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10 of 10 people found the following review helpful:
3.0 out of 5 stars
A decent collection for the casual fan, November 4, 2003
This collection is okay. There is nothing wrong with the songs on this compilation; in fact, they are the best songs of Led Zeppelin's career and each one has amazing power and craftsmanship behind it. However, few Led Zeppelin fans remain casual, and what should you do if you want more?As the other reviewers urge, I recommend shelling out the money for the box set. I own it, and it's a truly beautiful, remastered collection with 10 disks in sleek packaging, showing the masterful artwork and majesty of the original LPs. With bonus tracks and even a book included, it's well worth it. Led Zeppelin was essentially an album band, with the beautiful covers reflecting their titles and contents, contradictory to the age-old saying, "don't judge a book by its cover." Led Zeppelin also did transitional material on some albums, like Your Time Is Gonna Come/Black Mountain Side on Led Zeppelin, the debut album. In these two songs, the chords of Your Time... resonate into Black Mountain Side, so it would be unthinkable to separate the two. On Physical Graffiti, arguably the best album aside from IV, most of the songs are long. In fact, ALL Led Zeppelin songs are usually 4-8 minutes long, so how could you fit all the greats on two discs? The biggest dissapointment is 'forgetting' to include In My Time Of Dying, a 10.22 epic that I could not have become a fan without. And what about In The Light, also from PG, Jimmy Page's favorite song on his favorite album? Doesn't the band get any say in what their greatest hits are? Still, I would recommend this to a Led Zeppelin novice, for it shows off the truly impressive songs without the frustration of their listener meandering into a 10-minute song without knowledge or reassurance of its quality. I would also recommend BBC Sessions, perhaps even instead of this album and in addition to the box set, for it is their best live recording available, genuinely showing their stage behavior and mixing in old blues medleys, their roots, with classics.
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