Amazon.com Review
Penzler Pick, August 2001: A bestseller in England, Susanna Jones's first novel is one of those books that grips you while you read and stays with you long after you've finished.
Lucy Fly is an English woman working as a translator in Tokyo. When the story opens she has been arrested for the murder of another English woman, Lily Bridges, whose partial remains have just been found. As Lucy is interrogated, she tells of her childhood in Yorkshire, her ability with languages, and her escape from her drab life to the relative anonymity of living in Japan. She also talks about her friendships: with the Japanese women with whom she works and sometimes socializes; with Teiji, a photographer with whom she is having an affair; and with Lily, who comes from the same part of Yorkshire as Lucy and who reminds Lucy of everything she is trying to escape.
And yet Lucy is drawn to Lily. Lily is working as a bartender, but in England she was a nurse and, when the two of them go on a hike together and Lucy is hurt, she is made comfortable by Lily's attentions. Even as we listen to Lucy, we feel that she may be hiding something from us. She doesn't tell us a great deal about her affair with Teiji, for instance. In fact, she admits that she doesn't remember much of their conversations, although she tells us that they must have talked a lot since she knows so much about him. Also disconcerting is her strange habit of lapsing into the third person when talking about herself.
As she reveals what she knows to the police--and to the reader--they, and we, become increasingly uncomfortable. The more we know about Lucy, the less we understand about her relationships with Teiji and Lily. When we finally do understand some of what she is saying, we are shocked.
This little gem of a book is a startlingly good debut. --Otto Penzler
From Publishers Weekly
"If Lily had never met me she would be alive now," says Lucy Fly, the narrator of Jones's intriguing debut. She is being interrogated by Tokyo police for her friend Lily's murder. Making matters worse, Lucy's lover, Teiji, has also gone missing. Ten years ago, Lucy left behind an unhappy life in Yorkshire, England, to lose herself in the exotic, anonymous bustle of a faraway city. Now in her 30s, she is content with her job as a translator and her otherwise Spartan existence, fixating on Teiji, a photographer and loner rather like herself. Then she meets Lily, who also comes from Yorkshire and is on the lam from her stalker boyfriend. At first Lucy resents this reminder of her past, but she soon grows attached to the lonely, insecure girl. Lucy is full of contradictions: though once sexually promiscuous, she is jealous of Teiji's ex-lover, a mysterious woman who only seems to exist in his photographs. Jones's pacing is skillful and deliberate as she replays the troubling moments from Lucy's past distant and recent that seem to point to her guilt (for instance, Lily is not the first person of her acquaintance to have met an unfortunate end). The descriptions of Japan's landscapes, language, people and customs are delivered with fluency and intimacy, yet with the slightly detached clarity of an expat. Some readers may find Jones's intermingling of first- and third-person narration self-conscious and distracting "What I had chosen to share with him was my very first sexual encounter, Lucy's first crunch into the apple" and the hazy ending raises more questions than it answers. But this is less a whodunit than an examination of the slippery nature of truth and memory, obsessions and betrayals, all of which Jones handles with confidence and skill. National print advertising.
Copyright 2001 Cahners Business Information, Inc.
