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The Dying Crapshooter's Blues [Paperback]

David Fulmer (Author)
4.4 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

January 7, 2008
On a cold December night in 1920s Atlanta, a drunken white cop shoots a black gambler in one of the worst parts of town, and a cache of jewels goes missing from a mansion in one of the best. Joe Rose—rambler, gambler, and professional thief—has just hit the city. He soon finds himself caught in a three-sided puzzle that involves a black-hearted police officer called "the Captain," the pimp and crapshooter Little Jesse Williams, and a wicked beauty named Pearl Spencer. Behind it all is Atlanta, the city once nothing but dust and ashes, now the richest, busiest metropolis in the South, mixing sin with success and vibrating with mayhem and music. In his acclaimed Storyville series, David Fulmer brought the jazz-soaked streets of New Orleans to life. Now he brings us another absorbing mystery in a new setting raucous with music and rich with history.


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Editorial Reviews

From Publishers Weekly

In this departure from his New Orleans novels featuring Creole detective Valentin St. Cyr (Rampart Street, etc.), Fulmer paints the sprawling vitality of 1920s Atlanta with broad strokes. Joe Rose, an itinerant love 'em and leave 'em–style thief of uncertain racial extraction who moves uneasily in both black and white Atlanta, finds himself in the middle of a murderous mess that highlights the city's rampant racism and corruption as well as the stark contrasts between privilege and poverty. A white cop guns down a Negro gambler, Little Jesse Williams, while a jewelry robbery mars a Yuletide party at one of Atlanta's finest mansions on the other side of town. Joe gets caught in a vise operated by a brutal detective, Capt. Grayton Jackson, intent on "solving" the crime in the quickest way possible. Little Jesse expires over the course of days, Joe promises to discover why he was shot and the odious Jackson squeezes Joe to recover the stolen jewels or pay the price for the crime. Occasionally florid writing clouds this otherwise vital effort from Shamus-winner Fulmer. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

PRAISE FOR THE DYING CRAPSHOOTER'S BLUES
 
"This is a raffish and deceptively simple novel . . . distinguished by a level of detail that makes a vanished world live again." --The Washington Post Book World
 
 

Product Details

  • Paperback: 320 pages
  • Publisher: Mariner Books (January 7, 2008)
  • Language: English
  • ISBN-10: 0156031388
  • ISBN-13: 978-0156031387
  • Product Dimensions: 7.9 x 5.8 x 0.8 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #823,903 in Books (See Top 100 in Books)

More About the Author

David Fulmer is the author of seven critically-acclaimed novels with Poisoned Pen Press, Harcourt Books, and Five Stones Press.
"Chasing the Devil's Tail" was nominated for a Los Angeles Times Book Prize, a Barry Award, and a Falcon Award, was on Borders' "Best of 2003 List," and won a Shamus Award and an AudioFile Golden Earphones Award. It has been translated into Japanese, Italian, and French. "Jass" was nominated for the "Best of 2005" lists by Library Journal, Deadly Pleasures Magazine, and The St. Louis Post-Dispatch and won the 2005 Georgia Author of the Year Award for Fiction. Rampart Street was included as one of New York Magazine's "Best Novels You've Never Read" and the audiobook version won the 2007 Benjamin Franklin Award for Audiobook Fiction. His fourth novel, "The Dying Crapshooter's Blues received the "Ice Pick of the Month Award" by Bookpage. "The Blue Door" was chosen for the "2008 Best of the Shelf" by Atlanta Magazine and was nominated for the 2009 Shamus Award for Best Novel.
His sixth novel, Lost River, was released in January 2009 and his seventh, "The Fall," will be released in 2010 by Five Stones Press.
His books have received superlative reviews from The Times Picayune, USA Today, The New York Times, Publishers Weekly, The San Francisco Chronicle, The Washington Post, BookList, Kirkus Reviews, The Detroit Free Press, The Sacramento Bee, The Boston Globe, The Tennessean, Bookpage, The Plain Dealer, The Atlanta Journal-Constitution, The Christian Science Monitor, and numerous other publications and book-related websites.
Fulmer wrote and produced the documentary "Blind Willie's Blues," which Video Librarian called "nothing less than the economic, social, and historical evolution of America's indigenous music." It earned him a nomination for a W.C. Handy "Keeping the Blues Alive" Award in 1998. He also writes and produces the "Americana" audio series for NPR affiliate WABE-FM and WMLB-AM, both in Atlanta. He is the co-producer of "Piano Red - The Lost Atlanta Tapes" which was released in August 2010 by Landslide Records.
As a journalist, he has written about music and other subjects for a variety of newspapers and magazines, including The Atlanta Journal & Constitution, Southline, Atlanta Magazine, Paste Magazine, City Life, Markee, Blues Access, Il Giornale, Goodlife, Advertising Age, The Atlanta Tribune, Creative Loafing, BackStage, Georgia Music Magazine, and various trade publications.
A native of central Pennsylvania, he lives in Atlanta with his daughter Italia.
www.davidfulmer.com

 

Customer Reviews

8 Reviews
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4 star:
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Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful:
4.0 out of 5 stars "He went into action like the sneak thief he was.", January 17, 2007


The setting for Fulmer's new novel is 1920's Atlanta, the heyday of high society, flappers, bootlegging and the usual underworld of illegal enterprise. One Saturday night on Decatur Street, just before Christmas, Little Jesse Williams, a rounder, is shot by a dissolute police officer, JR Logue, and a daring robbery is committed in the very building where the nabobs of society gather for the Annual Charity Christmas Party at the Payne Mansion. Joe Rose, a peripatetic thief who arrives on the scene of the shooting, realizes that he has returned to Atlanta at the wrong time as things go bad from the start. Little Jesse doesn't die immediately from his wound, suffering the agonies of a slow death, his friends gathered around the bedside, including blind Willie McTell, a talented musician who is writing a ballad to commemorate Little Jesse's eventful life.

Rose is sad to see Little Jesse go for all the wrong he's done in his lifetime, this particular segment of society quite forgiving of each other's faults. It has been Joe Rose's habit of late to do a burglary and leave town, striking again when in need of replenishing his funds. A rounder himself, and known to many of the Atlanta criminal element, Joe still has some contacts from his short stint as a police officer and Pinkerton before falling into the life of crime that suits him so well. Like a black widow spider, "the Captain", Grayton Jackson, directs the investigation from the dark confines of a twisted mind, angry over being passed by for a promotion and in a mean mood when it comes to recovering the jewels and solving the robbery.

Determined to locate the cop who shot Little Jesse, Rose seems to be always one step behind, as bodies begin to fall, clouding the investigation by removing any witnesses. Then Joe, Pearl Spencer and her brother, Sweet Spencer are arrested, accused of collusion in the robbery. The beautiful Pearl is one of the reasons Joe has remained in Atlanta against his better judgment. Like moth to flame, Rose can't quit Pearl, even though he suspects she has something to do with the robbery and her brother has warned him off in no uncertain terms. When Rose suggests there may be a connection between Little Jesse's murder and the theft, he meets with much resistance from the Atlanta PD.

The treacherous plot of a devious mind is underscored by the rollicking jazz and soulful blues of Fulmer's Valentin St. Cyr novels, reflecting the author's appreciation for the music of a certain element of society. Mix in an eccentric cast of characters, from Little Jesse Williams and his ladies-of-the-night, to the blind musician, the speak-easy's with an unlimited supply of bootleg liquor, the exotic Pearl and the hard-nosed Chief of Detectives for a heady brew of crime and punishment in Prohibition Atlanta. Once more, the people tell the tale, bringing the era vividly to life, the sweet notes of The Dying Crapshooter's Blues sliding through the night. Luan Gaines/2007.



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2 of 2 people found the following review helpful:
4.0 out of 5 stars Does for early 1900's Atlanta what other Fulmer novels do for early New Orleans, August 7, 2009
This review is from: The Dying Crapshooter's Blues (Paperback)
Music also is at the heart of this as it is for other Fulmer novels...the early soulful blues. The dying Crapshooter of the title is Little Jesse Williams, a thoroughly unsympathetic pimp and crooked gambler, shot for no apparant reason by a drunken cop. Much of the novel portrays blind Willie McTell composing a song for the dying Jesse to be sung before his death and then at his funeral and the scenes dealing with the formation of the blues song create a kind of mood in which one mourns the death of a person who really is not liked by anyone. And so the author creates a kind of mood, but unfortunately doesn't quite succeed in developing it to the ultimate.Nevertheless, the novel proceeds at a suitable pace as former cop and P.I., more recently professional thief, Joe Rose investigates both Jesse's shooting as well as, albeit reluctantly, a jewelry theft in which his girl friend is involved. Overal, this is a quite good though not perfect period myystery well worth the time of early jazz afficinados as well as mystery fans.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Another wonderful book from Fulmer, October 8, 2007
First Sentence: From down the alley, a voice cut through the falling night like a honed blade.

Joe Rose is white or Indian, he doesn't know. He does know he had been a cop, and a Pinkerton man but turned to being a rambler, gambler and professional thief. Joe is back in Atlanta, both attracted to yet trying to stay away from Pearl Spencer, a black working girl, and her brother, Sweet. Within forty-eight hours, he is the prime suspect in the jewel robbery of a wealthy white mansion, and comes across the scene where Jesse, a black gambler. Amongst a setting of racial prejudice, police corruption, and a funeral song being written for Jesse by a blind musician, Joe is trying to protect both his friends and himself.

Fumler is a wonderful, atmospheric writer. As in his New Orleans series, Fulmer focuses on the disadvantaged, gamblers, drunks, [...] and thieves. He humanizes the people and brings the period alive with the underlying strum of the blues in my head. I found the different characters interesting and thought it rather fun that the traditional good guys, the police, here were mainly the bad guys. Following the trail to see how Joe would bring things to resolution, and stay out of jail, was suspenseful and engrossing. I highly recommend this book.
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Inside This Book (learn more)
First Sentence:
From down the alley, a voice cut through the falling night like a honed blade. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dying crapshooter, brow stitched
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Little Jesse, May Ida, Captain Jackson, Joe Rose, Lieutenant Collins, Robert Clark, Grayton Jackson, Inman Park, Decatur Street, Pearl Spencer, Albert Nichols, Chief Troutman, Courtland Street, Mayor Sampson, Peachtree Street, New York, Houston Street, Schoen Alley, Central Avenue, Dixie Hotel, Officer Logue, Fulton Tower, Corporal Baker, Plum Street, Sweet Spencer
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