The EC Archives: Shock Suspenstories Volume 1 (v. 1) [Hardcover]

Al Feldstein (Author, Artist), Wally Wood (Author), Jack Davis (Author), Graham Ingels (Author), Joe Orlando (Author), Jack Kamen (Author)

Book Description

Publication Date: November 28, 2006 | Series: The Ec Archives

This beautifully bound hardcover reprints the first six complete issues (24 stories) of the comic book Shock SuspenStories, originally published in 1952. Includes stories by William Gaines & Al Feldstein, with art by Jack Kamen, Jack Davis, Joe Orlando, Graham Ingles, and Wally Wood. Featuring a foreword by Steven Spielberg this book looks back at some of the edgiest and best written stories in comic history.

Product Details

• Hardcover: 212 pages
• Publisher: William M. Gaines Agent, INC. (November 28, 2006)
• Language: English
• ISBN-10: 188847257X
• ISBN-13: 978-1888472578
• Product Dimensions: 11.4 x 8.7 x 0.9 inches
• Shipping Weight: 2.6 pounds (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #300,551 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

52 of 58 people found the following review helpful:

5.0 out of 5 stars ARMCHAIR CRITICS: STOP WITH THE SPOILERS!, December 21, 2006

By 

Thomas Bumbera (Maplewood, NJ USA) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: The EC Archives: Shock Suspenstories Volume 1 (v. 1) (Hardcover)

A big "thanks for nothing" to the reviewers who are actually giving away the shock endings to these great little gems in their reviews! So stop, already, Tim Janson and "friends," there are a lot of people under 60 who didn't read these comics in 1953, and we'd like to enjoy the fun of discovering the twisted E.C. endings for ourselves, if you don't mind!

8 of 10 people found the following review helpful:

5.0 out of 5 stars A new welcome for a well known comic-book series, February 1, 2007

By 

Diego Cordoba - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: The EC Archives: Shock Suspenstories Volume 1 (v. 1) (Hardcover)

For those of you like me who have already bought the prevoius black and white reprints by Russ Cochran before and are wondering whether these new and recolored reprints are worth your hard earned money, the answer is YES! As much as these comics have attained cult status it's great to finally have them under new hardcovers, printed on heavy-stock glossy paper and in COLOR.

Eventhough the coloring has been done on a computer, it maintains Marie Severin's original color schemes, which still gives it that retro-look (the male characters wearing cyan-blue and sometimes orange suits, phew). The printing never looked this good and though the notes by Cochran tries to give some historical context to the stories it isn't as good as the notes for the previous black and white reprints, but this is a minor quibble.

About the only negative thing I can think of from these reprints, is that it'll take me another fifteen years to get the whole collection once again (and depending on your age, some will never get to see the whole series once the reprinting is finished).

For those of you who are only into superheroes, forget it, this isn't for you, but if you are into well written and drawn stories this is way ahead of anything Marvel or DC could ever think about.

A really warm welcome to see and read once again the (in-)famous EC comics. Great job by everyone involved.

8 of 10 people found the following review helpful:

5.0 out of 5 stars Finally!, February 3, 2007

By 

Charles D. "CD" (Massachusetts) - See all my reviews

This review is from: The EC Archives: Shock Suspenstories Volume 1 (v. 1) (Hardcover)

Just as I started thinking about the old E.C. titles and how I'd like to get my hands on some of the reprints that came out in the 1980's, I found out they were getting reprinted in hardcover trades! I was young when I first started reading the E.C. books, picking up the single-issue reprints of whatever was available at the supermarket or drug store. All of those copies were thrown away as a punishment nearly 20 years ago, along with all the other comics I had. I started reading comics again in 2001, and lately I've been dying to read these old stories from the 1950's that I connected with so heavily, forty years after they had originally been collected.

I've picked up this title and Weird Science, so far, and they both deliver even more than I thought they would. The original art was used in the re-printings. The lines and shading of the reprinted art is just as crisp as it may have been in the 1950's, perhaps crisper. The lettering is also amazingly clean and it's a blast to read Al Feldstein's thoughts on how each artist had his own distinctive style of bubbling/boxing in the letters that matched his artistic style.

And the colors, well I can't say that I ever laid eyes on the original printings, but I would imagine that the re-colorings are at on par. Even if they are not, they are certainly more defined than in the reprinted issues from the 1980's. Those issues are what I have to go on, and the reprinting in the hardcover surpasses them in quality--I managed to find a couple of back issues of the "Tales From the Crypt" and "Vault of Horror" reprints so I am able to compare them. Plus, everything is printed on high-quality, glossy paper. It's really a great job. And the writing is, of course, unchanged. It's amazing how Feldstein had so many stories in his head, churning out four stories per issue plus one or two one-page short stories. They hit just as hard as ever, with the "preachies" standing out like lightening blasts. To have read these fiery anti-bigotry stories in 1952 must have been a shock, indeed. All the letters pages and E.C. ads are also faithfully included.

Only downsides? It sells for $50 in the comic shops. Personally, I think it is worth the price considering just how well these stories are reprinted and the fact that it just gets harder and harder to find any trace of the older reprints, including the old hardcover reprints. The price just puts the younger readers out of range, though, kids will have to rely on their parents to fork over the cash if they want to be shocked and in suspense. The other downside is that it seems the volumes are going to be coming out just as slowly as every other comic book company puts out their trades, and that Weird Fantasy (the stories I am most interested in!) isn't scheduled until lord only knows when. They are putting out just one new volume every two months! Maybe if they sell fast and well, the release schedule will be quickened....hint, hint...BUY THEM!

To further answer the questions from die-hard fans about how faithful the re-colorings are, here is a quote from Russ Cochran, in charge of the project, from an interview by Jim Patterson for "Tales of Wonder" (Google it):

"RC: I remember when I saw the Nostalgia Press book Horror Comics Of The '50s. I was very disappointed in the color. It was garish and so strong in some cases that it tended to obliterate the artwork. The original ECs were printed on the cheapest grade of paper which absorbed the colors and kept them from being too garish. When these same color separations were printed on a better quality paper, the color was too strong. This has been a problem in virtually all the Archives projects from DC and Marvel and I wanted the EC Archives to solve that problem, and I believe it has. First of all, the earliest EC Comics from 1950 were not colored by Marie Severin. They were colored by employees of Chemical Color Engraving and this coloring left a lot to be desired. Bill Gaines and Al Feldstein were very unhappy with the coloring from Chemical. Toward the end of the first year John Severin mentioned that his sister, Marie Severin, could do a better job of coloring all the ECs. She was hired and subsequently colored all the EC product. Every page in the EC Archives has been re-colored using modern computer technology to include fades and blends, modeling on faces and clothing, and other modern techniques to achieve a more pleasing color page. But in doing this Marie's original color schemes and style were followed."