Dvorak: Cello Concerto; Tchaikovsky: Rococo Variations [Import]

Rostropovich (Artist), Ozawa (Artist), Boston Symphony Orchestra (Artist) | Format: Audio CD

Product Details

• Audio CD (May 17, 2006)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Import
• Label: MSI:ELATUS/WARNER CLASSICS
• ASIN: B00006I4BA
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #349,514 in Music (See Top 100 in Music)

Track Listings

1. Cello Concerto In B Minor, Op.104

2. Variations On A Rococo Theme, Op.33

Editorial Reviews

ROSTROPOVICH / OZAWA / BOSTON S. O. DVORAK: CELLO CTO. / TCHAIKOVSKY: ROCCOC

Customer Reviews

Most Helpful Customer Reviews

7 of 8 people found the following review helpful:

5.0 out of 5 stars Five stars isn't enough, October 25, 2007

By 

T. Mayhew "TJM" (Illinois) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Dvorak: Cello Concerto; Tchaikovsky: Rococo Variations (Audio CD)

It just doesn't get any better. Dvorak is the best composer, this his greatest work (standing alongside, if not above, the 9th symphony, and the American string quartet), and the partnership of Ozawa and Rostropovich the finest reading this work has ever received on record. The Boston Symphony is top class, weaving a harmonic thread through the entire concerto that matches Rostropovich well. Rostropovich with the Berliner Phil is musically excellent, but the recording quality is digitally remastered, not quite as true as this original digital version. Also Ozawa and the BSO favor a more minimalist, controlled interpretation which both more musically satisfying and more revealing of the talent and vision of Rostropovich himself.
As far as the music itself, there are so many different interpretations of the Dvorak (Du Pre, 2nd best w/ Sergiu Celibidache, Mork, Piatigorsky). It is a symphony for orchestra and cello, and each movement contains so many different moods, tempos, and rhythms that it requires a huge diversity of musical expression, where Rostropovich is peerless. He always makes a big heavy sound, though his phrasing and expression produce a lullaby-like effect in the adagio, and the finale is jubilant, powerful and precise.
Now for the recording quality. Perhaps due to his big sound, Rostropovich creates exceptional balance with the orchestra. In the remastered version w/ Karajan the the Berliner Phil, the digital editing removes Rostropovich from the spere of the orchestra somewhat, makes him more glossy. Not so with this one. Rostropovich pops right out of the orchestra, and then seamlessly blends back in. The balance is subtle and satisfying.