, wistfulness, passion, fatigue, fantasy, cats, and cleverness. One feeling strikingly absent from the range of emotions is regret. No matter how dark Edwards goes, he always seems to have a firm grasp on the bigger picture, a sense that he's smarter than the shittiness in life. It makes me feel happy and safe.

I won't discuss any particular songs except to say that "Talking in Code" is my third favorite song of all time.

Where I'm at in July 2007, Margot's web-site says their second album is titled "Animal!" and will blow us all away. I've heard demos and live performances of several of the new songs (in particular "Broadripple is Burning" and "Ocean"), and I honestly believe the next album might possibly be better than "The Dust of Retreat", whether its really called "Animal!" or not (which I personally think would be a ridiculous and genius name). They enjoy making up outrageous lies about themselves, so who knows.

These guys will be talked about for years to come within the indie genre at least, and will hopefully find appreciation from a wider range of smart people. They're inventing their own genre and it's a masterpiece, and they deserve to make a lot of money for it. But that likely won't happen.

If you like Margot, also check out Brand New, Okkervil River, Rocky Votolato, Straylight Run, Andrew Bird, and Voxtrot.
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