Dylanesque

Bryan Ferry | Format: Audio CD

Product Details

• Audio CD (June 26, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: Virgin Records
• ASIN: B000LPR0SE
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.7 out of 5 stars  See all reviews (51 customer reviews)
• Amazon Best Sellers Rank: #15,348 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Long a Bob Dylan fan, Bryan Ferry remade "A Hard Rain's A-Gonna Fall" for his 1973 self-titled album of covers. This time around, the celebrated Roxy Music leader turns in Dylanesque, recasting 11 Dylan classics during a single live-in-the-studio week that leaves the album sounding vibrantly faithful to the original numbers. Far be it for the imaginative contrarian to retrace Dylan's steps, and sure enough--despite an omnipresent harmonica--Ferry does just the opposite. The raw rocker "Just Like Tom Thumb's Blues" becomes a seductive British pop song, while despair and loneliness turn into effervescence for the driving "Simple Twist of Fate." Ferry's ageless tenor injects a modern momentum into early Dylan imprints "Positively 4th Street" (with strings!), "All I Really Want to Do," and "The Times They Are A-Changing," and gloriously respects the more recent "Make You Feel My Love" (from 1997's Time out of Mind). But the best is yet to come, as the oft-covered "Knockin' on Heaven's Door" may never have received better treatment and "Baby, Let Me Follow You Down" loses not a beat of its original knock-down luster. The record closes with "All Along the Watchtower," a twin tribute to Dylan and Jimi Hendrix, the visionary for this adaptation. --Scott Holter

Product Description

Bryan Ferry Photos

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Customer Reviews

Most Helpful Customer Reviews

35 of 40 people found the following review helpful:

4.0 out of 5 stars Bryan Ferry returns with a strong album of...Dylan covers, July 2, 2007

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WTDK "If at first the idea is not absurd, the... (My Little Blue Window, USA) - See all my reviews
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This review is from: Dylanesque (Audio CD)

First a confession--I'm a big Roxy Music/Bryan Ferry fan. I'm also a big fan of Bob Dylan. There have been many albums by Ferry I didn't really care for ("Taxi" except for one or two tracks rarely gets played and Mamouna is my least favorite Ferry solo album. While "Flesh & Blood" is, with the exception of two tracks, a complete waste of time as far as I'm concerned). I say all of that so you know where my bias is when it comes to Ferry's material. Ferry's weathered vocals actually compliment many of the songs here and even though he isn't the singer he once was (who is?), he makes up for some of his loss of range with his interpretative skills.

Bryan Ferry has tackeld Dylan before. His first time was with his art rock approach to "A Hard Rain's a-gonna Fall" and then the tracks on his last solo album. This time around he tackles an entire album full of Dylan songs and while the result isn't perfect, the bulk of these songs and their arrangements are inspired. Ferry works out arrangements that are both surprising and, at times, dazzling just don't go into this album expecting arrangements of the same songs cut from the same cloth as Dylan's--Ferry alters the arrangements to fit his vocal and arranging style much as he did with his album of standards from a couple of years ago.

The opener "Just Like Tom Thumb's Blues" is inspired with a nice groove, nice harmonica fills from Ferry. His voice is a bit ragged but, heck, it adds character to his trilling crooner's voice. "Simple Twist of Fate" is up next and, again, Ferry does a nice job here although it isn't as radically rearranged as "Tom" it's still quite good with nice guitar playing by Chris Spedding. "Make You Feel My Love" opens with stately piano playing by Colin Good that would have made this song fit in well with the material on "Stranded". "The Times Are a'Changing" has a bold, rocking groove and makes it sound signficantly different from previous covers of the song. "All I Really Want To Do" is nice but doesn't quite fit in within the other songs here with a more conventional arrangement.

Doing "Knockin' on Heaven's Door" is a pretty bold move for Ferry. Dylan's original is pretty definitive and Warren Zevon's cover reinvented it with a sense of desperation missing from the original. Ferry's version is solid but doesn't break any new ground. "Positively 4th Street" recasts Dylan's song with piano and a string background. Ferry's weary sounding vocals compliments the arrangement perfectly and the minimal use of percussion & guitar adds nice highlights to the song.

I have always thought of George Harrison's cover of "If Not For You" as the definitive cover but Ferry adds a syncopated beat and the moody, rolling guitar lines that Roxy were well known. The use of strings add a bit of punch when they kick in as well with just the right country flavor.
"Baby Let Me Follow You Down" features plenty of Ferry's harmonica playing and the use of organ gives this a feeling closer to what Dylan might do...well except for the funky rhythm guitar. "Gates of Eden" is a favorite of mine and Ferry recasts it in such a way that it would have fit in nicely right next to "Hiroshima" on his last solo album. "All Along the Watch Tower" closes out the album with an arrangement both familiar (because it touches on Hendrix's cover version)and original with some nice biting guitar work from Spedding. It's not a definitive version but it's a strong closer for the album.

Although it isn't quite as strong as Ferry's last solo album which mixed originals with a couple of Dylan covers, "Dylanesque" suggests that Ferry continues to be a terrific interpretor of other people's material. Although none of his regular Roxy Music cohorts appear on the album, his usual solo backing band (some of whom were added to Roxy for touring purposes)do a terrific job of reshaping Dylan's material.

Other Ferry solo albums where he covers every one from Dylan to Lesley Gore-

These Foolish Things
Let's Stick Together
Another Time, Another Place

29 of 34 people found the following review helpful:

5.0 out of 5 stars Knowing me, Knowing you, July 11, 2007

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[e-mail] "aka B. D. Love" (Los Angeles, California) - See all my reviews

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This review is from: Dylanesque (Audio CD)

I find the vitriol hurled at this CD to be especially appalling. This is a fine work. I've shared it with many friends, Dylan fans, and they all love it. Anyone who knows anything about Dylan knows that he constantly reinterprets his songs live, so what's the beef that Ferry follows Dylan's lead? Here, Ferry teases out the melodies that Dylan often only implies--which is Dylan's way, and that's totally cool, not meant as a criticism at all. The playing is subtle and informed. Ferry's harmonica is especially interesting, since it owes more, I think, to his keyboard articulation than to the traditional player's guitar in terms of phrasing.

There is not a duff track on this CD. You all know the songs and the arrangements already from previous reviews. The hostile criticism brings to mind a Dylan concert long ago, when he appeared with the Band and was booed for going electric. Some people need to grow up. Ferry is moving atmospherics and subtlety into arrangements in new ways, interesting ways. And guys, there is no connection whatsoever to Manilow. Clearly, this fine CD is not intended for the tone deaf. The rest of us will have it in their players for months and years to come. It's superb.

25 of 29 people found the following review helpful:

5.0 out of 5 stars Reinterpretation is Excellent, July 5, 2007

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Kevin J. Roberts - See all my reviews
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This review is from: Dylanesque (Audio CD)

How could the 2 star reviewer who purports to be a Dylan fan criticize this excellent work as seeming "to have been created for the sake of reinterpreting something that should need no interpretation". DYLAN IS ALL ABOUT REINTERPRETATION. Another artist's interpretations are always welcome. They may or may not be your favorite versions, but some of these are masterpieces of singing in their own right. Try it out. In the online world, collections of reinterpretations of Dylan are very popular, and Bryan Ferry has made an excellent contribution. Dylan himself would never want to be stuck with just the original recordings. They were only "sketches", "blueprints" or "outlines" in his world, a means for new interpretations.