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Earthwards: Robert Smithson and Art after Babel
 
 
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Earthwards: Robert Smithson and Art after Babel [Paperback]

Gary Shapiro (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

November 20, 1997
The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer.
Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.

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Editorial Reviews

From Library Journal

A work's difficulty may be physical or philosophical, geographical or generational, but achieving access must be worth the effort. Smithson's art, writing, and complex but important role in postmodern aesthetics and criticism seem to many to be purposely inaccessible. In this sympathetic, lucid interpretation, Shapiro makes the game of revelation well worth the candle. The transparency of language, the return to the groundwork beneath the false structure of contemporary art, the philosophical implications of environmental concerns and site-specific creations?all are explored with a view to marking the artist's place in the intellectual legacy of modern aesthetic discourse. Smithson's biography is still to be written, and his eventual place in art history is yet to be determined. Until then, this book is a splendid analysis of this powerful thinker and a valuable addition to the literature on contemporary artists.?Paula Frosch, Metropolitan Museum of Art Lib., New York
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From the Inside Flap

"Robert Smithson, more than any other one artist, defined the terms of what is now called postmodernism. In this amazingly good-humored book he finds his ideal commentator. Gary Shapiro has important things to say about Dewey, Derrida, Hegel, and Heidegger; about the history of landscape gardening and Poussin's images of Arcadia; and about Duchamp's ready mades and the art criticism of Clement Greenberg. Writing with beautiful lucidity, he demonstrates how much aesthetics has to gain from a close-up study of one of the greatest recent American artists (and art writers). Art critics will find in this book a highly original account of a figure they have often written about. Aestheticians shall discover in this graceful text radically original perspectives on many familiar themes. Impressive in its erudition, effortlessly wide-reaching in its references, Shapiro's book inaugurates what will be a highly productive dialogue among artists, art writers, and philosophers of art."--David Carrier, Carnegie Mellon University

"It is an inspiration to analyze Robert Smithson's earthworks through the lens of Martin Heidegger's philosophy of art, in which the concept of earth plays so central a role. It is fitting artist and philosopher together in a way that makes salient the profound originality of each. But this is only one of the inspired connections Gary Shapiro manages to find between the work of this tremendous artist, and a body of thought which clarifies, enhances, and interprets it. Shapiro's own text is a model of lucidity and care, aesthetic sympathy, and philosophical respect. Smithson has found in him the thinker, the critic, the explainer that the weight, power, and dignity of his work has needed."--Arthur C. Danto

Product Details

  • Paperback: 284 pages
  • Publisher: University of California Press (November 20, 1997)
  • Language: English
  • ISBN-10: 0520212355
  • ISBN-13: 978-0520212350
  • Product Dimensions: 7.9 x 6.5 x 0.6 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,328,204 in Books (See Top 100 in Books)

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2 of 5 people found the following review helpful:
4.0 out of 5 stars Robert Smithson, March 28, 2000
By A Customer
Robert Smithson, precurser of land art and author of the "Spiral Jetty", is one of the major artists of our century. "Earthwards..." offers a great insight into Smithson's opus and contains wonderful illustrations of his works.
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Inside This Book (learn more)
First Sentence:
Robert Smithson's first major published essay begins with nothing less than a theory of time. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
uncanny materiality, temporal surfaces, mirror displacements
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Robert Smithson, New York, Smithson Unearthed, Tower of Babel, Great Salt Lake, Partially Buried Woodshed, Broken Circle, Donald Judd, Incidents of Mirror-Travel, Carl Andre, Martin Heidegger, Robert Morris, Van Gogh, Clement Greenberg, Eton Corrasable, Jackson Pollock, Sedimentation of the Mind, Spiral Hill, Craig Owens, Dallas-Fort Worth, Heap of Language, Kent State University, Michel Foucault, Museum of Language, Richard Serra
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