From Publishers Weekly
Three bright, punchy snapshots from poet and painter Barnes, first published in a limited edition in 1990, track a family's unconventional approach to divorce. The opening, The Boat, finds the intact family in Alaska, where the young, female narrator lives with her veterinarian father; her dark, elusive mother; and her three sisters. The unnamed girl finds escape and contentment on a leaky boat out on the nearby river, leading to conflict with her protective father. In Earthquake, the parents get a divorce, dividing the four girls up by ages. The narrator and her older sister, Linda, are sent to live with their father and grandparents in Waltham, Mass.—with predictable new-kid results. Calling Home records the later years in the eclipse of the narrator's liberty, signified by restrictions put on the girls as they attempt to skip school, join a church and explore the countryside around their house. What makes it work, beautifully, is Barnes's simple declarative style: He cleaned up my hand in the kitchen sink. He didn't say anything. In these arresting vignettes, Barnes vividly portrays a youthful yearning for freedom.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Susan Barnes spent her childhood in Alaska and Massachusetts. After years of traveling with her children, Kate and Ezra, she received her MFA in Painting from SUNY, Buffalo. She taught for several years at Cooper Union before moving to Pouch Cove, Newfoundland. She now lives and works in Biddeford, Maine.