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Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900-1950
 
 
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Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900-1950 [Hardcover]

Robert Philip (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

0521235286 978-0521235280 October 30, 1992
Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important and hitherto neglected resource in the history of musical performance. The book concentrates on aspects of performance which underwent the greatest change in the early twentieth century, including rhythm, rubato, vibrato, and portamento. The final chapters explore some of the implications of these changes, both for the study of earlier periods and for the understanding of our own attitudes to the music of the past.


Editorial Reviews

Review

..".a gold mine of performance-practice source material that he uses not only as a demonstration of how radically performance style has changed in the twentieth century, but also as a case study in the nature of our understanding and interpretation of performance-practice documentation in general. Philip's book is, indeed, nothing short of revolutionary....This is a book that no one with an interest in musical performance style can afford to overlook." Douglas Leedy, Performance Practice Review

Book Description

In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important, and hitherto neglected, resource in the history of musical performance.

Product Details

  • Hardcover: 284 pages
  • Publisher: Cambridge University Press (October 30, 1992)
  • Language: English
  • ISBN-10: 0521235286
  • ISBN-13: 978-0521235280
  • Product Dimensions: 10 x 7 x 0.9 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,527,464 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
5.0 out of 5 stars The Evidence Mounts Up, January 14, 2006
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For what it does, this is an excellent study. Who else would take the time to document in utmost metronomic detail the subtle shifts of tempo in a wide variety of compositions, performed by an extremely varied group of performers so that we can now have a 'performance practice' of early 20th century performers instead of just that of the 16th-18th centuries and earlier?
This book will give back-up to those present day performers who recognize the need for extricating concepts of tempo from the limitations of the late 20th century which Philip discusses in this book and for re-creating in modern interpretations the tempo rubato taken for granted in the late 19th century, to say nothing of earlier centuries.
The reader certainly does not have to agree with all his conclusions to recognize that Philip has done his chosen task very, very well indeed.
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Inside This Book (learn more)
First Sentence:
The three chapters in Part I are about the most fundamental aspect of musical performance, rhythm, from the basic tempo, and the extent to which it changes within a movement, to the detailed relationship between one note and another. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
melodic rubato, unequal quavers, frequent portamentos, discreet portamentos, prominent portamentos, woodwind vibrato, flute vibrato, flexible phrasing, maximum tempos, poco stretto, broad phrasing, descending portamentos, general performance practice, continuous vibrato, violin fingering, detailed phrasing, final quaver, third quaver, rhythmic adjustment, slower vibrato, energetic passages, variable prominence, violin vibrato, agogic accents, rhythmic dislocation
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Philadelphia Orchestra, Paris Conservatoire, Vienna Philharmonic Orchestra, Concertgebouw Orchestra, London Philharmonic Orchestra, Royal Albert Hall Orchestra, Weist Hill, Berlin Philharmonic Orchestra, Queen's Hall Orchestra, Richard Strauss, Flonzaley Quartet, Busch Quartet, Don Juan, Lener Quartet, Leopold Auer, Royal Philharmonic Orchestra, World War, Dresden State Opera, Berlin State Opera Orchestra, Bohemian Quartet, Colonne Orchestra, Halle Orchestra, Lamoureux Orch, Marie Hall, Original Theme
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