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The Dying of the Light
 
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The Dying of the Light [Hardcover]

Michael Dibdin (Author)
3.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

January 13, 1994
One of England's most acclaimed younger mystery writers, the creator of Detective Aurelio Zen, gives us a brilliant and haunting variation on the classic drawing-room murder novel. The setting is Eventide Lodge, where the guests have gathered for tea. Colonel Weatherby is reading by the fire. Mrs. Hargreave III is whiling away her time at patience. And Miss Rosemary Travis and her friend, Dorothy, are wondering which of their housemates will be the next to die.

For even as Michael Dibdin's elderly sleuths debate clues and motives, it becomes clear that Eventide Lodge is not a genteel country inn but a place of ghastly cruelties and humiliations. A place where the logic of murder is . . .almost comforting. At once affectionate homage and audacious satire, The Dying of the Light will delight any aficionado of Patricia Highsmith, Peter Dickinson, or Ruth Rendell.


From the Trade Paperback edition.

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Editorial Reviews

From Kirkus Reviews

Immured in a beastly nursing home run by smarmy William Anderson and his foulmouthed sister Letitia Davis, Rosemary Travis, abetted by her cooperative chum Dorothy Davenport, keeps her spirits up by embroidering the horrors of life at Eventide Lodge into a baroque Golden Age mystery plot--a plot that casts each of her innocuous fellow-geriatrics as a possible suspect when Hilary Bryant dies or George Channing attempts to escape and is mauled by Anderson's Doberman. But when Dorothy, on the eve of her departure for the hospital for terminal-cancer treatment, dies of a fantastic concoction of liquor and pills, Rosemary has a real-life mystery on her hands. Or does she? Did Dorothy really kill herself? Or was Anderson getting rid of her as expeditiously as possible? Or was the killer some other patient? Or is the whole plot one last fictional legacy of Dorothy's? Once again, Dibdin, author of Ratking and the Aurelio Zen novels (Vendetta, 1991, etc.), produces a tale as piercingly funny as Tom Stoppard--and as wise about the powers of fiction to deal with an unspeakable world. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review

"Dibdin has a gift for shocking the unshockable reader. He writes the unmentionable calmly and with devastating effect."
—Ruth Rendell

"Horribly, monstrously funny . . . a merry and maddening jeu d'esprit."
The Independent on Sunday

"An elegant novel."
Boston Globe

"As appealing as it is inventive."
The Sunday Times


From the Trade Paperback edition.

Product Details

  • Hardcover
  • Publisher: Pantheon; 1st Us Edition edition (January 13, 1994)
  • Language: English
  • ISBN-10: 067943075X
  • ISBN-13: 978-0679430759
  • Product Dimensions: 8.4 x 5.8 x 0.9 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #2,645,887 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 11 people found the following review helpful:
3.0 out of 5 stars Surprise, shock, but dont degrade, August 28, 2000
The solution to this mystery, "The Dying Of The Light", is as clever as any of Mr. Dibdin's work. The matching of wits, the misdirection, and words so carefully chosen, create a wonderful adversary for the inspector. That his adversary is at least an octogenarian, creates a duel that is just that more interesting.

This story is a bit like the board game that requires the players to solve, who did what to whom, where was it done, and what was the weapon of choice. The setting is a home for the aged, and the environment is which they live could be described as one created by a satanic Dickens. This atmosphere is what I did not care for. A good mystery does not require the degradation of a character, humiliation does not shock as much as it makes the reader uncomfortable, and for me it does nothing but detract from the tale.

I have commented on many other of this Author's work, so I will not repeat the thoughts here. The resolution was excellent, the action leading to it however, barely made the book a worthy read.

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5 of 6 people found the following review helpful:
5.0 out of 5 stars Brilliantly dark humor with a focus on relationships, August 13, 1999
By A Customer
Dibdin is, in my opinion, what the mystery genre needs; a quality literature writer who happens to use mystery as an excuse to tell his story. His humor is deliciously dark and at times shocking. What sets him apart is his focus on relationships. The solution to the mystery is not nearly as important as how the characters interact. Dibdin deserves much more respect than we Americans have given him. Dibdin is what mystery should be. I also recommend the Aurelio Zen series for a "detective" with a distinctly melancholy personality.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars `Nothing is more usual, after all, for the principal suspect to become the next victim.', August 18, 2011
The scene appears to be an ordinary country house hotel, inhabited by the usual cast of characters, including the Colonel, the playboy, the clergyman, a rich invalid and, of course, the usual murderer. Rosemary Travis and her friend Dorothy Davenport need only find the clues to unmask the murderer's identity.

Except that, of course, nothing is as it seems at the Eventide Lodge which isn't even an ordinary country house hotel. No, Eventide Lodge is a truly awful nursing home run by William Anderson and his sister Letitia and dreadful things seem to be happening to the small number of geriatric residents living there.

Why did Hilary Bryant die, and what happened to George Channing? Is another resident involved, or could it be the proprietors?

When Dorothy herself dies, the night before she is due to leave Eventide Lodge for terminal cancer treatment in hospital, Rosemary may have a mystery on her hands. Or perhaps not: Dorothy may have killed herself. Or, if not, who did and why?

`There is no room for sloppy guesswork or vulgar sensationalism.'
In fewer than 200 pages, Michael Dibdin creates a mystery which I found more interesting for the descriptions of Eventide Lodge and the ways in which the characters interact than for the solution itself. It's a quick read and an enjoyable one despite its bleak black aspects: any place remotely like Eventide Lodge needs its own Rosemary Travis.

Jennifer Cameron-Smith
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