The eleven essays ad tales in this collection include about half of Flaubert’s early experiments in writing. They reveal the eye of a precocious artist who used everything from routine newspaper accounts to the psychopathology of his everyday life as material for fiction. His transformation of reality is best exemplified by “Diary of a Madman,” based on a chance encounter of the pubescent Gustave with Elisa Schlesinger at Trouville during the summer of 1836. The range of his youthful imagination is illustrated by pieces in the Byronic mold, by caricature of philistine values, epic scenes, metaphysical themes, the fantastic genre of the “wild tale,” and psychological studies that anticipate his larger portrayals of character. Early Writings reveals the young writer working toward more complex tableaux, increasingly preoccupied with the tension between language and art, medium and ideal. From the beginning Flaubert was obsessed by the daunting task of making language eternalize fleeting perceptions.
