From School Library Journal
Grade 2-4-These 35 poems about animals include elephants and deer as well as minnows, mussels, and barnacles. Hubbell is a careful observer, using visual images, sound, and texture to paint vivid portraits of these creatures' lives. Comparisons of giraffes in the zoo to sunflowers wilting in a vase or of a starfish to a human hand are fresh and powerful. The author uses a variety of forms, including rhyme, free verse, and concrete poems, to capture the essence of each "earthmate." Hubbell is at her best when she describes the incongruities of animals' interactions with humans: the "fat old mallard drake" posed precariously on a high wire, the Canada geese who enter her kitchen, or the toad squatting on her green rug. Cassels's realistic watercolor paintings accurately depict each animal so that the image in the poem is doubly conveyed. Similar in format and tone to Charles Norman's The Hornbeam Tree and Other Poems (Holt, 1988; o.p.) and Jane Yolen's Bird Watch (Paper Star, 1999), this is a lovely collection.
Barbara Chatton, College of Education, University of Wyoming, Laramie Copyright 2000 Reed Business Information, Inc.
The lush illustrations in greeting-card style intrude on the poetry in this collection: not only the deer, but also the lion and the frog have liquid Bambi eyes and cute, expressive faces. The poetry is better than the art, playful and physical, with a strong sense of each animal's behavior and movements. "Rat" is a name shouted with "throaty disgust," but the animal flicks away, a "gray bullet" of a body. The viewpoint is always human: trying to talk to a frog ("Hey! / greenglove / O slicksleeve!"), straining to hear a whale's song ("but the wind's fat fingers / plug my ears"), or watching bats wheel by the porch, dodging, soaring, and swerving back. The rhythm and sound of the very short lines reinforce the sense of the wild, astonishing creatures. If only the pictures were less cozy.
Hazel Rochman