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Editorial Reviews
Amazon.com
In what could almost have been the fifth disc of his box set, Yoakam pairs three previously unreleased recordings with 11 collaborations, tribute-album tracks, and other odds and sods. There are some predictably oil-and-water mismatches in singing partners (Deana Carter on "Waiting") as well as material ("Loco Motion," one of the new tracks, is, uh, "different"). Still, there's also his way-cool revival of "Mercury Blues" and a robust, beautifully arranged "Understand Your Man" in tribute to Johnny Cash, along with some welcome hard-country like Webb Pierce's "If You Were Me (And I Were You)" and that odd version of "I'm Bad, I'm Nationwide," which sounds all wrong at first but has a way of growing on you. --John Morthland
Product Description
Pairs three previously unreleased recordings with 11 collaborations, tribute-album tracks, and other odds and sods.
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Most Helpful Customer Reviews
29 of 31 people found the following review helpful:
5.0 out of 5 stars
Super collection of Yoakam's non-LP work,
By
This review is from: Dwight's Used Records (Audio CD)
This collection of fourteen tracks, pulled from tribute albums and guest appearances on other artists' albums, displays the breadth of Yoakam's work with a conciseness that his own albums never could. To be fair, Yoakam's releases have been purpose-built as more focused efforts, and this collection, drawing from disparate sources across a full decade of recording, has a broader charter. It's astounding to hear in one place just how easily Yoakam fits into rootsy mountain bluegrass, honky-tonk country, smooth adult contemporary pop, and earthy blues-inspired country-rock.
Yoakam provides the ballast for Ralph Stanley's high-and-lonely on the latter's "Down Where the River Bends," and Stanley returns the favor by taking Yoakam's "Miner's Prayer" into the hills from which it was dug. Yoakam's honky-tonk outlaw heroes are recognized on covers of Waylon Jennings' "Stop the World (And Let Me Off)," Johnny Cash's "Understand Your Man," and Webb Pierce's "If You Were Me (And I Were You)." The latter, featuring harmonies by Gail Davies, is just one of several wonderful duets that include Deana Carter's adult-contemporary "Waiting" and Heather Miles' Mexicali-flavored "Little Chapel." Yoakam is transcendent, surrounded by the acoustic sounds of the Nitty Gritty Dirt Band and tearing through "Mercury Blues" and ZZ Top's "I'm Bad, I'm Nationwide." Bonus tracks include previously unreleased covers of Little Eva's "Loco-Motion" and two versions of John Prine's "Paradise." Other artists may have similar range, but precious few have the artistic gravity to make such a compilation cohesive. This is an essential collection for fans and an interesting introduction to Yoakam's breadth.
17 of 17 people found the following review helpful:
4.0 out of 5 stars
+ 1/2 stars...Dwight's New Label Gathers Stray Tracks,
By
This review is from: Dwight's Used Records (Audio CD)
As a huge fan of Dight Yoakam's brand of neo-traditionalism since his 1986 debut, I have eagerly bought every studio album he has released during the ensuing two decades. Why I waited nearly three years to purchase this collection of songs from tribute albums, collaborations with other artists, and a handful of new recordings is unclear. But now that I have it, DWIGHT'S USED RECORDS is one of my favorite albums.
"Stop the World (And Let Me Off)" from I'VE ALWAYS BEEN CRAZY: A TRIBUTE TO WAYLON JENNINGS: Yoakam does a rousing version of Waylon's second RCA single. "Down Where the River Bends" from SATURDAY NIGHT & SUNDAY MORNING: Yoakam shows off his Kentucky roots on a duet with bluegrass patriarch Ralph Stanley. "Mercury Blues" from REPRISE PLEASE BABY: This song has been covered by everyone from the Steve Miller Band to Meat Loaf. Yoakam cranks up the honky tonk factor on this sizzling version. "Waiting" from I'M JUST A GIRL: Yoakam duets with Deana Carter on this ballad which they co-wrote. "Some Dark Holler" from WILL THE CIRCLE BE UNBROKEN, Volume III: Yoakam performs this traditional number with the Nitty Gritty Dirt Band and once again shows that he has a honest feel for bluegrass music. "If You Were Me (And I Were You) from CAUGHT IN THE WEBB: A TRIBUTE TO WEBB PIERCE: Yoakam tackles this classic weeper from honky tonk legend Webb Pierce. "Little Chapel" from SWEET TALK & GOOD LIES: Yoakam teams up with like minded honky tonk enthusiast Heather Myles on this conjunto-flavored song. "Locomotion" is a new recording that would have fit in nicely with Yoakam's UNDER THE COVERS. A countrified version of the Goffin-King pop classic by Little Eva. "Miner's Prayer" from SATURDAY NIGHT & SUNDAY MORNING: A Yoakam original relating his family's connection to the Kentucky coal mines. A touching song. "Understand Your Man" from A TRIBUTE TO THE MUSIC OF JOHNNY CASH: Cash wrote and recorded this song in 1963; Yoakam puts his Bakersfield sound on this mid-charting single. [Cash's original went to No. 35 on the pop charts.] "Wheels" from WILL THE CIRCLE BE UNBROKEN, Volume III: An arrangement very similar to the Flying Burrito Brothers' original--although Dobro replaces the pedal steel as the lead instrument on Yoakam's rendition. [This is the second time Yoakam has covered a FBB song. He dueted with k.d. lang on "Sin City" for his first greatest hits package JUST LOOKIN' FOR A HIT.] "I'm Bad, I'm Nationwide" from SHARP DRESSED MEN: A TRIBUTE TO ZZ TOP: Pete Anderson's guitar drives Yoakam's take on this ZZ Top classic. "Paradise" is a new recording. Yoakam slows down this John Prine chestnut to make this lament of the ravages of "Mr. Peabody's coal train" sound like a funeral dirge, and the lonesome fiddle playing just drives the point home. [This version stretches the song out to 6:13.) "I Said (Paradise Reprise)" is another new recording and is another take on "Paradise" at a pace more uptempo than Prine's original. This one will set your toes to tapping. Bottom line? Your Dwight Yoakam collection isn't complete without this. [Running time - 50:44] HIGHLY RECOMMENDED
11 of 11 people found the following review helpful:
4.0 out of 5 stars
i'm a little disoriented,
By
This review is from: Dwight's Used Records (Audio CD)
picked this up thinking it would be good stuff, then the covers realization set in and i regretted it, but then i listened to it a few times and i can't live without it. some really strange choices (Locomotion) but i'll be darned if they don't all work. Stop The World is one of the best covers i've ever heard, ditto for Understand Your Man. the bluegrass gets a little old, but it's still good. a bizarre hodgepodge of odds & ends that really work individually. color me surprised and impressed.
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