- Premium 24-bit/192kHz A/D and D/A converters
- Type: E-MU XTCTM combo mic preamplifier and Hi-Z/line input w/ Soft Limiter
- Dynamic Range (1kHz, A-weighted): 117dB
- USB 2.0 Hi-Speed
- Cross-platform support
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Product Description
Amazon.com
E-MU's new 0404 USB 2.0 Audio/MIDI Interface delivers an unparalleled level of audio performance to your Mac or PC with premium 24-bit/192kHz A/D and D/A converters, pristine XTC mic/line/hi-Z preamps, ultra-low jitter clock and rock-solid stability. From its plug-and-play functionality and hands-on ergonomic design to professional features and signal-to-noise specs that are simply unmatched by any other USB interface on the market, the 0404 USB will forever change your expectations of USB audio. The 0404 USB also ships with the E-MU Production Tools Software Bundle that includes E-MU's Proteus VX, as well as software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many more - everything you need to create, record, edit and master your music.
The E-MU 0404 USB 2.0 features:
- Premium 24-bit/192kHz A/D and D/A converters* (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity
- E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping
- Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily connect all of your digital studio gear and instruments
- Ultra-low latency USB 2.0 drivers offer accurate timing and playback of your recorded audio and software instruments
- Hardware zero-latency direct monitoring (mono/stereo) allows you to record and overdub with no annoying delay
- Plug-and-play operation with hands-on control of all major functions like master level, direct monitoring, preamplifier controls and more
- Cross-platform support (Windows XP/x64 and Mac OS X) and compatibility with most popular audio/sequencer applications (Windows: ASIO2, WDM, MME, AC-3 and DTS Passthru; Macintosh: Apple CoreAudio, CoreMIDI, AC-3 and DTS Passthru)
I/O Configuration:
- Two E-MU XTC Ultra-low Noise Mic/Line/Hi-Z Preamps with Soft Limiter and 48V Phantom Power (-127dBu EIN)
- Two 1/4" Balanced Outputs (117dB SNR)
- Stereo 1/8" Speaker Output (117dB SNR)
- 24-bit/96kHz S/PDIF Optical In/Out (Switchable to AES/EBU)*
- 24-bit/96kHz S/PDIF Coaxial In/Out (Switchable to AES/EBU)*
- MIDI Input/Output
- Stereo Headphone Output (114dB SNR)
Product Description
Premium 24-bit/192kHz A/D and D/A converters* (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity. E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping. Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily connect all of your digital studio gear and instruments. Ultra-low latency USB 2.0 drivers offer accurate timing and playback of your recorded audio and software instruments.Hardware zero-latency direct monitoring (mono/stereo) allows you to record and overdub with no annoying delay. Plug-and-play operation with hands-on control of all major functions like master level, direct monitoring, preamplifier controls and more. Cross-platform support (Windows XP/x64 and Mac OS X) and compatibility with most popular audio/sequencer applications (Windows: ASIO2, WDM, MME, AC-3 and DTS Passthru; Macintosh: Apple CoreAudio and CoreMIDI).
Customer Reviews
Most Helpful Customer Reviews
73 of 74 people found the following review helpful
By J. Williams
Amazon Verified Purchase
I need to point out that this is an *audio* interface first and foremost. Some of the other reviews only mention its MIDI capabilities. It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio. It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).
Another review also talked about using it as an external sound card. You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with. No, if you're going to buy this box, buy it to record audio and/or MIDI.
If you're still confused as to why this thing exists, the bottom line is if you need it, you know it. This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.
Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to. What you're really paying for are the DACs and the software, both of which are extremely important to home recording. The hardware other than the DACs is kind of cheap and flimsy, but it works. It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing. One nice thing is having level displays on the box itself, which is something that some budget interfaces lack. Everything does work like it should.
A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency. I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office. That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports. I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1. If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability. If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it. (Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.) There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.
The software bundle is pretty amazing for the price, and it's another big reason why I bought this model. It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE. Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions. Do you really need 96 recording tracks for a home recording? 24 should be enough. But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself. This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.
I give it four out of five stars only because of its questionable durability. This is not the interface you want if you plan to carry it around in a gig bag all over the place. Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff. Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power). But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.
Another review also talked about using it as an external sound card. You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with. No, if you're going to buy this box, buy it to record audio and/or MIDI.
If you're still confused as to why this thing exists, the bottom line is if you need it, you know it. This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.
Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to. What you're really paying for are the DACs and the software, both of which are extremely important to home recording. The hardware other than the DACs is kind of cheap and flimsy, but it works. It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing. One nice thing is having level displays on the box itself, which is something that some budget interfaces lack. Everything does work like it should.
A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency. I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office. That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports. I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1. If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability. If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it. (Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.) There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.
The software bundle is pretty amazing for the price, and it's another big reason why I bought this model. It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE. Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions. Do you really need 96 recording tracks for a home recording? 24 should be enough. But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself. This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.
I give it four out of five stars only because of its questionable durability. This is not the interface you want if you plan to carry it around in a gig bag all over the place. Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff. Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power). But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.
16 of 17 people found the following review helpful
By J. Abraham
Amazon Verified Purchase
Unlike lots of people I did not buy this for it's MIDI capabilities. I bought this expressly to supplant my onboard sound in my Win XP machine. Unless you're an audiophile of some sort, most people have little idea how bad onbaord sound is (non-dedicated sound card).
This is primarily a first rate sound card and then a MIDI controller. It also has an excellent headphone amp integrated into it. Build quality is excellent as are the controls. Just for clarification this is a USB card, it will install easily and take over for your onboard or dedicated sound card.
Do yourself a favor and pick this up, the sound improvement is dramatic and not some audiophile "voodoo".
This is primarily a first rate sound card and then a MIDI controller. It also has an excellent headphone amp integrated into it. Build quality is excellent as are the controls. Just for clarification this is a USB card, it will install easily and take over for your onboard or dedicated sound card.
Do yourself a favor and pick this up, the sound improvement is dramatic and not some audiophile "voodoo".
9 of 9 people found the following review helpful
I bought this product a few months ago from another retailer. I use it with a MacBook 2ghz, 2GB RAM, blah blah blah. When I ran MacOS 10.4 Panther it worked great. The audio quality is excellent *IF* your source inputs are clean. By that I mean, if you're using a high quality microphone with XLR inputs you will get a very clean sound. I've also used it with a Martin D16RT acoustic guitar with builtin mic and a Taylor 812ce with builtin pickup and - again - it recorded extremely clean audio. The product works as advertised.
But, as of February 12th 2008, if you're running MacOS X 10.5 Leopard it doesn't work. I can't start standard audio applications like Garageband, they just crash. You'll have to remove the EMU driver to get the system back to normal too. Took me several hours to figure dig through the issue and determine the cause.
I hope EMU provides a driver update for 10.5 in the near future. But CHECK BEFORE YOU BUY if you're running Leopard.
But, as of February 12th 2008, if you're running MacOS X 10.5 Leopard it doesn't work. I can't start standard audio applications like Garageband, they just crash. You'll have to remove the EMU driver to get the system back to normal too. Took me several hours to figure dig through the issue and determine the cause.
I hope EMU provides a driver update for 10.5 in the near future. But CHECK BEFORE YOU BUY if you're running Leopard.
Most Recent Customer Reviews
5.0 out of 5 stars
good product
good beginner audio interface...works as advertised, great bundled software ,great price,real easy to install and use.The potentiometers feel a little flimsy but work ok. Read more
Published 10 days ago by cosmin adam
4.0 out of 5 stars
Works for me, Maybe not for you...
I have a windows 7 64 and with all the negative comments about the no support from Emu or any new drivers truly worried me. I made sure I could return it if it did not work. Read more
Published 24 days ago by Craig
2.0 out of 5 stars
Don't buy if you run Windows 7!!!!
I bought this product back in 2007. It worked great then. My problem now is that I have upgraded to Windows 7. This device does NOT SUPPORT that OS. Read more
Published 2 months ago by joey
1.0 out of 5 stars
It was a very good product
Since Creative has, without admitting, dropped e-mu products development and support, unless you love XP so much that you're willing to stick with it, don't buy any e-mu products! Read more
Published 4 months ago by Macbrush
2.0 out of 5 stars
Poor software makes any hardware useless.
I came back to realize that I can't use my audio interface anymore. There is a huge lack of software support for this line at Creative. Read more
Published 8 months ago by Jo Simard
1.0 out of 5 stars
dont buy if you use windows 7
i think this device works ok, but i wouldn't know because the makers have never released a driver for it. Read more
Published 17 months ago by zxc
3.0 out of 5 stars
Stable with Leopard
- Sound quality: Well, looking at the specs you might expect great sound, but in this category it is a let down. Read more
Published 17 months ago by DanTheMan
5.0 out of 5 stars
I love it!
I use this to do simple recordings with a couple of condenser mics. The quality of the recording is excellent, very clean with low noise floor. Read more
Published 23 months ago by Jason
4.0 out of 5 stars
Great, but no 64-bit Snow Leopard drivers for the Mac
Sound quality is good, but most modern Macs ship with a "64-bit" kernel, and the drivers for this unit haven't been updated in some time. Read more
Published on April 12, 2011 by KB
5.0 out of 5 stars
Best home recording interface in it's price range
First of all, I've owned this all in one audio interface for upwards of 5 years and it's been wonderful to me. Read more
Published on April 10, 2011 by Intermediate user
