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Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution
 
 
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Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution [Paperback]

Mr. Wayne Franits (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

0300143362 978-0300143362 August 25, 2008
The appealing genre paintings of great seventeenth-century Dutch artists—Vermeer, Steen, de Hooch, Dou, and others—have long enjoyed tremendous popularity. this comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600's and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections, and its prejudices.
The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in political, cultural, and economic context. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs, and a surprisingly restricted number of themes over the course of several generations. With hundreds of illustrations and a full representation of major artists and cities where genre painting flourished, this book will delight students, scholars, and general readers alike.

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Editorial Reviews

From Publishers Weekly

This lavishly produced book attempts to explicate the mysterious allure of 17th-century Dutch genre pictures, which were painted most famously by Johannes Vermeer. Syracuse professor Frantis frames these works in a historical context to demonstrate how audiences of the period would have interpreted them. The author explains how many of the objects portrayed in these works had coded meanings that are lost on modern audiences. For example, birds, oyster shells and cats were widely recognized as symbols of sex, while subject poses that look awkward to contemporary eyes were actually considered the height of dignified comportment by Dutch art patrons. Frantis also traces the history of Holland and the development of its art, arguing that the two are closely linked. His argument is that, as the country became wealthier, the subject matter of its paintings became increasingly refined, changing from satirical portraits of raucous, lazy peasants to elegant images of upper classes at play. In Frantis’s opinion, both portrayals are constructed types, and neither reflects the reality of Dutch life in the 17th century. To back up his thesis, Frantis has done impressive research into the culture of the period, examining its literature, songs, guides of behavior and poems. At the same time, he doesn’t neglect the paintings’ formal elements, deftly analyzing the artists’ influences, color schemes and use of tools like camera obscura. As convincing as Frantis’s interpretation is, it breaks down when applied to the work of two masters, Jan Steen and Vermeer. To Frantis’s credit, he acknowledges this discrepancy, giving the inexplicability of artistic genius its due. 230 b/w & 100 color illus.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

About the Author

Wayne Franits is professor of fine arts at Syracuse University. He is the author of several books and many articles and reviews on Dutch art of the Golden Age.

Product Details

  • Paperback: 320 pages
  • Publisher: Yale University Press (August 25, 2008)
  • Language: English
  • ISBN-10: 0300143362
  • ISBN-13: 978-0300143362
  • Product Dimensions: 11 x 9.4 x 0.9 inches
  • Shipping Weight: 4 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #782,162 in Books (See Top 100 in Books)

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13 of 15 people found the following review helpful:
5.0 out of 5 stars Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution, February 24, 2006
Franits gives a very thorough and leveled image of Dutch 17th century genre painting. He is careful to represent the various opinions that exist on genre painting and doesn't push his opinions too strongly. The book includes a complete bibliography, in-depth footnotes and a great deal of glossy colour images. This is the best book on genre painting since that of Peter Sutton.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars Wayne Franits's Dutch Seventeenth Century Genre Painting, March 3, 2011
Wayne Franits book is an indispensible publication on 17th-century Dutch genre painting. It is thorough and erudite, yet it is also accessible to the general reader.
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Inside This Book (learn more)
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
iconographic erosion, coarse subject matter, contemporary genre painting, amatory literature, base imagery, pictorial precedents, peasant imagery, genre paintings, genre painters, death inventory, thematic innovations, figural types, thematic conventions, modern monograph, bright palette, art theorists, domestic imagery, zeventiende eeuw, genre pictures, domestic themes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Dutch Republic, The Hague, Province of Holland, Frans Hals, Prince of Orange, Frans van Mieris, Treaty of Munster, States Party, Willem van Mieris, New York, Reformed Church, Pieter de Hooch, Dirck Hals, Golden Age, Frederik Hendrik, United Provinces, Jan Steen, Johannes Vermeer, Utrecht Caravaggisti, Five Senses, Southern Netherlands, Spanish Netherlands, David Vinckboons, Gerrit Dou, Jacob Cats
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